Sony Pixel Power calrec Sony

Localisation is our superpower': How WBD Sports is delivering the Olympics to Europe

25/07/2024

TVBEurope catches up with WBD Sports Scott Young to hear how the broadcaster is using its streaming services to bring the Olympics to more viewers than ever before

By Jenny Priestley

Published: July 25, 2024

TVBEurope catches up with WBD Sport's Scott Young to hear how the broadcaster is using its streaming services to bring the Olympics to more viewers than ever before

target=_blank title=Share on LinkedIn class=share-linkedin> TVBEurope catches up with WBD Sport's Scott Young to hear how the broadcaster is using its streaming services to bring the Olympics to more viewers than ever before

https://www.tvbeurope.com/media-delivery/localisation-is-our-superpower-how-wbd-sports-is-delivering-the-olympics-to-europe title=Share via Email class=share-email>

After three Olympic Games in Asia, (both Summer and Winter) the Greatest Show on Earth' returns to Europe as Paris plays host to the XXXIII Olympiad. For the team at Warner Bros Discovery Sports Europe (WBD Sports), that means delivering a home Olympics to 47 markets in 19 languages.

Each of those different markets can take the broadcaster's centrally produced content, aka the pan feed', while the 10 larger priority markets across the group, based mostly on population and audience, can break away and create their own local feed.

That means they can focus on the sports that are relevant to their audience because not all sports are as relevant to each market, Scott Young, group SVP content, production and business operations at Warner Bros Discovery Sports Europe tells TVBEurope.

The superpower of Eurosport is being able to say, here is everything in one batch across our pan feeds, or you can localise the sport that matters, like handball for France, Germany and Sweden, whilst other markets are probably less focused on that sport, so it's a really key part of our 47 market distribution.

WBD Sports will have a technical facility at the International Broadcast Centre (IBC) in Paris. We don't do anything really at the IBC anymore, says Young other than at least land the OBS feeds, which means that the contribution between what OBS are doing and what we're doing is robust .

Instead, the feeds will be sent to WBD Sports' facilities in London and Paris, with an almost even split between the two.

Behind-the-scenes at Warner Brothers Discovery studios in Paris, France. (Photo by Chris Graythen/Getty Images for IOC) WBD Sports will also have some productions on site at WBD House, based on the rooftop of a Paris hotel featuring a 360-degree view of the city. From the Opening Ceremony night, when we release our host studio, the pictures are going to be spectacular. We'll have a mix of on-site and home-based production, but effectively we lean very much into being a remote broadcaster.

The broadcaster will offer fans two ways of watching the Games, linear and streaming (MAX and discovery+). The linear version will be a lean back experience, with each location curating the best of the pan feed that is most relevant to the audience in their market. For streaming, audiences will be able to watch every live sport that's going on at any given time. Across the entire Olympics, 3,800 hours of live sporting content will be available, says Young. True sports fans can follow the sport they love when they want to watch it and where they want to watch it.

One key innovation available to fans watching the streaming offering is medal alerts. If a viewer is watching swimming, for example, they'll get an alert to say a medal is being contested in another sport so they can jump across to that stream. It's a great innovation for people who are diving all the way into our streaming platform and enjoying the sports they love and following their favourite athletes, and whether it be a sport or an athlete or their nation, they will also be alerted when other things are taking place, adds Young.

Because WBD Sports will be taking its pictures from OBS, Young says that the job of the in-house team is to tell the story of the Olympics and follow the 10,500 athletes that are taking part. The broadcaster tasks its team with following the athletes' journey before they arrive in order to help the audience understand why they should care about each one. To get to know the vast number of athletes that are there you have to break it down into the local market, he continues. Whether it's a local market or a local sport, it's important that we follow that journey of that athlete.

WBD Sports works closely with the National Olympic Committees of each country taking part, with the producing teams spending nearly a year in close collaboration with the NOCs working to bring the athletes' stories to life. Our innovation is really about the content gathering and then distribution, adds Young. No other broadcast platform in the world produces the volume of content that we're going to produce in Paris 2024 and this is primarily because we are a linear business and streaming business, and our content is shared.

Scott Young During previous Olympics, WBD Sports has used its Cube studio as the main presentation point, but as Paris 2024 is in the broadcaster's backyard , it will step away from the Cube in terms of presentation for this Games. Instead, the Cube will be used to help explain some of the lesser-known sports to viewers. We're going to pre-package content in the Cube, which we've already done, and that will help viewers who are not au fait with archery or shooting or those sports that don't normally get the big spotlight of attention unless the Olympics are on. We'll be creating explainers to help people understand the rules and how the competition is judged, explains Young.

Obviously, the run-up to Paris 2024 has been slightly shorter than
LINK: https://www.tvbeurope.com/media-delivery/localisation-is-our-superpowe...
See more stories from tvb

More from TVB Europe

14/01/2025

How UNIT created a CG photoreal gorilla for Paramount+ drama Stags

UNIT VFX supervisor Nuno Pereira tells TVBEurope about the work that went into creating an emotive CG gorilla called El Ni o By Jenny Priestley Published: Ja...

13/01/2025

The Listeners: creating the soundworld of the groundbreaking drama

Sound designer Steve Fanagan tells David Davies how the soundscape behind the recent BBC One series, The Listeners, was created By Contributor Published: Jan...

13/01/2025

Evolve and elevate: the role of standards in bringing immersive video to a wider audience

Philippe Guillotel, director and head of the video lab's metavideo group at ...

13/01/2025

Remembering the legend: how Scanline VFX retold the SENNA story

Craig Wentworth, overall VFX supervisor at Scanline VFX, tells TVBEurope how the spectacular sights and sounds of Formula 1 in the 80s and 90s were recreated fo...

13/01/2025

2025 M&E Trends: What's old is (sometimes) new again

Steve Reynolds, CEO of Imagine Communications, offers a view on the trends he believes will significantly impact the way the media and entertainment industry cr...

13/01/2025

Lisa Nandy looking at alternatives to BBC licence fee'

According to a report, the Secretary of State is considering alternative funding models, including mutualisation By Jenny Priestley Published: January 13, 20...

13/01/2025

Meet the principal solutions architect

Scott Wall, principal solutions architect at Signiant EMEA, details his journey in the media industry - from getting hands-on experience at Glastonbury, to bein...

10/01/2025

European broadcasters lead the way in redundancy-driven SMPTE ST 2110 adoption

Chris Wright, vice president of business development EMEA, TASCAM, examines why European success in adopting redundancy-driven SMPTE ST 2110 is providing a road...

10/01/2025

Best of Show at ISE 2025: Submissions open

Awards from nine leading Future publications recognise standout, innovative AV products and solutions being exhibited on the show floor in Barcelona By Jenny P...

10/01/2025

Meet the marketing communications manager

Ilana Tchenko, marketing communications manager at TAG Video Systems, advises anyone interested in working in the media industry to embrace continuous learning ...

09/01/2025

Tech-focused investment firm Battery Ventures backs Signiant

Signiant said it intends to use the investment to fund product development and go-to-market activities, as well as potential future acquisitions in the media te...

09/01/2025

Cooke Optics names David Hancock as CEO

Hancock joins the company from premium e-bike component manufacturer Enviolo, where he led the company during a sale to a new private equity investor By Jenny ...

09/01/2025

IBC2025 calls for Technical Paper submissions

The Technical Papers Programme offers an opportunity to showcase ideas and research to M&E industry leaders By Matthew Corrigan Published: January 9, 2025 ...

08/01/2025

Creating the look of dual timelines for Moonflower Murders

TVBEurope investigates the work of colourist Dan Coles on the latest season of the BBCs crime series By Jenny Priestley Published: January 8, 2025 Updated:...

08/01/2025

Sally-Ann D'Amato named permanent SMPTE executive director

DAmato joined the organisation in 2001, working as an administrative assistant before rising to the role of director of events and governance liaison By Jenny ...

08/01/2025

Looking forward: what 2025 holds for the wider M&E business environment

Concluding our series on industry predictions for the new year, leading figures from across M&E provide insights on business aspects, including a focus on susta...

07/01/2025

Opinion: Following the viewer's journey

Matt Ross, chief analytics officer at SVoD viewing measurement company Digital i, explains why broadcasters and streamers continue to need timely and insightful...

07/01/2025

Moments Lab, LucidLink partner on video editing workflow

The collaboration will enable joint customers to instantly access all live and archived media and send selected clips directly to their LucidLink filespace for ...

07/01/2025

EMG/Gravity Media appoints Narinder Ball as technology director

She will be tasked with driving technological innovation within the broadcasting and production landscape, including advancing content delivery platforms and op...

07/01/2025

Former BT Sport chief engineer Andy Beale joins Ateliere

Beale will help Ateliere customers modernise their live production workflows, said the company By Jenny Priestley Published: January 7, 2025 Updated: Janua...

06/01/2025

Looking forward: what the industry predicts for production in 2025

In the latest instalment of TVBEuropes special features looking at predictions for the year ahead, we explore what 2025 might hold for the world of production, ...

06/01/2025

Wycombe Film Studios plan axed

Plans for a temporary facility had been granted prior approval last year By Matthew Corrigan Published: January 6, 2025 Updated: January 7, 2025 Plans f...

03/01/2025

Meet the. senior director, advanced TV

Erika Loberg from programmatic advertising tech company OpenX, reveals that despite not having formal training, a sense of curiosity has helped her forge a care...

02/01/2025

Saving the past of TV and film for the future

Official television and film archives exist to preserve the history and creativity of media. But even these formal institutions do not contain everything that h...

02/01/2025

Rich Welsh appointed SMPTE president

Welsh succeeds Renard Jenkins, who has reached the end of his two-year tenure in the role By Jenny Priestley Published: January 2, 2025 Updated: January 3,...

01/01/2025

How newsrooms can adapt to evolving audience demands

Marcy Lefkovitz, Dalet SVP product innovation, details the findings of the companys report into the future of newsrooms, including leveraging AI, optimising mul...

23/12/2024

Broadcast and the IT industry: an inevitable evolution?

At IBC2024, Grass Valley CTO Ian Fletcher told attendees at GV Forum that broadcast is now an IT industry. During our discussions at the show, TVBEurope heard v...

23/12/2024

Cracking creation: Fun facts from Wallace & Gromit: Vengeance Most Fowl

According to co-director Nick Park, the production team embraced technology to help create the iconic duos latest adventure By Jenny Priestley Published: Dec...

23/12/2024

Mapping the great wave: how Lux Aeterna produced data-centric visuals for Tsunami: Race Against Time

VFX house Lux Aeterna used wave height data from the National Oceanic & Atmosphe...

23/12/2024

DAZN acquires Australia's Foxtel in $2.2 billion deal

We are committed to supporting and investing in Foxtel's television and streaming services, across both sports and entertainment, using our world-leading te...

23/12/2024

Looking back at 2024: the industry trends that stood out

From AI to IP, the cloud to virtual production, key industry executives take a look back at some of the biggest trends that impacted the media and entertainment...

20/12/2024

Goal: Liverpool (assist: Wasabi)

Liverpool Football Club produces over 100 pieces of content every week across its linear TV channel, OTT platform and social media channels. LFC's Drew Cris...

20/12/2024

How AI is reshaping media workflows and competitive strategies

Media Excel CEO Narayanan Rajan ponders whether AI will be the catalyst for medias future, and suggests that companies need to embrace AI today or risk falling ...

20/12/2024

Catching the Christmas train

Filming one of the world's most scenic rail routes in the depths of winter needed a planning operation that was second to none. Sohail Shah, MD of King of S...

20/12/2024

Renderboxes unveils Photon transportable workstation

Compatible with the latest Nvidia RTX GPU, Photon delivers HEPC performance in a transportable chassis By Matthew Corrigan Published: December 20, 2024 Co...

20/12/2024

DCMS announces Creative Industries Taskforce members

The taskforce will inform the Creative Industries Sector Plan, which aims to boost economic growth under the wider Industrial Strategy By Matthew Corrigan Pu...

20/12/2024

Watch: TVBEurope's Story of 2024

TVBEurope takes its annual look back at the biggest events in the media and entertainment industry during 2024, from the rise of AI to major live events, its be...

18/12/2024

Blackmagic URSA Cine Immersive camera to launch in Q1 2025

The Blackmagic URSA Cine Immersive is described as the world's first commercial camera system designed to capture Apple Immersive Video By Jenny Priestley ...

18/12/2024

Serious Fraud Office makes arrest in Arena Television investigation

A man in his 40s was arrested earlier this week as part of the SFOs ongoing investigation into the collapse of the company By Jenny Priestley Published: Dece...

18/12/2024

Meet the UK managing director

Richard Halton, UK MD, Roku, tells TVBEurope why every year feels like a revolution in the broadcast industry By Contributor Published: December 18, 2024 U...

17/12/2024

Opinion: FAST needs better audio quality

Costa Nikols, strategy advisor, M&E at Telos Alliance explains why FAST platforms must no longer accept good enough for audio By Contributor Published: Decem...

17/12/2024

Dan Castles returns as Telestream CEO

Mike Wronski, Charlie Dunn and Anna Greco have also returned as executive vice presidents By Jenny Priestley Published: December 17, 2024 Updated: December...

16/12/2024

Demystifying video encoding

A newly published white paper from Nevion, a Sony Group company, looks at the various needs informing the use of video encoding in live broadcast production, an...

16/12/2024

Mike Cronk joins TVU Networks as vice president of strategy

Cronk will focus on scaling TVU's SaaS services, expanding its adoption among media organisations worldwide By Tom Butts Published: December 16, 2024 U...

16/12/2024

Best in Market 2024 Awards winners announced

The annual awards celebrate new products/services or new upgrades to existing products/services in 2024 By TVBEurope Staff Published: December 16, 2024 Upd...

13/12/2024

Production Park unveils new year expansion plans

Offering 145,000 square feet of studio space, the expansion solidifies Production Parks position as the largest production campus in the North of England By Ma...

13/12/2024

MFE seeks to accelerate pan-European TV ambition

The Berlusconi-owned group has reportedly arranged a 3.4 billion credit facility to fund its aim to resist the US giants By Matthew Corrigan Published: Dece...

12/12/2024

The power of connection: TVBEurope meets Dr Andreas Sennheiser

With the launch of its latest audio solution Spectera, Sennheiser aims to start a revolution in audio production By Matthew Corrigan Published: December 11, ...

12/12/2024

How entertainment industry convergence is accelerating technology innovation

Samira Bakhtiar, general manager of media & entertainment, games, and sports at Amazon Web Services (AWS), highlights why diversification is becoming mission cr...

12/12/2024

Case study: Creating 90 episodes in 90 days

For German broadcaster RTL2's new streaming series La Familia - House of Reality, Munich-based production company SUPERAMA took on all aspects of post produ...