OConnor equipment has been with me through ten years of operating major Hollywood productions and another ten years of DP'ing over twenty features. I can't imagine shooting anything without an OConnor 100 and a 2575 in my camera package. They are reliable, smooth, with intuitive controls. So much of great operating is getting the loaded head balanced and set up correctly and OConnor makes it easy and repeatable.
Anastas Michos ASC (Sparkle, Cadillac Records, The Women, Mona Lisa Smile and the upcoming Fox Searchlight Feature Black Nativity).
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OConnor equipment has been with me through ten years of operating major Hollywood productions and another ten years of DP'ing over twenty features. I can't imagine shooting anything without an OConnor 100 and a 2575 in my camera package. They are reliable, smooth, with intuitive controls. So much of great operating is getting the loaded head balanced and set up correctly and OConnor makes it easy and repeatable. 
