
Globecasts Ian Redgewell explains how the power of the cloud is leading to a true operational paradigm shift as well as opening up new ways of working and thinking
By Contributor
Published: November 17, 2022
Globecast's Ian Redgewell explains how the power of the cloud is leading to a true operational paradigm shift as well as opening up new ways of working and thinking
target=_blank title=Share on LinkedIn class=share-linkedin>
The cloud, and the rapidly increasing use of it across the media and entertainment space, has dominated headlines for some time now. Indeed, for many we may be reaching saturation point in this regard. But the cloud, and the transitions it's powering, are worth discussing and explaining as this is a true operational paradigm shift and it opens up new ways of working and thinking.
Approximately 18 months ago, Globecast began a detailed strategic process, using the huge amount of knowledge 30 years as a media services provider brings, to explore the market and fully understand the challenges customers face across their digital transformations. The result is four key strategic growth initiatives: media supply chain; OTT ecosystems; remote production; and digital platforms.
While these are clearly separate subsectors, there's one common technical theme that underpins this and that's the use of the cloud. Of course, our use of the cloud isn't new, but the scale and depth of use is, as it is with many of our customers. So where are we at with this transformation as a global media services supplier and where are our customers at with it?
Pre-Covid, we were helping customers move their content into the cloud. Now, we're helping them move their broadcast workflows into the cloud. What the cloud brings is very quick time-to-market for service launches and great flexibility to add/amend those services, or to create pop-up services as and when required. This is important in helping test new markets and new content ideas quickly and cost-effectively.
What we see from our customers is there's now a lot more acceptance of the cloud and a lot less fear. Because of this, customers really aren't concerned with whether it's cloud or on premise as long as they get the service they pay for from us at a price that suits them. Whether it's in the cloud or not is not top of their list of priorities. Strategically, cloud use may be beneficial to them because they are operating - at least partially - in the cloud and in terms of inputs/outputs, it suits them. They are buying a service - or services - from us and as long as we deliver absolutely the service that we have defined with them, it's not a concern for them.
Our strategy is to move everything to the cloud, apart from some obvious exceptions for example, a satellite uplink requires a satellite dish - so we still need to have teleports. And there are some customers that aren't quite ready for the cloud, so we may have to come out of it and use a more traditional, physical approach to get what we need from them. That still happens. The less physical boxes that we have running, the better.
Working closely with AWS we announced earlier this year we joined the AWS Partner Network, extending our reach with them - gives us the cloud power that we and our customers need.
There's considerable technical work required on top of this to create the services, and GUIs, that we need. As an example, it's vital our operations people be able to configure a given service - Globecast Managed Cloud Network (MCN) is a prime example of this, to which I will return quickly and easily using a simple GUI. A lot of current focus is to ensure that our operators in our MCRs - or working remotely - have a simple interface with which to interact.
All of the playout channels we operate are cloud-based now, even if for distribution they have to come out of the cloud to go to a traditional satellite uplink: the backend processing is in the cloud.
We're far along the process of moving all relevant processes into the cloud. We started by identifying the processes that we could move first and that was largely around media management and where we're working across file storage and processing, including things like VoD logistics and cloud playout. Driven by customer demand, now we're moving into wider signal distribution via the cloud. We've sold services where customers are shutting down their satellite distribution and moving to IP and we need the cloud to do that.
We're seeing growth in adhoc distribution in this regard. Say you have a season of a particular sports championship to cover that takes place at various locations globally. A given customer no longer wants to simply distribute that to, say, Europe via satellite as they don't want to bear that cost nor be limited to that footprint. They want to be able to distribute it via the internet to other global takers. We can do that now and that's gaining a lot of traction with different sports content providers/rights holders. That IP distribution may be instead of, or alongside, satellite. This also applies to adhoc news services.
Cloud playout and our VoD services - which fall under the wider bracket of media supply chain are mature now and we do this in all our major regions - Hallmark Media in the US and Virgin TV Ultra HD spring immediately to mind.
Then there's our Managed Cloud Network service, which highlights the advantages of cloud use. This allows content providers to select very precisely what affiliates/takers receive which content which parts of an event they want to air and they can select as little or as much, depending on the rights, without the need for any fibre or satellite connectivity. Equidia, the PMU-owned, France-based horse racing channel, is using MCN for preci
Most recent headlines
04/09/2025
Monumental Sports & Entertainment (MSE), in collaboration with Dalet, has been a...
19/04/2025
SDVI, the leading platform provider for cloud-native media supply chains, today announced that the company earned multiple awards at the 2025 NAB Show, with two...
19/04/2025
Ateliere Creative Technologies, a leading GenAI media software solutions company, today announced that Dan Goman has stepped down as CEO and David Bortis, Ateli...
19/04/2025
As Director of Media and Aerial Production at Terrible Herbst Motorsports, Bryan Moore is setting new standards in off-road racing media coverage thanks to his ...
19/04/2025
A next-generation collaboration device that redefines connectivity for meeting environments
Lightware, an industry-leading manufacturer of signal management so...
19/04/2025
Calrec is today announcing that its True Control 2.0 is a Remote Production winner in the 2025 NAB Show Product of the Year Awards. This official awards program...
19/04/2025
Appear, a global leader in live production technology, proudly announces it has been recognised alongside NBCUniversal with the prestigious NAB Show Delivery Pr...
19/04/2025
Deity Microphones, a leader in innovative audio equipment, is proud to announce the expected release of our Ultra-Wide Band IFB to the market. The THEOS DIFB wi...
19/04/2025
A world renowned broadcaster and long-standing LiveU customer has successfully completed a series of live connectivity tests using LiveU's revolutionary, aw...
19/04/2025
BitFire (bitfire.tv), a longtime leader in live video transport, today announced dual NAB Show award wins at the 2025 NAB Show in Las Vegas. The company's M...
19/04/2025
BitFire (bitfire.tv), a longtime leader in live video transport, today announced three major award wins at the 2025 NAB Show, April 5-9, in Las Vegas. The compa...
19/04/2025
AI video discovery company Moments Lab and Satisfaction Group, a leading independent unscripted television production company, are proud to announce a unique st...
19/04/2025
As the media industry navigates the triple challenge of AI-driven production, distributed teams, and skyrocketing content demand, DigitalGlue s creative.space h...
19/04/2025
Network technology startup Miri Technologies Inc. capped off its tremendously successful NAB Show debut by winning two prestigious industry awards for its cutti...
19/04/2025
CINCINNATI Scripp's Nuvyyo USA has concluded a deal with Warner Bros. Discovery to bring 45 FAST channels to Nuvyyo's Tablo TV device....
19/04/2025
In a ruling that could have broader implications on the legality of regulatory agencies levying fines through administrative proceedings, the 5th U.S. Circuit C...
19/04/2025
WASHINGTON Federal Communications Commission chair Brendan Carr has blasted Comcast over MSNBC's coverage of the deportation of Kilmar Abrego Garcia in a so...
19/04/2025
Berklee NYC and NYC Media Launch Season 3 of Inside Power Station @BerkleeNYC This season features faculty member Arun Pandian as the new host and interviews ...
18/04/2025
Director Andrew Ahn, alongside actors Youn Yuh-jung and Joan Chen, takes a photo of the audience after the premiere of his film The Wedding Banquet at Eccles ...
18/04/2025
In a ruling that could have a major impact on the digital advertising market, a federal judge has ruled that Google has monopolized some types of advertising te...
18/04/2025
Broadcast and cable TV news outlets saw strong social media growth in March, according to new data from the social video analytics company Tubular Labs ....
18/04/2025
Berklee Student Yukai Yang Named 2025 Yamaha Young Performing Artist The drummer secured a spot among the elite winners in this years competition.
By
Maddie...
18/04/2025
Boston Conservatory Alums Bring Real Women Have Curves to Broadway The Latin American immigrant community takes center stage in a new musical featuring Tatian...
18/04/2025
WASHINGTON The FCC's call for public comments and suggestions on outdated regulations that it should be eliminated, has prompted a slew of fillings from bro...
18/04/2025
In a ruling that could have a major impact on the digital advertising market, a federal judge has ruled that Google has monopolized some types of advertising te...
18/04/2025
PEARL RIVER, N.Y. Global media solutions company Active Media Services (AMS) has formed a new relationship with VideoAmp, a measurement company for linear TV, c...
18/04/2025
Netflix reported generally positive results for first-quarter 2025, with revenue up 13% year-over-year to $10.543 billion and operating income growing by 27% to...
18/04/2025
NHL Playoffs 2025: TNT Sports Hits the Road for Onsite Productions With Mobile U...
18/04/2025
EVSs S bastien Verlaine on U.S. Expansion, Next-Generation Products Beyond replay, offerings also target asset management and media infrastructure By Ken Kersc...
18/04/2025
ESPN Unleashes 4DREPLAY as NCAA Women's Gymnastics Championships Hit ABC Men's championships to follow Saturday night on ESPN2 By Brandon Costa, Direct...
18/04/2025
Visualizing Victory: The Latest in AR, XR, and Virtual Production in Live Sports This panel discussion featured leaders from ESPN, CBS Sports, Warner Bros. Disc...
18/04/2025
NHL Playoffs 2025: With 16 Games in First Six Days, ESPN Deploys Variety of Remo...
17/04/2025
Emilie Blichfeldt attends the 2025 Sundance Film Festival premiere of The Ugly ...
17/04/2025
R-GPS gives warfighters a decisive battlefield advantage by punching through adv...
17/04/2025
This year's NAB Show in Las Vegas marked a noticeable shift in the priorities of media and broadcast organisations. Gone are the days of chasing flashy, or ...
17/04/2025
class=attachment-thumbnail size-thumbnail f-align-center alt= decoding=async data-lazy-srcset=https://www.antonbauer.com/wp-content/uploads/2024/12/Amy-Daniel-1...
17/04/2025
SAN JOSE, Calif. Roku and Adobe have announced that they are collaborating on a real time data platform made possible by a a new integration of the Roku Data C...
17/04/2025
NEW YORK Internet advertising revenues demonstrated strong growth in 2024, increasing 14.9% year-over-year to $258.6 billion, according to the IAB Internet Adv...
17/04/2025
SDVI Earns Both Product and Project of the Year Awards at 2025 NAB Show
Brie Clayton April 17, 2025
0 Comments
Left to right, Geoff Stedman, CMO, SDVI...
17/04/2025
Singapore Polytechnic Readies Aspiring AV Professionals for Live IP Productions ...
17/04/2025
Calrec Wins 2025 NAB Show Product of the Year Award for True Control 2.0
Brie Clayton April 17, 2025
0 Comments
Image: The Calrec True Control 2.o on ...
17/04/2025
In Return to Berklee, Lucius Looks Back and Moves Forward From mood boards to live demos, the alumni band gave students an exclusive look at the process behin...
17/04/2025
DirecTV's free streaming service MyFree DirecTV has just added another eight channels from NBCUniversal....
17/04/2025
LOS ANGELES The virtual production company GameChanger has announced that it is expanding its global footprint by bringing its virtual production technology to ...
17/04/2025
DENVER The International Broadcaster Coalition Against Piracy (IBCAP) has announced that it has developed a proprietary, automated software-based system to iden...
17/04/2025
Pixalate's new CTV Device Market Share report for Q1 2025 shows that Roku has the highest open programmatic CTV device market share in the United States, wi...
17/04/2025
Edward J. Lewis III Named Senior Vice President of Institutional Advancement Lewis has more than 20 years of industry experience, leading fundraising initiati...
17/04/2025
The Curling Group Puts On Inaugural Curling All-Star Game in Nashville The location in Music City is intended to broaden the sport's appeal By Dan Daley, ...
17/04/2025
April 17th, 2025 Press Materials Available Here
Tribeca Festival 2025 Announces TV & NOW Lineup
World Premieres and Exclusive Cast Panels with Apple TV '...
17/04/2025
SVG Sit-Down: Cisco's Bryan Bedford on Providing End-to-End Support for Clie...