
--
As important as the production budget and the actual video shoot, is the selection of the post production company who will take your raw footage and craft it into your final, finished project for delivery.
In some cases, you'll have a long-standing relationship with a tried and trusted post house, but if not or if you're shooting in a different location or country, how do you know which is the right one for you and your project?
Here we take you through the factors to consider when deciding on your next post production company.
What Do You Actually Need to Choose a Post House?
Different productions will have different requirements and there are quite distinct needs in each genre. If you're making a factual programme you'll most likely need quick access to archive footage and good sound suites to adjust audio levels in interviews and voice-overs. If reality is your focus, your concerns will be on the offline capabilities, rather than online, and having large storage availability. And if it's drama, you'll need intensive colour grading and a graphics department all these things and so much more need to be taken into consideration when choosing a post production company to suit your needs.
What Does a Post House Cost?
It's going to be one of the main factors in your decision. Sometimes it is necessary to work out a buy-out with your chosen post house to keep within budget, or negotiate some flexibility on overages.
Concerns over delivering to schedule are only deepened when worrying about spiralling costs in the post production portion of your programme. Many Production Managers have had the unpleasant task of looking down the back of the sofa to pay the extra costs a project can run up in post.
Location and Opening Times
You're going to spend a lot of time there so, if possible, you're better off picking a company that's close by and avoiding the time and expense of travel and accommodation. If the offline edit is going to begin while the shoot is still happening, bear that in mind too.
Also, consider what their opening times are. Will they fit in with your schedule or ways of working? There's no point expecting to burn the midnight oil over an edit if the post house closes the doors and boots out the tech staff at 6pm.
It's also worth investigating the catering facilities onsite. You can guarantee your team will be working through their lunches, so at least make sure they have access to nice food!
What Facilities does the Post Production Company Have?
From a purely technical point of view, it makes little aesthetic difference whether you use Final Cut Pro, Avid Media Composer, Adobe Premiere or any other system for the offline edit. However, each has its strengths and weaknesses and it will come down to personal preference and experience as much as anything. If your editor is used to one system, that's what they will want to use so its always worth sitting down with prospective Post Houses to discuss your options.
Then you need to consider what you'll need when you reach the online edit. For some projects, this can be done on the same machine as the offline, simply conforming the high res version and adding the titles. However, in other projects you'll need to think about things like colour correction to create a particular visual style. Will you need visual effects? This is a specialist field and you need to consider whether you want this all done under one roof or are happy to work with more than one team.
Finally, think about sound. Will you need to add a voice over? Are you going to be shooting in settings that make it likely a sound-dub will be needed? If your post production company doesn't have recording facilities onsite, consider whether trips back and forth to a separate studio will add substantial cost and time delays.
Scalability and Flexibility
Can they scale up to meet the demands of your production? If it's a big one with a lot of footage that will need to be edited quickly, can they provide you with the extra facilities or time in the suite that you might need? Also consider the technical support your team may need. Can the people onsite be trusted to solve the toughest challenges video production can throw at you?
Existing Relationships
At the end of the day, the equipment is simply the tool. What matters is who is using it. If you've been around for a while, chances are you'll already have a favoured post house that you've used on projects in the past. You know how they work, they know how you work and they'll be more likely to help out when something unexpected arises. You'll have confidence in their abilities and know where their key skills lie.
An existing good relationship with a Facilities Manager, someone who already knows you and appreciates your custom is valuable and can be the key to getting that flexibility. It's them who'll be able to find the extra couple of hours' time in a suite for those sudden unexpected changes, even though they are fully booked. They may also have relationships with other houses so can organise for something they can't do in-house to be done by someone they know and trust.
Reputations
If you don't know anyone or want to change then it can just be a simple case of asking around. The reputations of the best post houses will go before them and many of your colleagues and connections will have their favourites they're happy to recommend.
How do you choose your Post Production company? Do you have tips you'd like to share?
Related posts:
How to Choose the Right Storage Solution for Your Professional Video Files There are a few factors to consider when selecting the best storage solution for your video files and the trick is to find the solution that offers the best balance between them. These fa
Most recent headlines
04/09/2025
Monumental Sports & Entertainment (MSE), in collaboration with Dalet, has been a...
19/04/2025
SDVI, the leading platform provider for cloud-native media supply chains, today announced that the company earned multiple awards at the 2025 NAB Show, with two...
19/04/2025
Ateliere Creative Technologies, a leading GenAI media software solutions company, today announced that Dan Goman has stepped down as CEO and David Bortis, Ateli...
19/04/2025
As Director of Media and Aerial Production at Terrible Herbst Motorsports, Bryan Moore is setting new standards in off-road racing media coverage thanks to his ...
19/04/2025
A next-generation collaboration device that redefines connectivity for meeting environments
Lightware, an industry-leading manufacturer of signal management so...
19/04/2025
Calrec is today announcing that its True Control 2.0 is a Remote Production winner in the 2025 NAB Show Product of the Year Awards. This official awards program...
19/04/2025
Appear, a global leader in live production technology, proudly announces it has been recognised alongside NBCUniversal with the prestigious NAB Show Delivery Pr...
19/04/2025
Deity Microphones, a leader in innovative audio equipment, is proud to announce the expected release of our Ultra-Wide Band IFB to the market. The THEOS DIFB wi...
19/04/2025
A world renowned broadcaster and long-standing LiveU customer has successfully completed a series of live connectivity tests using LiveU's revolutionary, aw...
19/04/2025
BitFire (bitfire.tv), a longtime leader in live video transport, today announced dual NAB Show award wins at the 2025 NAB Show in Las Vegas. The company's M...
19/04/2025
BitFire (bitfire.tv), a longtime leader in live video transport, today announced three major award wins at the 2025 NAB Show, April 5-9, in Las Vegas. The compa...
19/04/2025
AI video discovery company Moments Lab and Satisfaction Group, a leading independent unscripted television production company, are proud to announce a unique st...
19/04/2025
As the media industry navigates the triple challenge of AI-driven production, distributed teams, and skyrocketing content demand, DigitalGlue s creative.space h...
19/04/2025
Network technology startup Miri Technologies Inc. capped off its tremendously successful NAB Show debut by winning two prestigious industry awards for its cutti...
19/04/2025
CINCINNATI Scripp's Nuvyyo USA has concluded a deal with Warner Bros. Discovery to bring 45 FAST channels to Nuvyyo's Tablo TV device....
19/04/2025
In a ruling that could have broader implications on the legality of regulatory agencies levying fines through administrative proceedings, the 5th U.S. Circuit C...
19/04/2025
WASHINGTON Federal Communications Commission chair Brendan Carr has blasted Comcast over MSNBC's coverage of the deportation of Kilmar Abrego Garcia in a so...
19/04/2025
Berklee NYC and NYC Media Launch Season 3 of Inside Power Station @BerkleeNYC This season features faculty member Arun Pandian as the new host and interviews ...
18/04/2025
Director Andrew Ahn, alongside actors Youn Yuh-jung and Joan Chen, takes a photo of the audience after the premiere of his film The Wedding Banquet at Eccles ...
18/04/2025
In a ruling that could have a major impact on the digital advertising market, a federal judge has ruled that Google has monopolized some types of advertising te...
18/04/2025
Broadcast and cable TV news outlets saw strong social media growth in March, according to new data from the social video analytics company Tubular Labs ....
18/04/2025
Berklee Student Yukai Yang Named 2025 Yamaha Young Performing Artist The drummer secured a spot among the elite winners in this years competition.
By
Maddie...
18/04/2025
Boston Conservatory Alums Bring Real Women Have Curves to Broadway The Latin American immigrant community takes center stage in a new musical featuring Tatian...
18/04/2025
WASHINGTON The FCC's call for public comments and suggestions on outdated regulations that it should be eliminated, has prompted a slew of fillings from bro...
18/04/2025
In a ruling that could have a major impact on the digital advertising market, a federal judge has ruled that Google has monopolized some types of advertising te...
18/04/2025
PEARL RIVER, N.Y. Global media solutions company Active Media Services (AMS) has formed a new relationship with VideoAmp, a measurement company for linear TV, c...
18/04/2025
Netflix reported generally positive results for first-quarter 2025, with revenue up 13% year-over-year to $10.543 billion and operating income growing by 27% to...
18/04/2025
NHL Playoffs 2025: TNT Sports Hits the Road for Onsite Productions With Mobile U...
18/04/2025
EVSs S bastien Verlaine on U.S. Expansion, Next-Generation Products Beyond replay, offerings also target asset management and media infrastructure By Ken Kersc...
18/04/2025
ESPN Unleashes 4DREPLAY as NCAA Women's Gymnastics Championships Hit ABC Men's championships to follow Saturday night on ESPN2 By Brandon Costa, Direct...
18/04/2025
Visualizing Victory: The Latest in AR, XR, and Virtual Production in Live Sports This panel discussion featured leaders from ESPN, CBS Sports, Warner Bros. Disc...
18/04/2025
NHL Playoffs 2025: With 16 Games in First Six Days, ESPN Deploys Variety of Remo...
17/04/2025
Emilie Blichfeldt attends the 2025 Sundance Film Festival premiere of The Ugly ...
17/04/2025
R-GPS gives warfighters a decisive battlefield advantage by punching through adv...
17/04/2025
This year's NAB Show in Las Vegas marked a noticeable shift in the priorities of media and broadcast organisations. Gone are the days of chasing flashy, or ...
17/04/2025
class=attachment-thumbnail size-thumbnail f-align-center alt= decoding=async data-lazy-srcset=https://www.antonbauer.com/wp-content/uploads/2024/12/Amy-Daniel-1...
17/04/2025
SAN JOSE, Calif. Roku and Adobe have announced that they are collaborating on a real time data platform made possible by a a new integration of the Roku Data C...
17/04/2025
NEW YORK Internet advertising revenues demonstrated strong growth in 2024, increasing 14.9% year-over-year to $258.6 billion, according to the IAB Internet Adv...
17/04/2025
SDVI Earns Both Product and Project of the Year Awards at 2025 NAB Show
Brie Clayton April 17, 2025
0 Comments
Left to right, Geoff Stedman, CMO, SDVI...
17/04/2025
Singapore Polytechnic Readies Aspiring AV Professionals for Live IP Productions ...
17/04/2025
Calrec Wins 2025 NAB Show Product of the Year Award for True Control 2.0
Brie Clayton April 17, 2025
0 Comments
Image: The Calrec True Control 2.o on ...
17/04/2025
In Return to Berklee, Lucius Looks Back and Moves Forward From mood boards to live demos, the alumni band gave students an exclusive look at the process behin...
17/04/2025
DirecTV's free streaming service MyFree DirecTV has just added another eight channels from NBCUniversal....
17/04/2025
LOS ANGELES The virtual production company GameChanger has announced that it is expanding its global footprint by bringing its virtual production technology to ...
17/04/2025
DENVER The International Broadcaster Coalition Against Piracy (IBCAP) has announced that it has developed a proprietary, automated software-based system to iden...
17/04/2025
Pixalate's new CTV Device Market Share report for Q1 2025 shows that Roku has the highest open programmatic CTV device market share in the United States, wi...
17/04/2025
Edward J. Lewis III Named Senior Vice President of Institutional Advancement Lewis has more than 20 years of industry experience, leading fundraising initiati...
17/04/2025
The Curling Group Puts On Inaugural Curling All-Star Game in Nashville The location in Music City is intended to broaden the sport's appeal By Dan Daley, ...
17/04/2025
April 17th, 2025 Press Materials Available Here
Tribeca Festival 2025 Announces TV & NOW Lineup
World Premieres and Exclusive Cast Panels with Apple TV '...
17/04/2025
SVG Sit-Down: Cisco's Bryan Bedford on Providing End-to-End Support for Clie...