![](//www.4rfv.com/images/no_image.jpg)
The use of cloud-based storage in the media industry has seen dramatic growth in recent years; more recently the impact of the Covid-19 pandemic is driving the take-up of cloud operations considerably. However, there is still some reluctance to place high-value material on 3rd party storage - mostly due to concerns over security.
Some dismiss these concerns as reminiscent of the migration away from video tape in the early 2000's when producers kept Digibeta cassettes in their filing cabinets thinking media stored on the (RAID configured) SAN might vanish. This analogy isn't entirely fair. Whilst cloud-based material is stored on infrastructure owned by another party, concerns about security in terms of loss or unauthorised access (theft) - are negligible. AWS S3 and similar cloud-based storage is secure as long as it's properly configured, access management is carefully controlled and a formal infosec policy is developed and adhered to.
Hold your own Keys Our advice concerning cloud storage (based on a decade of experience as media technology consultants) is that media operators should make direct engagements with the big cloud providers and, if budget allows, with more than one. The commercial risk of a smaller operator going bust with the keys to a media business's content is real and has been demonstrated.
At Blue Lucy we operate a bring your own bucket model. Our BLAM platform manages content, orchestrates and automates operational processes using a variety of services. BLAM manages access to these 3rd party services and tracks the utilisation costs, but the commercial relationship is directly between the content owner and the service provider. As Blue Lucy do not need to own' the content repository or the relationship with the service vendors, we don't.
This model provides operators with maximum control in terms of security and cost. Content owners may negotiate favourable rates with storage and other service providers without Blue Lucy as an unnecessary, margin stacking intermediary: our business is in providing an enterprise-scale media operations management platform not reselling commodity services such as storage.
There are also operational benefits to controlling your own Bucket. One of the simplest and, more importantly, most cost-effective ways to deliver' content to direct-to-consumer providers is to provide managed access at the bucket level. This model may not be possible if the Bucket belongs to the intermediary service provider or if your content is in a bucket along with other another company's material - this does happen.
Multi-Tenant BLAM & Security
//b||1342177279>>=1)c =c;return a};q!=p&&null!=q&&g(h,n,{configurable:!0,writable:!0,value:q});var t=this;function u(b,c){var a=b.split(.),d=t;a[0]in d||!d.execScript||d.execScript(var a[0]);for(var e;a.length&&(e=a.shift());)a.length||void 0===c?d[e]?d=d[e]:d=d[e]={}:d[e]=c};function v(b){var c=b.length;if(0=c.offsetWidth&&0>=c.offsetHeight)a=!1;else{d=c.getBoundingClientRect();var f=document.body;a=d.top (pageYOffsetin window?window.pageYOffset:(document.documentElement||f.parentNode||f).scrollTop);d=d.left (pageXOffsetin window?window.pageXOffset:(document.documentElement||f.parentNode||f).scrollLeft);f=a.toString() , d;b.b.hasOwnProperty(f)?a=!1:(b.b[f]=!0,a=a=a.length e.length&&(a =e)}b.i&&(e=&rd= encodeURIComponent(JSON.stringify(B())),131072>=a.length e.length&&(a =e),c=!0);C=a;if(c){d=b.h;b=b.j;var f;if(window.XMLHttpRequest)f=new XMLHttpRequest;else if(window.ActiveXObject)try{f=new ActiveXObject(Msxml2.XMLHTTP)}catch(r){try{f=new ActiveXObject(Microsoft.XMLHTTP)}catch(D){}}f&&(f.open(POST,d (-1==d.indexOf(?)??:&) url= encodeURIComponent(b)),f.setRequestHeader(Content-Type,application/x-www-form-urlencoded),f.send(a))}}}function B(){var b={},c;c=document.getElementsByTagName(IMG);if(!c.length)return{};var a=c[0];if(!(naturalWidthin a&&naturalHeightin a))return{};for(var d=0;a=c[d]; d){var e=a.getAttribute(data-pagespeed-url-hash);e&&(!(e in b)&&0=b[e].o&&a.height>=b[e].m)&&(b[e]={rw:a.width,rh:a.height,ow:a.naturalWidth,oh:a.naturalHeight})}return b}var C=;u(pagespeed.CriticalImages.getBeaconData,function(){return C});u(pagespeed.CriticalImages.Run,function(b,c,a,d,e,f){var r=new y(b,c,a,e,f);x=r;d&&w(function(){window.setTimeout(function(){A(r)},0)})});})();pagespeed.CriticalImages.Run(/mod_pagespeed_beacon,https://bluelucy.com/bring-your-own-bucket/,8Xxa2XQLv9,true,false,vyBsYSrfoEI); //]]> 3rd party platform credentials such as storage details are set and securely stored by Super Administrators
Because BLAM is a multi-tenant platform, a single BLAM can be used to manage media operations across multiple clients. A sophisticated user access control model is used to control access to the content with an additional security layer provided by the storage service provider. Obviously BLAM needs access to the storage, but any confidential information relating to these content repositories may be set once by a super administrator' and otherwise hidden from other administrative users.
Bucket Half Full? For operators who already have content in cloud storage such as AWS S3, BLAM can quickly bring this under management. BLAM can index an S3 Bucket, making the material discoverable within the BLAM search function. Following the initial indexing process, thumbnail images are made available for content visualisation and full-format browse versions are automatically created. An existing S3 store can be searchable within minutes. Both thumbnail and browse creation take place without moving the master content, so there are no egress costs. Bringing an otherwise unmanaged content store under management is one of the most common models for new BLAM systems.
Storage Buckets may be mounted' by authorised users but the credentials remain hidden. BLAM can m
More from Blue Lucy Media
20/01/2025
Heading to MIP LONDON this February? So are we! We'd love to meet you at London's biggest content week. Get in touch to discover how Blue Lucy's sol...
16/01/2025
Blue Lucy's recent software update for orchestration, integration and media management platform, BLAM, includes a major upgrade to the tasks application tha...
25/11/2024
CALIFORNIA, UNITED STATES London-based media technology business, Blue Lucy, has set up a US division of the company and appointed Dina Behar Hevert as VP Ame...
17/10/2024
Since its launch in 2020, Blue Lucy's flagship product, BLAM, has also been the company's only product. BLAM is a sophisticated workflow orchestration, ...
09/10/2024
Everything you need to know about Lucia, BLAM's new AI assistant.
The Blue Lucy team introduced BLAM's new AI assistant, Lucia to the media and enterta...
25/09/2024
We've been mulling over our experiences at IBC last week and digesting some of the excellent reports and engaging sessions from the likes of Caretta Researc...
24/09/2024
Join us at MIPCOM CANNES this October to discover how Blue Lucy can give you effortless access to your content. We'll be showcasing BOLT, the new super simp...
19/09/2024
Blue Lucy is bringing its new media portal, BOLT to MIPCOM 2024, Cannes, October 21-24th. On stand P-1.C50A at the MIPCOM Innovation Lab 2024, the team will de...
09/09/2024
How easy is it for large, broad scope projects to deliver actual business value?
It's a fact that our industry is littered with quietly, and not so quietly...
01/08/2024
Join us at IBC this September and discover what's new at Blue Lucy
We'll be showcasing BOLT, our new super simple media portal which gives media execu...
01/08/2024
Blue Lucy has announced plans today to launch BOLT on stand 6.C29 at IBC 2024, Amsterdam, September 13-16th. Described as an asset portal, BOLT provides effort...
16/07/2024
Blue Lucy has signed a multi-year contract with BBC Studios, who will continue u...
16/07/2024
In the early 2020's the BBC Studios team recognised that the cloud provided ...
04/07/2024
As head of international technology at ITV Studios, Rob O'Brien is always on the lookout for new technology that can allow the company to work more flexibly...
04/07/2024
The following case study was created by Blue Lucy partner Amber Technology and first published on their website.
A major national sporting body overseeing mult...
04/07/2024
April 2024: It's been a week, and we've all now seen everyone's takeaways on the trends that emerged at NAB. Here at Blue Lucy Towers we like to do ...
04/07/2024
International production studio, rights business and channel operator, Blue Ant Media, has chosen Blue Lucy's BLAM platform for media supply chain automatio...
04/07/2024
According to Time Magazine, more than half the world's population will go to the polls in 2024. The fact that the UK's election also coincides with Inde...
08/05/2024
We're always being asked about our roadmap, when really what most people want to know is what features or integrations we've got planned. And if you thi...
11/04/2024
Blue Lucy, has hired accomplished industry expert Alison Pavitt as chief marketing officer. Pavitt's appointment into the newly created role concludes a per...
06/08/2023
I was quite pleased to be asked recently by a Canadian colleague what our theme would be for the upcoming IBC. For me, theme reflects the ethos of the Blue Lu...
06/08/2023
I was quite pleased to be asked recently by a Canadian colleague what our theme would be for the upcoming IBC. For me, theme reflects the ethos of the Blue Lu...
13/06/2023
Media technology suppliers have been complaining about the tendering and Request for Proposal (RFP) process for a long time. Many of their grievances have been ...
17/03/2023
Blue Lucy announced today that they will not be launching any new products at NAB 2023, April 16-19, at the Las Vegas Convention Centre. The company will, howe...
17/03/2023
Blue Lucy announced today that they will not be launching any new products at NAB 2023, April 16-19, at the Las Vegas Convention Centre. The company will, howe...
17/03/2023
Blue Lucy announced today that they will not be launching any new products at NAB 2023, April 16-19, at the Las Vegas Convention Centre. The company will, howe...
24/08/2022
The balloon cloud installation at IBC 2018, the cloud in the Rai, as it was known at Blue Lucy Towers, was intended to mark the end of Blue Lucy's participa...
20/07/2022
On reading our recent article on the Blue Lucy implementation at A E Networks UK, available here, I was reminded that the project was extremely well received by...
06/04/2022
Here at Blue Lucy towers, we are constantly intrigued by industry buzz phrases, particularly how even the helpful ones are devalued by overuse and misappropriat...
15/01/2022
Cloud native, software defined, the metaverse; the media technology sector is awash with buzz phrases. And, as with all popular terms which are used too libera...
06/12/2021
Imagine if TV companies charged consumers by the minute to watch a football match. Or if your office rent increased when you had a particularly busy month. S...
06/12/2021
Imagine if TV companies charged consumers by the minute to watch a football match. Or if your office rent increased when you had a particularly busy month at w...
09/03/2021
There has been widespread discussion of new, fully digital and cloud based content supply chains, in the media industry since about 2016. Some innovators have p...
27/11/2020
There are probably more cloud-based services providing functional capability for media operations than for any other commercial sector. These services range fr...
24/11/2020
As the complexity of media supply chain operations increases, the requirement for an integrated, business focused approach is vital. ATEME and Blue Lucy expert...
19/10/2020
The need for content distributors and broadcasters to deliver media to an ever-growing range of consumer platforms has led to a significant rise in the number o...
19/10/2020
In my recent post The Automation Paradox I highlighted the risks associated with developing a workflow orchestration platform in-house'. Cloud based servi...
15/10/2020
The need for content distributors and broadcasters to deliver media to an ever-growing range of consumer platforms has led to an exponential rise in the number ...
07/09/2020
Off the Fence (OTF), an award-winning producer and distributor of factual television and feature-length theatrical documentaries, has recently migrated their co...
04/09/2020
Off the Fence (OTF), an award-winning producer and distributor of factual television and feature-length theatrical documentaries, has recently migrated their co...
07/05/2020
One of the key requests from our operational focus groups during the early design phase of BLAM-3 was the ability to prioritise workflows, particularly delivery...
30/04/2020
If your content catalogue isn't already in the cloud, you're probably wishing it was right now. Despite the dramatic growth in the media industry's...
07/04/2020
The use of cloud-based storage in the media industry has seen dramatic growth in recent years; more recently the impact of the Covid-19 pandemic is driving the ...
07/04/2020
Tracking costs, ideally in real time, is an increasingly important consideration for operators in the era of software-as-a-service. While the ability to use hi...
25/03/2020
Content Catalogue too Big to Migrate to Cloud? Try Snowballs, Really One of the principal perceived barriers to migrating a content catalogue to the cloud...
06/12/2019
The changing face of service provision in the broadcast & media business. As another production and media content supply chain operator files for bankruptcy and...
06/12/2019
The changing face of service provision in the broadcast & media business. As another production and media content supply chain operator files for bankruptcy and...
06/12/2019
The changing face of service provision in the broadcast & media business. As another production and media content supply chain operator files for bankruptcy and...
06/11/2019
As an organisation Blue Lucy tends to focus on the business of media operations. The BLAM platform is operationally focused and every function of the platform ...
06/10/2019
As we covered in our pre-show blog, this year we decided against taking up our usual spot in Hall 7 of the RAI in favour of attending IBC 2019 as a visiting ven...