
As 2018 FIFA World Cup Rapidly Approaches, Telemundo Deportes Readies For Epic Production Effort Telemundos Eli Velazquez: We will use the complete strength of assets and innovation that this company brings to bear. By Brandon Costa, Director of Digital
Wednesday, March 28, 2018 - 3:13 pm
Print This Story
Story Highlights
With just 77 days remaining until the opening of the 2018 FIFA World Cup in Russia, what was once a far-off goal on the horizon for the domestic Spanish-language broadcaster Telemundo is suddenly bearing down on them like a speedboat.
Telemundo's Eli Velazquez (left) shares the stage with NBC executive producer Jim Bell during an event in New York City earlier this month to preview Telemundo Deportes' domestic Spanish language coverage of this summer's FIFA World Cup in Russia.
It was in 2011 when Telemundo learned it had acquired the rights to this year's big tournament and now the broadcaster is ready to roll with a robust production and content plan. At an event earlier this month, Telemundo unveiled some key partnerships and shared some viewership data that has the network feeling awfully bullish headed into this summer's tournament.
Telemundo has already established original content partnerships with VICE, the popular soccer digital destination Copa90, and the Telemundo Station Group for various content plays. Plus, the network's Red Square-based set in the heart of Moscow promises to be a sight to behold.
The network also disclosed some viewership trends and numbers that it dug up in an exclusive partnership with Horowitz Research. Of little surprise to many, soccer resonates strongly with Americans of Hispanic and Latino heritage. According to their data, 77% of Hispanic soccer fans plan to watch World Cup matches live on television. They also said that if they can't catch the matches live, 46% will live stream matches. 31% even said they would stream matches on demand if they miss the live game.
We caught up with Eli Velazquez, Executive Vice President, Programming, Production & Content at Telemundo Deportes to run through some of the upcoming plans for this summer's massive production.
You're obviously working very closely with some talent from NBC Sports (including noted producer Jim Bell, who will executive produce this World Cup for Telemundo) and utilizing some workflows established by NBC Olympics. That includes at-home production. How do you think that might play out for an event like the World Cup, how comparable could that be to like an Olympics?
Velazquez: Our IBC position and presence will not be as massive as [NBC's] IBC presence and position was for [the PyeongChang] Olympics. I think part of that also is because we're covering a singular sport with specific times that won't really move that much. They had to deal with eight or nine different sports simultaneously, so the engineering side had to deal with much more.
Having said that, we are working with Dave Mazza and his team the guys behind the Olympic model to make sure that our IBC position in Moscow is equipped so that we have our main control room there. We will have an insert studio there as well. We will have full services, audio booths, engineering, and shading rooms. We are still going to be engaging with Stamford and the facility [at 30 Rock]. As it relates to transmission, we're going to have a numerous amount of feeds coming back.
We also have our brand new, state-of-the-art facility in Miami, the Telemundo Center. I mean it's just the monstrosity of technology we're going to use the complete strength of assets and innovation that this company brings to bear to make sure that everything is flowing seamlessly from an engineering and a technical standpoint.
How about the set at Red Square? What kind of new technologies or innovations can we expect there?
Velazquez: Sure, so AR [augmented reality] will be a part of our coverage, for sure. We're working with a couple of providers on that. We're going to take on as much technological innovation as we can from that space. That's why working with NBC sports was very important to us, because we knew that they had the expertise to bring that enhancement to our experience. We're all part of the same company so why not take advantage.
One last question on the Red Square spot. We spoke with [Fox Sports'] David Neal and he said that it was a very laborious process making sure everything met governmental standards for their studio set in Red Square. Did you guys go through a similar process, did you have to go like present many different versions and things like that?
Velazquez: Not as much as they did because, from my understanding they're building their own structure. We are going to be existing within the HBS' [FIFA's Host Broadcast Services] structure that they will have there. That allowed us to have the same experience that I'm sure [Fox] will have perhaps more limited. My point being that because we decided to work with HBS, they were able to help us leverage and avoid some of that bureaucracy because it was a service that they were providing. That allowed us to focus, frankly, on the look, the feel, the enhancements, to make sure that the experience is top notch. We're not constructing that studio in Red Square to show off what we're doing to the people in Russia. We're constructing it in Red Square to show off to the people back home.
HBS has the matches covered. What's the relationship like for you with them and what can you do, if anything, to add your own flair to match coverage?
Velazquez: There are unilateral services that you can book depending on the match in question. So I think as the storylines develop within the group stage and we see which team's really taking off, whether or not our rel
Most recent headlines
04/09/2025
Monumental Sports & Entertainment (MSE), in collaboration with Dalet, has been a...
19/04/2025
SDVI, the leading platform provider for cloud-native media supply chains, today announced that the company earned multiple awards at the 2025 NAB Show, with two...
19/04/2025
Ateliere Creative Technologies, a leading GenAI media software solutions company, today announced that Dan Goman has stepped down as CEO and David Bortis, Ateli...
19/04/2025
As Director of Media and Aerial Production at Terrible Herbst Motorsports, Bryan Moore is setting new standards in off-road racing media coverage thanks to his ...
19/04/2025
A next-generation collaboration device that redefines connectivity for meeting environments
Lightware, an industry-leading manufacturer of signal management so...
19/04/2025
Calrec is today announcing that its True Control 2.0 is a Remote Production winner in the 2025 NAB Show Product of the Year Awards. This official awards program...
19/04/2025
Appear, a global leader in live production technology, proudly announces it has been recognised alongside NBCUniversal with the prestigious NAB Show Delivery Pr...
19/04/2025
Deity Microphones, a leader in innovative audio equipment, is proud to announce the expected release of our Ultra-Wide Band IFB to the market. The THEOS DIFB wi...
19/04/2025
A world renowned broadcaster and long-standing LiveU customer has successfully completed a series of live connectivity tests using LiveU's revolutionary, aw...
19/04/2025
BitFire (bitfire.tv), a longtime leader in live video transport, today announced dual NAB Show award wins at the 2025 NAB Show in Las Vegas. The company's M...
19/04/2025
BitFire (bitfire.tv), a longtime leader in live video transport, today announced three major award wins at the 2025 NAB Show, April 5-9, in Las Vegas. The compa...
19/04/2025
AI video discovery company Moments Lab and Satisfaction Group, a leading independent unscripted television production company, are proud to announce a unique st...
19/04/2025
As the media industry navigates the triple challenge of AI-driven production, distributed teams, and skyrocketing content demand, DigitalGlue s creative.space h...
19/04/2025
Network technology startup Miri Technologies Inc. capped off its tremendously successful NAB Show debut by winning two prestigious industry awards for its cutti...
19/04/2025
CINCINNATI Scripp's Nuvyyo USA has concluded a deal with Warner Bros. Discovery to bring 45 FAST channels to Nuvyyo's Tablo TV device....
19/04/2025
In a ruling that could have broader implications on the legality of regulatory agencies levying fines through administrative proceedings, the 5th U.S. Circuit C...
19/04/2025
WASHINGTON Federal Communications Commission chair Brendan Carr has blasted Comcast over MSNBC's coverage of the deportation of Kilmar Abrego Garcia in a so...
19/04/2025
Berklee NYC and NYC Media Launch Season 3 of Inside Power Station @BerkleeNYC This season features faculty member Arun Pandian as the new host and interviews ...
18/04/2025
Director Andrew Ahn, alongside actors Youn Yuh-jung and Joan Chen, takes a photo of the audience after the premiere of his film The Wedding Banquet at Eccles ...
18/04/2025
In a ruling that could have a major impact on the digital advertising market, a federal judge has ruled that Google has monopolized some types of advertising te...
18/04/2025
Broadcast and cable TV news outlets saw strong social media growth in March, according to new data from the social video analytics company Tubular Labs ....
18/04/2025
Berklee Student Yukai Yang Named 2025 Yamaha Young Performing Artist The drummer secured a spot among the elite winners in this years competition.
By
Maddie...
18/04/2025
Boston Conservatory Alums Bring Real Women Have Curves to Broadway The Latin American immigrant community takes center stage in a new musical featuring Tatian...
18/04/2025
WASHINGTON The FCC's call for public comments and suggestions on outdated regulations that it should be eliminated, has prompted a slew of fillings from bro...
18/04/2025
In a ruling that could have a major impact on the digital advertising market, a federal judge has ruled that Google has monopolized some types of advertising te...
18/04/2025
PEARL RIVER, N.Y. Global media solutions company Active Media Services (AMS) has formed a new relationship with VideoAmp, a measurement company for linear TV, c...
18/04/2025
Netflix reported generally positive results for first-quarter 2025, with revenue up 13% year-over-year to $10.543 billion and operating income growing by 27% to...
18/04/2025
NHL Playoffs 2025: TNT Sports Hits the Road for Onsite Productions With Mobile U...
18/04/2025
EVSs S bastien Verlaine on U.S. Expansion, Next-Generation Products Beyond replay, offerings also target asset management and media infrastructure By Ken Kersc...
18/04/2025
ESPN Unleashes 4DREPLAY as NCAA Women's Gymnastics Championships Hit ABC Men's championships to follow Saturday night on ESPN2 By Brandon Costa, Direct...
18/04/2025
Visualizing Victory: The Latest in AR, XR, and Virtual Production in Live Sports This panel discussion featured leaders from ESPN, CBS Sports, Warner Bros. Disc...
18/04/2025
NHL Playoffs 2025: With 16 Games in First Six Days, ESPN Deploys Variety of Remo...
17/04/2025
Emilie Blichfeldt attends the 2025 Sundance Film Festival premiere of The Ugly ...
17/04/2025
R-GPS gives warfighters a decisive battlefield advantage by punching through adv...
17/04/2025
This year's NAB Show in Las Vegas marked a noticeable shift in the priorities of media and broadcast organisations. Gone are the days of chasing flashy, or ...
17/04/2025
class=attachment-thumbnail size-thumbnail f-align-center alt= decoding=async data-lazy-srcset=https://www.antonbauer.com/wp-content/uploads/2024/12/Amy-Daniel-1...
17/04/2025
SAN JOSE, Calif. Roku and Adobe have announced that they are collaborating on a real time data platform made possible by a a new integration of the Roku Data C...
17/04/2025
NEW YORK Internet advertising revenues demonstrated strong growth in 2024, increasing 14.9% year-over-year to $258.6 billion, according to the IAB Internet Adv...
17/04/2025
SDVI Earns Both Product and Project of the Year Awards at 2025 NAB Show
Brie Clayton April 17, 2025
0 Comments
Left to right, Geoff Stedman, CMO, SDVI...
17/04/2025
Singapore Polytechnic Readies Aspiring AV Professionals for Live IP Productions ...
17/04/2025
Calrec Wins 2025 NAB Show Product of the Year Award for True Control 2.0
Brie Clayton April 17, 2025
0 Comments
Image: The Calrec True Control 2.o on ...
17/04/2025
In Return to Berklee, Lucius Looks Back and Moves Forward From mood boards to live demos, the alumni band gave students an exclusive look at the process behin...
17/04/2025
DirecTV's free streaming service MyFree DirecTV has just added another eight channels from NBCUniversal....
17/04/2025
LOS ANGELES The virtual production company GameChanger has announced that it is expanding its global footprint by bringing its virtual production technology to ...
17/04/2025
DENVER The International Broadcaster Coalition Against Piracy (IBCAP) has announced that it has developed a proprietary, automated software-based system to iden...
17/04/2025
Pixalate's new CTV Device Market Share report for Q1 2025 shows that Roku has the highest open programmatic CTV device market share in the United States, wi...
17/04/2025
Edward J. Lewis III Named Senior Vice President of Institutional Advancement Lewis has more than 20 years of industry experience, leading fundraising initiati...
17/04/2025
The Curling Group Puts On Inaugural Curling All-Star Game in Nashville The location in Music City is intended to broaden the sport's appeal By Dan Daley, ...
17/04/2025
April 17th, 2025 Press Materials Available Here
Tribeca Festival 2025 Announces TV & NOW Lineup
World Premieres and Exclusive Cast Panels with Apple TV '...
17/04/2025
SVG Sit-Down: Cisco's Bryan Bedford on Providing End-to-End Support for Clie...