
By Kristan Bullet, joint managing director at Piksel
Author:
ContributorPublish date:
Nov 15, 2018
The unprecedented growth in the number of companies offering content and television services hastened a drastic shift within the broadcast industry. Competition for viewers' attention and wallets has never been fiercer. Excelling in this competition requires a symbiotic relationship between aggregators, (such as Sky and Netflix), and content owners. Aggregators must become the discovery agent of choice, while content owners must make their product available everywhere, without limits. Content discovery is key and the battle for consumer attention must be won at key decision moments, then again after 30 minutes, and then 60 minutes after that. However, achieving these ambitions while making a profit requires a generational upgrade to metadata and publishing workflows; this can look different depending on what camp an organisation falls in.
An aggregator's approach
Becoming the content discovery agent of choice for consumers requires a concerted effort by aggregators. Viewers must find it consistently easy to reach the content they care about and keep returning to this destination to make their viewing choices.
In addition, relationships with content partners must be prioritised, as they face potential disruptions such as structural threats like content piracy and increased competition for advertising budgets (from the likes of Google, Facebook and most recently Amazon). Therefore, an engaged audience who find the content desirable is key. Aggregators can provide support by connecting these audiences with the content, as well as help move linear viewers into on-demand services. By making catch-up assets available quickly, and ensuring VOD back-catalogues can be easily accessed, helps remove the temptations of illegitimate streaming services, which feed off consumer frustration.
Speed and widespread availability are critical for content owners
A proactive approach will pay dividends and ensuring content is available wherever current and potential viewers can be found is critical. In addition, publishing content into post-broadcast viewing windows quickly will help prevent consumers from seeking access via illegal or legal rivals. Ultimately these views will count towards the audience total that advertisers pay for (using live+Xdays' as the currency).
With regards to distribution partners, it is beneficial for content owners to provide them with the metadata they need to surface content (including through advanced recommendation and universal search functions) and to make direct associations with other relevant programming. For example, when a viewer finishes Episode One' of the new linear series, they can be directed to the previous season's box-set. The aim is to turn owned-and-operated apps into an example of content discovery best practice (across own channel and VOD portfolio).
Achieving these objectives using technology
For both aggregators and content owners, these business objectives prompt a number of technology requirements, such as:
The ability to make content more discoverable by improving the accuracy and consistency of metadata and by drawing upon rich new sources of metadata, while at the same time streamlining the metadata workflow so it is less labour-intensive and easier to scale.
The ability to prepare an ever-increasing number of variants for each piece of content, to deliver media to all meaningful endpoints quickly and cost effectively. Both the metadata and digital on-demand publishing workflows must be made more efficient, in part through automation. Scalability and cost issues can be addressed by harnessing the cloud and a SaaS operations model, which also introduces more OpEx-centric financing.
The ability to converge/rationalise what are currently separate and parallel processes for broadcast and digital, thus removing functional and process duplication to reduce cost.
The key to meeting these requirements lies with how metadata is managed, particularly where new technology advancements such as artificial intelligence (AI) can be utilised. For example, the UK broadcaster Channel 4 announced a 2018 trial of AI to identify contextual moments' that provides positive sentiment around a product category, based on scene analysis. These are opportunities that can then be exploited by a relevant advertiser at the next available break.
At the heart of all content discovery lies metadata. In the age of data-driven insights, this is an often-neglected data process that underpins premium user experiences (including genuine content personalisation) and monetisation. There is a powerful and growing incentive for media companies to take a more metadata-centric view of life.
Using AI to enhance metadata augmentation will take content discovery to the next allowing, allowing for the sub-categorisation of content according to its mood or plot. For example, so-called micro-genres' such as quirky thriller' will help with search, and movie plots will be used to drive recommendations. Deeper insights will help AI systems cope with the non-structured requests that consumers make once they interact with their television services.
Television is now inherently multiscreen and to create a unified experience across multiple endpoints and audiences wherever they can be found cost-effectively requires a collaborative effort from aggregators and content owners. To achieve this, metadata and content workflows must be transformed. This transformation is also the basis for a generational upgrade in content discovery capabilities.
A metadata-centric approach brings handsome rewards in the form of an improved user experience and greater opportunities to monetise content directly and indirectly. The future of metadata and digital on-demand publis
Most recent headlines
04/09/2025
Monumental Sports & Entertainment (MSE), in collaboration with Dalet, has been a...
19/04/2025
SDVI, the leading platform provider for cloud-native media supply chains, today announced that the company earned multiple awards at the 2025 NAB Show, with two...
19/04/2025
Ateliere Creative Technologies, a leading GenAI media software solutions company, today announced that Dan Goman has stepped down as CEO and David Bortis, Ateli...
19/04/2025
As Director of Media and Aerial Production at Terrible Herbst Motorsports, Bryan Moore is setting new standards in off-road racing media coverage thanks to his ...
19/04/2025
A next-generation collaboration device that redefines connectivity for meeting environments
Lightware, an industry-leading manufacturer of signal management so...
19/04/2025
Calrec is today announcing that its True Control 2.0 is a Remote Production winner in the 2025 NAB Show Product of the Year Awards. This official awards program...
19/04/2025
Appear, a global leader in live production technology, proudly announces it has been recognised alongside NBCUniversal with the prestigious NAB Show Delivery Pr...
19/04/2025
Deity Microphones, a leader in innovative audio equipment, is proud to announce the expected release of our Ultra-Wide Band IFB to the market. The THEOS DIFB wi...
19/04/2025
A world renowned broadcaster and long-standing LiveU customer has successfully completed a series of live connectivity tests using LiveU's revolutionary, aw...
19/04/2025
BitFire (bitfire.tv), a longtime leader in live video transport, today announced dual NAB Show award wins at the 2025 NAB Show in Las Vegas. The company's M...
19/04/2025
BitFire (bitfire.tv), a longtime leader in live video transport, today announced three major award wins at the 2025 NAB Show, April 5-9, in Las Vegas. The compa...
19/04/2025
AI video discovery company Moments Lab and Satisfaction Group, a leading independent unscripted television production company, are proud to announce a unique st...
19/04/2025
As the media industry navigates the triple challenge of AI-driven production, distributed teams, and skyrocketing content demand, DigitalGlue s creative.space h...
19/04/2025
Network technology startup Miri Technologies Inc. capped off its tremendously successful NAB Show debut by winning two prestigious industry awards for its cutti...
19/04/2025
CINCINNATI Scripp's Nuvyyo USA has concluded a deal with Warner Bros. Discovery to bring 45 FAST channels to Nuvyyo's Tablo TV device....
19/04/2025
In a ruling that could have broader implications on the legality of regulatory agencies levying fines through administrative proceedings, the 5th U.S. Circuit C...
19/04/2025
WASHINGTON Federal Communications Commission chair Brendan Carr has blasted Comcast over MSNBC's coverage of the deportation of Kilmar Abrego Garcia in a so...
19/04/2025
Berklee NYC and NYC Media Launch Season 3 of Inside Power Station @BerkleeNYC This season features faculty member Arun Pandian as the new host and interviews ...
18/04/2025
Director Andrew Ahn, alongside actors Youn Yuh-jung and Joan Chen, takes a photo of the audience after the premiere of his film The Wedding Banquet at Eccles ...
18/04/2025
In a ruling that could have a major impact on the digital advertising market, a federal judge has ruled that Google has monopolized some types of advertising te...
18/04/2025
Broadcast and cable TV news outlets saw strong social media growth in March, according to new data from the social video analytics company Tubular Labs ....
18/04/2025
Berklee Student Yukai Yang Named 2025 Yamaha Young Performing Artist The drummer secured a spot among the elite winners in this years competition.
By
Maddie...
18/04/2025
Boston Conservatory Alums Bring Real Women Have Curves to Broadway The Latin American immigrant community takes center stage in a new musical featuring Tatian...
18/04/2025
WASHINGTON The FCC's call for public comments and suggestions on outdated regulations that it should be eliminated, has prompted a slew of fillings from bro...
18/04/2025
In a ruling that could have a major impact on the digital advertising market, a federal judge has ruled that Google has monopolized some types of advertising te...
18/04/2025
PEARL RIVER, N.Y. Global media solutions company Active Media Services (AMS) has formed a new relationship with VideoAmp, a measurement company for linear TV, c...
18/04/2025
Netflix reported generally positive results for first-quarter 2025, with revenue up 13% year-over-year to $10.543 billion and operating income growing by 27% to...
18/04/2025
NHL Playoffs 2025: TNT Sports Hits the Road for Onsite Productions With Mobile U...
18/04/2025
EVSs S bastien Verlaine on U.S. Expansion, Next-Generation Products Beyond replay, offerings also target asset management and media infrastructure By Ken Kersc...
18/04/2025
ESPN Unleashes 4DREPLAY as NCAA Women's Gymnastics Championships Hit ABC Men's championships to follow Saturday night on ESPN2 By Brandon Costa, Direct...
18/04/2025
Visualizing Victory: The Latest in AR, XR, and Virtual Production in Live Sports This panel discussion featured leaders from ESPN, CBS Sports, Warner Bros. Disc...
18/04/2025
NHL Playoffs 2025: With 16 Games in First Six Days, ESPN Deploys Variety of Remo...
17/04/2025
Emilie Blichfeldt attends the 2025 Sundance Film Festival premiere of The Ugly ...
17/04/2025
R-GPS gives warfighters a decisive battlefield advantage by punching through adv...
17/04/2025
This year's NAB Show in Las Vegas marked a noticeable shift in the priorities of media and broadcast organisations. Gone are the days of chasing flashy, or ...
17/04/2025
class=attachment-thumbnail size-thumbnail f-align-center alt= decoding=async data-lazy-srcset=https://www.antonbauer.com/wp-content/uploads/2024/12/Amy-Daniel-1...
17/04/2025
SAN JOSE, Calif. Roku and Adobe have announced that they are collaborating on a real time data platform made possible by a a new integration of the Roku Data C...
17/04/2025
NEW YORK Internet advertising revenues demonstrated strong growth in 2024, increasing 14.9% year-over-year to $258.6 billion, according to the IAB Internet Adv...
17/04/2025
SDVI Earns Both Product and Project of the Year Awards at 2025 NAB Show
Brie Clayton April 17, 2025
0 Comments
Left to right, Geoff Stedman, CMO, SDVI...
17/04/2025
Singapore Polytechnic Readies Aspiring AV Professionals for Live IP Productions ...
17/04/2025
Calrec Wins 2025 NAB Show Product of the Year Award for True Control 2.0
Brie Clayton April 17, 2025
0 Comments
Image: The Calrec True Control 2.o on ...
17/04/2025
In Return to Berklee, Lucius Looks Back and Moves Forward From mood boards to live demos, the alumni band gave students an exclusive look at the process behin...
17/04/2025
DirecTV's free streaming service MyFree DirecTV has just added another eight channels from NBCUniversal....
17/04/2025
LOS ANGELES The virtual production company GameChanger has announced that it is expanding its global footprint by bringing its virtual production technology to ...
17/04/2025
DENVER The International Broadcaster Coalition Against Piracy (IBCAP) has announced that it has developed a proprietary, automated software-based system to iden...
17/04/2025
Pixalate's new CTV Device Market Share report for Q1 2025 shows that Roku has the highest open programmatic CTV device market share in the United States, wi...
17/04/2025
Edward J. Lewis III Named Senior Vice President of Institutional Advancement Lewis has more than 20 years of industry experience, leading fundraising initiati...
17/04/2025
The Curling Group Puts On Inaugural Curling All-Star Game in Nashville The location in Music City is intended to broaden the sport's appeal By Dan Daley, ...
17/04/2025
April 17th, 2025 Press Materials Available Here
Tribeca Festival 2025 Announces TV & NOW Lineup
World Premieres and Exclusive Cast Panels with Apple TV '...
17/04/2025
SVG Sit-Down: Cisco's Bryan Bedford on Providing End-to-End Support for Clie...