
SVG Sit-Down: Stats Perform's Brian Orefice on How Player Tracking With AI, Remote-Based Technology Is Possible The company's AutoStats solution is having a big impact this college-hoops season By Brandon Costa, Director of Digital
Wednesday, March 13, 2024 - 9:20 am
Print This Story | Subscribe
Story Highlights
Over the past decade, player tracking has become ubiquitous across major sports in the U.S. The hard work and technology behind those systems have ushered in a new era of not just smarter statistics for coaches and players but deep reservoirs of graphical data for live sports broadcasting.
Player (and ball) tracking typically requires a complex infrastructure at stadiums and arenas. However, Stats Perform has been finding success with its newest solution, AutoStats, in enabling remote player tracking with the assistance of AI. It essentially makes it possible to track a game from anywhere without any hardware in the venue.
AutoStats has found success for some NBA teams on the coaching side and is making waves for broadcasters in college basketball. SVG sat down with Brian Orefice, VP, product, U.S. sports, Stats Perform, to get a better understanding of the solution, how it's migrating to broadcast, and what's next for the technology.
How does AutoStats work? What do you provide, and how is it sourced?
The idea of AutoStats is easy to grasp, although the concept belies its complexity behind the scenes. Simply put, it's a broadcast-based tracking solution. Essentially, leveraging our expertise with computer vision and AI, we are able to create outputs that are similar to extremely costly in-venue camera/server systems but [don't come with] the hassle and expense of stadium installations and hardware maintenance.
Our only requirement: standard broadcast video. We run that video through a CV process that automatically tracks all the players and calibrates their position from the screen to the court. From there, we sync it with our play-by-play event data and use positional modeling to automatically determine events like isolations, drives, post-ups, and screens.
When armed with good tracking data, you're limited only by your imagination as to what you want to analyze. Contested vs. uncontested shots? Catch-and-shoot vs. off-the-dribble? Rebounding-crash percentages? And that's to stay nothing of metrics that can be surfaced on defense, where typical quantitative statistics really fall short.
How challenging is it to expand an analytics service initially designed and used for scouting and make it something that the average fan would find engaging and entertaining? What stats or deep analytics have you found to be valuable in parsing?
When we initially pitched ideas to broadcasters and their social teams, the initial feedback was that we were coming in with concepts too advanced for the average fan. For a broadcast in particular, you get only 20-30 seconds to make your point and move on. It's critical that the point is organic to the moment and drives storytelling. We often found ourselves balancing the lure of pushing advanced and differentiated data with the requirement that those insights needed to be digestible.
Perhaps our most successful happy medium was the use of heat maps, which harnessed the power of raw data with sleek visualization. The most obvious difference between standard event data and tracking data is knowing the x/y coordinates of players. We took that information and created various heat maps that are quite insightful, like showing where a player is over the course of a game or season when he or she has the ball. Getting creative with relatively simple concepts leveraging data that has not been collected before - what's the average shot-clock time before a team shoots, what percentage of passes led to a basket, how long does a player hold the ball for before shooting or passing? - solves the broadcast use case.
In your initial trials of expanding the service, what obstacles did the development team need to overcome? How were they overcome?
As with any technical innovation, being able to ultimately operate efficiently, accurately, and at scale is the key to long-term success. The company made a very deliberate pivot to technology-based solutions after being acquired by Vista, but it required a lot of work to get to where we are now.
Basic things like producing flexible but reliable court-calibration models, improving our automated player tracks to more seamlessly handle visual occlusions, and evolving our proprietary tooling so we could better operationalize our pipeline have been critical. You need a lot of data to create good models, and a ton of elbow grease went into that, particularly early on, when we were starting from scratch.
It helps that we've worked closely throughout with the Orlando Magic, who have been with us since the beginning of AutoStats. They've been a great partner, helped us create event definitions, and have put our data through the ringer for half a decade now as an integral part of their scouting process. They've also pushed us to expand our coverage from strictly college games to over 15 different leagues/competitions. Given the various court markings and rules sets, that presented some initial challenges, but we had a strong foundation in place - and learned a lot of lessons as part of the initial build-up - so we had a pretty good idea what we had to do to broaden the offering.
How do you see sports storytelling evolving, and what role does advanced data play?
Data for data's sake is just noise. Storytelling is the true key to engagement. But, if done right, what better way to tell a story - particularly a sports story - than with numbers?
Advanced data offers so much more context and precision than traditional data, and the number of stories and insights
Most recent headlines
04/09/2025
Monumental Sports & Entertainment (MSE), in collaboration with Dalet, has been a...
19/04/2025
SDVI, the leading platform provider for cloud-native media supply chains, today announced that the company earned multiple awards at the 2025 NAB Show, with two...
19/04/2025
Ateliere Creative Technologies, a leading GenAI media software solutions company, today announced that Dan Goman has stepped down as CEO and David Bortis, Ateli...
19/04/2025
As Director of Media and Aerial Production at Terrible Herbst Motorsports, Bryan Moore is setting new standards in off-road racing media coverage thanks to his ...
19/04/2025
A next-generation collaboration device that redefines connectivity for meeting environments
Lightware, an industry-leading manufacturer of signal management so...
19/04/2025
Calrec is today announcing that its True Control 2.0 is a Remote Production winner in the 2025 NAB Show Product of the Year Awards. This official awards program...
19/04/2025
Appear, a global leader in live production technology, proudly announces it has been recognised alongside NBCUniversal with the prestigious NAB Show Delivery Pr...
19/04/2025
Deity Microphones, a leader in innovative audio equipment, is proud to announce the expected release of our Ultra-Wide Band IFB to the market. The THEOS DIFB wi...
19/04/2025
A world renowned broadcaster and long-standing LiveU customer has successfully completed a series of live connectivity tests using LiveU's revolutionary, aw...
19/04/2025
BitFire (bitfire.tv), a longtime leader in live video transport, today announced dual NAB Show award wins at the 2025 NAB Show in Las Vegas. The company's M...
19/04/2025
BitFire (bitfire.tv), a longtime leader in live video transport, today announced three major award wins at the 2025 NAB Show, April 5-9, in Las Vegas. The compa...
19/04/2025
AI video discovery company Moments Lab and Satisfaction Group, a leading independent unscripted television production company, are proud to announce a unique st...
19/04/2025
As the media industry navigates the triple challenge of AI-driven production, distributed teams, and skyrocketing content demand, DigitalGlue s creative.space h...
19/04/2025
Network technology startup Miri Technologies Inc. capped off its tremendously successful NAB Show debut by winning two prestigious industry awards for its cutti...
19/04/2025
CINCINNATI Scripp's Nuvyyo USA has concluded a deal with Warner Bros. Discovery to bring 45 FAST channels to Nuvyyo's Tablo TV device....
19/04/2025
In a ruling that could have broader implications on the legality of regulatory agencies levying fines through administrative proceedings, the 5th U.S. Circuit C...
19/04/2025
WASHINGTON Federal Communications Commission chair Brendan Carr has blasted Comcast over MSNBC's coverage of the deportation of Kilmar Abrego Garcia in a so...
19/04/2025
Berklee NYC and NYC Media Launch Season 3 of Inside Power Station @BerkleeNYC This season features faculty member Arun Pandian as the new host and interviews ...
18/04/2025
Director Andrew Ahn, alongside actors Youn Yuh-jung and Joan Chen, takes a photo of the audience after the premiere of his film The Wedding Banquet at Eccles ...
18/04/2025
In a ruling that could have a major impact on the digital advertising market, a federal judge has ruled that Google has monopolized some types of advertising te...
18/04/2025
Broadcast and cable TV news outlets saw strong social media growth in March, according to new data from the social video analytics company Tubular Labs ....
18/04/2025
Berklee Student Yukai Yang Named 2025 Yamaha Young Performing Artist The drummer secured a spot among the elite winners in this years competition.
By
Maddie...
18/04/2025
Boston Conservatory Alums Bring Real Women Have Curves to Broadway The Latin American immigrant community takes center stage in a new musical featuring Tatian...
18/04/2025
WASHINGTON The FCC's call for public comments and suggestions on outdated regulations that it should be eliminated, has prompted a slew of fillings from bro...
18/04/2025
In a ruling that could have a major impact on the digital advertising market, a federal judge has ruled that Google has monopolized some types of advertising te...
18/04/2025
PEARL RIVER, N.Y. Global media solutions company Active Media Services (AMS) has formed a new relationship with VideoAmp, a measurement company for linear TV, c...
18/04/2025
Netflix reported generally positive results for first-quarter 2025, with revenue up 13% year-over-year to $10.543 billion and operating income growing by 27% to...
18/04/2025
NHL Playoffs 2025: TNT Sports Hits the Road for Onsite Productions With Mobile U...
18/04/2025
EVSs S bastien Verlaine on U.S. Expansion, Next-Generation Products Beyond replay, offerings also target asset management and media infrastructure By Ken Kersc...
18/04/2025
ESPN Unleashes 4DREPLAY as NCAA Women's Gymnastics Championships Hit ABC Men's championships to follow Saturday night on ESPN2 By Brandon Costa, Direct...
18/04/2025
Visualizing Victory: The Latest in AR, XR, and Virtual Production in Live Sports This panel discussion featured leaders from ESPN, CBS Sports, Warner Bros. Disc...
18/04/2025
NHL Playoffs 2025: With 16 Games in First Six Days, ESPN Deploys Variety of Remo...
17/04/2025
Emilie Blichfeldt attends the 2025 Sundance Film Festival premiere of The Ugly ...
17/04/2025
R-GPS gives warfighters a decisive battlefield advantage by punching through adv...
17/04/2025
This year's NAB Show in Las Vegas marked a noticeable shift in the priorities of media and broadcast organisations. Gone are the days of chasing flashy, or ...
17/04/2025
class=attachment-thumbnail size-thumbnail f-align-center alt= decoding=async data-lazy-srcset=https://www.antonbauer.com/wp-content/uploads/2024/12/Amy-Daniel-1...
17/04/2025
SAN JOSE, Calif. Roku and Adobe have announced that they are collaborating on a real time data platform made possible by a a new integration of the Roku Data C...
17/04/2025
NEW YORK Internet advertising revenues demonstrated strong growth in 2024, increasing 14.9% year-over-year to $258.6 billion, according to the IAB Internet Adv...
17/04/2025
SDVI Earns Both Product and Project of the Year Awards at 2025 NAB Show
Brie Clayton April 17, 2025
0 Comments
Left to right, Geoff Stedman, CMO, SDVI...
17/04/2025
Singapore Polytechnic Readies Aspiring AV Professionals for Live IP Productions ...
17/04/2025
Calrec Wins 2025 NAB Show Product of the Year Award for True Control 2.0
Brie Clayton April 17, 2025
0 Comments
Image: The Calrec True Control 2.o on ...
17/04/2025
In Return to Berklee, Lucius Looks Back and Moves Forward From mood boards to live demos, the alumni band gave students an exclusive look at the process behin...
17/04/2025
DirecTV's free streaming service MyFree DirecTV has just added another eight channels from NBCUniversal....
17/04/2025
LOS ANGELES The virtual production company GameChanger has announced that it is expanding its global footprint by bringing its virtual production technology to ...
17/04/2025
DENVER The International Broadcaster Coalition Against Piracy (IBCAP) has announced that it has developed a proprietary, automated software-based system to iden...
17/04/2025
Pixalate's new CTV Device Market Share report for Q1 2025 shows that Roku has the highest open programmatic CTV device market share in the United States, wi...
17/04/2025
Edward J. Lewis III Named Senior Vice President of Institutional Advancement Lewis has more than 20 years of industry experience, leading fundraising initiati...
17/04/2025
The Curling Group Puts On Inaugural Curling All-Star Game in Nashville The location in Music City is intended to broaden the sport's appeal By Dan Daley, ...
17/04/2025
April 17th, 2025 Press Materials Available Here
Tribeca Festival 2025 Announces TV & NOW Lineup
World Premieres and Exclusive Cast Panels with Apple TV '...
17/04/2025
SVG Sit-Down: Cisco's Bryan Bedford on Providing End-to-End Support for Clie...