
NBA Playoffs 2025: ESPN's Postseason Run Highlighted by New Cameras, Player Mics, Flagship Mobile Unit After remote/shared operations, Western Conference and league Finals will be onsite production By Jason Dachman, Editorial Director, U.S.
Thursday, April 17, 2025 - 3:15 pm
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Story Highlights
With a particularly dramatic edition of the NBA Play-In Tournament wrapping up tomorrow night, the 2025 NBA Playoffs officially tip off this weekend with ESPN's triple-header of Round 1 coverage on Saturday followed by a blockbuster doubleheader on ABC on Sunday. For ESPN's veteran remote-operations team, the ultra-busy weekend is just the start of a two-month odyssey culminating in the NBA Finals in June.
ESPN plans to have more than 40 camera sources, like this Sony camera with a Canon lens, for its NBA Finals coverage in June.
We have the best and most experienced operations and technical teams returning for this playoffs run, says Eddie Okuno, senior remote operations specialist, ESPN. The same goes for the best crews in our industry that support our NBA games year in and year out.
After relying largely on REMI and REMCO production models for the Play-In Tournament, ESPN will share the load with RSNs in the early rounds of the playoffs before deploying massive onsite operations for the Western Conference Finals and league Finals. In addition to a full arsenal of cutting-edge cameras, audio tools, and AR graphics, ESPN's tech complement will include the new Flagship mobile unit from Game Creek Video, which debuted this month.
Play-In Games Get the REMI PLUS, REMCO Treatment Wednesday's Play-In games exclusively deployed ESPN's REMI PLUS workflow: the broadcaster supplied all cameras/operators for manned and robo positions, as well as for onsite announcers/reporter, and transmitted the feeds to Bristol, CT, for integration at one of ESPN's REMI production-control rooms.
After relying largely on REMI and REMCO production models for the Play-In Tournament, ESPN will share the load with RSNs in the early rounds of the playoffs before transitioning to full onsite production.
Friday's final Play-In game will use ESPN's REMCO workflow with producer/director and on-air talent onsite. The graphics AP, graphics operator, clock and score operator, and up to four EVS replay operators will operate from either Bristol or Charlotte, NC.
REMI Operations is also staffing a Viz Libero operator in Bristol on all matchups for on-screen telestration. The operator works with a producer located at their home.
We at REMI Operations are extremely proud of our teams across Bristol and Charlotte that have been on this project, says Scott Chamberland, supervisor, REMI Operations, ESPN. We documented some amazing stories this season: Luka's return to Dallas, Hubie Brown's last called game, and many more. The technical skills of our operators and the relationships built with our production team puts us in the best position as we head into the playoffs.
ESPN Shares First-Round Load With RSNs, Has Big Plans for Finals All of ESPN's first-round games will be non-exclusive broadcasts with ESPN sharing compound space and camera positions with their home and visitor RSN partners.
ESPN's new Flagship mobile unit features a Calrec Argo Q audio console.
We have had an incredibly cooperative and successful NBA season sharing feeds with our RSN partners and will continue onto the first round of playoff games, says Okuno. All productions benefit from the shared resources as the storytelling resources for game coverage increases.
All first-round games will be produced in 1080p SDR using six hard cameras, four handheld cameras, two above-the-rim robos, and two basket POV cameras. For the second round, ESPN will add more high-frame-rate super-slo-mo cameras and EVS replay channels.
Many playoff games will deploy the newer and smaller Q5X Digital PlayerMic X.
Many playoff games will also have enhanced audio quality highlighted by deployment of the newer and smaller Q5X Digital Player Mic X.
In preparation for the Western Conference Finals and NBA Finals, Okuno adds, ESPN will be testing multiple technology offerings that debuted at NAB 2025.
Once the NBA Finals arrive, ESPN will once again roll out one of its biggest production complements of the year, with more than 40 camera sources planned. The shows will also feature double-digit HFS super-slo-mo cameras, cinema-style high-frame-rate-camera capture and replay, and SkyCam (with AR/VR), and a drone (with AR/VR).
After debuting this month, ESPN's new Flagship mobile unit (A, B, and C units) will be front and center throughout the NBA Playoffs. The once-in-a-generation truck will serve ESPN's A-game for the first and second rounds before working the Western Conference Finals and NBA Finals. Besides Flagship, ESPN will deploy NEP EN1 (A, B, C, D, and E units) in the other city for the Conference Finals and Finals.
ESPN's coast-to-coast NBA operations over the coming months will be led by Chamberland, Shane Smith, Luis Manuel Lopez, Kim Conrad, Kelley Nagi, Christine Rouskas, Kristianna Bryant, Johnathan Williams, Erick Guyton, CJ Chalverus, Heidi Walker, Jason Dorsey, Meredith Fenwick, Kevin Pedersen, Lacey Gandee (Charlotte), and Joe King (Charlotte).
The technical team is led by Okuno, Alan McDonald, Paul Kucharski, Justin McIntosh, Ben Neiger, Ben Ellison, Zaque Meyers, Mike Krivens, Nolan Lynch, Chris Baylis, and Neang Ne.
Crewing and resources are managed by Candice Manning, Stephanie Cannon, Max Morales, Jocelyn Thomas, and Laurie Niziolek.
It's a privilege to carry the responsibility of capturing NBA history and being part of its legacy, says Okuno. We are extremely excited, honored, and proud to start coverage of the 23rd NBA Playoffs run for E
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