
Live From Daytona: Fox Sports Stresses Audio From the Loudest Sport on Earth 150+ mics, real-time remote commentary will be part of the mix By Dan Daley, Audio Editor
Friday, February 14, 2020 - 10:38 am
Print This Story | Subscribe
Story Highlights
The Daytona 500 hits the track on Sunday, four years after the opening of Daytona Rising, NASCAR's $400 million reimagining of what a stock-car racing venue can look like. When the fans aren't in the Daytona International Speedway's 101,500 seats, they can enjoy a level of fan engagement that Fireball Roberts and Junior Johnson never dreamed of, including the UNOH Fanzone, where windows into the garage allow fans to watch race teams at work.
All the more reason that Fox Sports' Daytona 500 coverage continues to refine its game, emphasizing the audio from the loudest sport on earth to engage viewers.
Starting with qualifying runs earlier in the week and the Can-Am Duel at Daytona on Thursday - part of Fox's approximately 100 hours of multiplatform programming - A1 Kevin McCloskey and submixer Chip Weaver are working from Game Creek's Cleatus truck to balance more than 150 microphones on the track, on cameras, in cars and crews, and, new for this year, on cranes positioned at Turns 1 and 2, to create a mix unlike any other on televised sports. Much of that will also be heard on Crank It Up, the SFX drum solo that Fox inserts at some point during the race, made up of a live mix directly from Weaver's Calrec Artemis submix console sent through McCloskey's main mix, which has been done in surround for most of the century.
There is nothing better than Crank It Up,' says McCloskey, who is about to embark on his sixth consecutive turn as A1 on the show. It has become the signature sound of NASCAR on Fox. In the last few years, we've experimented with putting some of the radio chatter into it. It adds another flavor to it.
More Talk, More Action
Another wrinkle, introduced last year, will be real-time commentary by experts Larry McReynolds and Jamie McMurray from the bespoke-constructed multipurpose virtual-studio set housed in the Fox Sports studios in Charlotte, NC.
On Sunday, Kevin McCloskey will serve as A1 on his sixth consecutive Daytona 500.
The audio from Charlotte, where they also do the pre- and post-race shows from, is coming in over fiber, which gets transferred to MADI for us, McCloskey explains. There is, like, zero latency: [when] Larry and Jamie interject, it sounds like everyone is in the same booth.
Crew and driver chatter are also more present this year. In-car audio from all 38 cars and their pit crews is collected by Racing Electronics, which was acquired by NASCAR parent International Speedway Corp. in 2018. That is transported to the radio-broadcast studio in the Cleatus truck, where radio submixer A1 Mark Williams operates the Calrec Brio console over a fiber cable and radio editor Jeff Bratta is using a dual editing system with two Mac Minis and PreSonus Studio One 3 edit software to convert audio to USB for the computers.
McCloskey says the plan is to bring more of that sound into the television mix, some of it live with a 1.5-second delay but much of it through a special audio-editing unit created solely for driver-to-crew-chief communication. The unit takes the digital RF communications through an analog output to play back live interaction and get it to air within 30 seconds.
The Roar of the Crowd
There will be more than 100,000 fans in the stands, and the venue itself is wired for sound with 2,791 loudspeakers covering the huge back of house, plus 295 Community Sound R.5 and R.2 series speakers facing the track from atop the nearly mile-long grandstand. However, McCloskey notes that the crowd sounds that make up much, if not most, of the sports-broadcast mixes are heard only just before the start of a NASCAR race and just after it ends.
Once the race starts, he says, you'll never hear the crowd no matter how big it is. Those cars are just too loud.
Stay tuned for more of SVG's live coverage from Daytona throughout the weekend at sportsvideo.org
Most recent headlines
04/09/2025
Monumental Sports & Entertainment (MSE), in collaboration with Dalet, has been a...
19/04/2025
SDVI, the leading platform provider for cloud-native media supply chains, today announced that the company earned multiple awards at the 2025 NAB Show, with two...
19/04/2025
Ateliere Creative Technologies, a leading GenAI media software solutions company, today announced that Dan Goman has stepped down as CEO and David Bortis, Ateli...
19/04/2025
As Director of Media and Aerial Production at Terrible Herbst Motorsports, Bryan Moore is setting new standards in off-road racing media coverage thanks to his ...
19/04/2025
A next-generation collaboration device that redefines connectivity for meeting environments
Lightware, an industry-leading manufacturer of signal management so...
19/04/2025
Calrec is today announcing that its True Control 2.0 is a Remote Production winner in the 2025 NAB Show Product of the Year Awards. This official awards program...
19/04/2025
Appear, a global leader in live production technology, proudly announces it has been recognised alongside NBCUniversal with the prestigious NAB Show Delivery Pr...
19/04/2025
Deity Microphones, a leader in innovative audio equipment, is proud to announce the expected release of our Ultra-Wide Band IFB to the market. The THEOS DIFB wi...
19/04/2025
A world renowned broadcaster and long-standing LiveU customer has successfully completed a series of live connectivity tests using LiveU's revolutionary, aw...
19/04/2025
BitFire (bitfire.tv), a longtime leader in live video transport, today announced dual NAB Show award wins at the 2025 NAB Show in Las Vegas. The company's M...
19/04/2025
BitFire (bitfire.tv), a longtime leader in live video transport, today announced three major award wins at the 2025 NAB Show, April 5-9, in Las Vegas. The compa...
19/04/2025
AI video discovery company Moments Lab and Satisfaction Group, a leading independent unscripted television production company, are proud to announce a unique st...
19/04/2025
As the media industry navigates the triple challenge of AI-driven production, distributed teams, and skyrocketing content demand, DigitalGlue s creative.space h...
19/04/2025
Network technology startup Miri Technologies Inc. capped off its tremendously successful NAB Show debut by winning two prestigious industry awards for its cutti...
19/04/2025
CINCINNATI Scripp's Nuvyyo USA has concluded a deal with Warner Bros. Discovery to bring 45 FAST channels to Nuvyyo's Tablo TV device....
19/04/2025
In a ruling that could have broader implications on the legality of regulatory agencies levying fines through administrative proceedings, the 5th U.S. Circuit C...
19/04/2025
WASHINGTON Federal Communications Commission chair Brendan Carr has blasted Comcast over MSNBC's coverage of the deportation of Kilmar Abrego Garcia in a so...
19/04/2025
Berklee NYC and NYC Media Launch Season 3 of Inside Power Station @BerkleeNYC This season features faculty member Arun Pandian as the new host and interviews ...
18/04/2025
Director Andrew Ahn, alongside actors Youn Yuh-jung and Joan Chen, takes a photo of the audience after the premiere of his film The Wedding Banquet at Eccles ...
18/04/2025
In a ruling that could have a major impact on the digital advertising market, a federal judge has ruled that Google has monopolized some types of advertising te...
18/04/2025
Broadcast and cable TV news outlets saw strong social media growth in March, according to new data from the social video analytics company Tubular Labs ....
18/04/2025
Berklee Student Yukai Yang Named 2025 Yamaha Young Performing Artist The drummer secured a spot among the elite winners in this years competition.
By
Maddie...
18/04/2025
Boston Conservatory Alums Bring Real Women Have Curves to Broadway The Latin American immigrant community takes center stage in a new musical featuring Tatian...
18/04/2025
WASHINGTON The FCC's call for public comments and suggestions on outdated regulations that it should be eliminated, has prompted a slew of fillings from bro...
18/04/2025
In a ruling that could have a major impact on the digital advertising market, a federal judge has ruled that Google has monopolized some types of advertising te...
18/04/2025
PEARL RIVER, N.Y. Global media solutions company Active Media Services (AMS) has formed a new relationship with VideoAmp, a measurement company for linear TV, c...
18/04/2025
Netflix reported generally positive results for first-quarter 2025, with revenue up 13% year-over-year to $10.543 billion and operating income growing by 27% to...
18/04/2025
NHL Playoffs 2025: TNT Sports Hits the Road for Onsite Productions With Mobile U...
18/04/2025
EVSs S bastien Verlaine on U.S. Expansion, Next-Generation Products Beyond replay, offerings also target asset management and media infrastructure By Ken Kersc...
18/04/2025
ESPN Unleashes 4DREPLAY as NCAA Women's Gymnastics Championships Hit ABC Men's championships to follow Saturday night on ESPN2 By Brandon Costa, Direct...
18/04/2025
Visualizing Victory: The Latest in AR, XR, and Virtual Production in Live Sports This panel discussion featured leaders from ESPN, CBS Sports, Warner Bros. Disc...
18/04/2025
NHL Playoffs 2025: With 16 Games in First Six Days, ESPN Deploys Variety of Remo...
17/04/2025
Emilie Blichfeldt attends the 2025 Sundance Film Festival premiere of The Ugly ...
17/04/2025
R-GPS gives warfighters a decisive battlefield advantage by punching through adv...
17/04/2025
This year's NAB Show in Las Vegas marked a noticeable shift in the priorities of media and broadcast organisations. Gone are the days of chasing flashy, or ...
17/04/2025
class=attachment-thumbnail size-thumbnail f-align-center alt= decoding=async data-lazy-srcset=https://www.antonbauer.com/wp-content/uploads/2024/12/Amy-Daniel-1...
17/04/2025
SAN JOSE, Calif. Roku and Adobe have announced that they are collaborating on a real time data platform made possible by a a new integration of the Roku Data C...
17/04/2025
NEW YORK Internet advertising revenues demonstrated strong growth in 2024, increasing 14.9% year-over-year to $258.6 billion, according to the IAB Internet Adv...
17/04/2025
SDVI Earns Both Product and Project of the Year Awards at 2025 NAB Show
Brie Clayton April 17, 2025
0 Comments
Left to right, Geoff Stedman, CMO, SDVI...
17/04/2025
Singapore Polytechnic Readies Aspiring AV Professionals for Live IP Productions ...
17/04/2025
Calrec Wins 2025 NAB Show Product of the Year Award for True Control 2.0
Brie Clayton April 17, 2025
0 Comments
Image: The Calrec True Control 2.o on ...
17/04/2025
In Return to Berklee, Lucius Looks Back and Moves Forward From mood boards to live demos, the alumni band gave students an exclusive look at the process behin...
17/04/2025
DirecTV's free streaming service MyFree DirecTV has just added another eight channels from NBCUniversal....
17/04/2025
LOS ANGELES The virtual production company GameChanger has announced that it is expanding its global footprint by bringing its virtual production technology to ...
17/04/2025
DENVER The International Broadcaster Coalition Against Piracy (IBCAP) has announced that it has developed a proprietary, automated software-based system to iden...
17/04/2025
Pixalate's new CTV Device Market Share report for Q1 2025 shows that Roku has the highest open programmatic CTV device market share in the United States, wi...
17/04/2025
Edward J. Lewis III Named Senior Vice President of Institutional Advancement Lewis has more than 20 years of industry experience, leading fundraising initiati...
17/04/2025
The Curling Group Puts On Inaugural Curling All-Star Game in Nashville The location in Music City is intended to broaden the sport's appeal By Dan Daley, ...
17/04/2025
April 17th, 2025 Press Materials Available Here
Tribeca Festival 2025 Announces TV & NOW Lineup
World Premieres and Exclusive Cast Panels with Apple TV '...
17/04/2025
SVG Sit-Down: Cisco's Bryan Bedford on Providing End-to-End Support for Clie...