
(29/05/2014) Lighting and visuals rental specialist Colour Sound Experiment kick started another crazy busy festival season this year supplying lighting equipment and design, LED screen, rigging and crew to We Are FSTVL which made some serious noise at Damyns Hall Aerodrome, Upminster, east London.
It was the second event after bursting audaciously onto the EDM scene last year and this year the organisers upped the ante on several fronts, expanding the event to two days, increasing the level of production and securing an action-packed line-up with main stage headliners Richie Hawtin (Saturday) and Fatboy Slim (Sunday).
Colour Sound deployed five trucks of kit, 26 crew, around 500 square metres of their proprietary BT LED screen, over 350 moving lights and a shed-pile of strobes, blinders and atmospheric effects to the site, where all their elements were co-ordinated by Crew Chief Andy Melleney.
Colour Sound's MD Haydn Cruickshank comments, It is always great to work on something fresh and new, as well as with a client who really understands the importance of production values and how they can enhance an event .
Production designs and specifications for ten live performance stages and arenas including a comprehensive VIP area were created by Colour Sound's Haydn Cruickshank and Fletch.
On the Main Stage, they worked closely with scenic elements created by Joe from Scruffy Dog and based the lighting rig around the requirements of Fatboy Slim (LD Abbis) and Richie Hawtin (LD Matthias Vollrath).
Other than this, the lighting was flexible and versatile enough to give all artists a good looking show and provided plenty of scope for creating a good visual impact during the daylight hours - which constituted most of the event as well as after dark.
Colour Sound's 6 mm and 20 mm BT LED screen provided a large upstage surface and two portrait shaped areas flanking the stage left and right so five screens in total, which really accentuated an impressive widescreen look.
Over 200 moving lights included newly purchased Robe Pointes and Robe LEDWash 600s together with Clay Paky Alpha Spot 1500s and Sharpies, with the option of either grandMA2 or for Avolites control.
The Main Stage was run by Chris Steel, Hadyn Williams and Dave Kyle. Video control and content was overseen by Richard Bagshaw from Digital Insanity and Nigel Sadler from Green Hippo.
The Great Outdoors was the second outdoor stage, designed largely by the promoters with a few steers from Colour Sound adding their vast experiences of the genre to the equation.
The end result was another spectacular looking performance space, featuring a BT12 LED screen upstage and in front of the DJ booth, with five distinctive diagonal lines of BT12 attached to each of the wings which was a challenge for the riggers!
The diagonal lines of video were interspersed with lines of IP rated Chauvet COLORBand LED battens, which helped create a nice flow of visuals across the entire stage space.
The lighting on here included around 40 Robe MMX Spots and LEDWash 1200 LED washes, together with 16 x CP Sharpies and more of the ubiquitous strobes and moles all rigged and used festival-style'. Looking after all things lighting here were Kester McClure, Sam Campbell and Dan Williams.
Lighting control was a ChamSys MQ200.
Paradise was the largest of the indoor tented stages this year and the one that contained the most equipment. The video comprised five columns of BT20 and the moving lights were GLP Spot One LEDs, Robe LEDWash 300s and some Beam lights, plus Moles and strobes together with the indoor version of the COLORBands, which are a Colour Sound festival favourite.
Control was a ChamSys MQ300 and making it rock on the operating front were Frankie McDade and Ed Blackwell.
The seven other music stages and areas all featured an assortment of moving lights, blinders and strobes and the visuals set-up in the Silver VIP tent also contained 6 mm screen elements.
The event was another massive success for the organisers despite the erratic weather which kept everyone guessing and determined to party on whatever embracing true British festival style!
Most recent headlines
04/09/2025
Monumental Sports & Entertainment (MSE), in collaboration with Dalet, has been a...
19/04/2025
SDVI, the leading platform provider for cloud-native media supply chains, today announced that the company earned multiple awards at the 2025 NAB Show, with two...
19/04/2025
Ateliere Creative Technologies, a leading GenAI media software solutions company, today announced that Dan Goman has stepped down as CEO and David Bortis, Ateli...
19/04/2025
As Director of Media and Aerial Production at Terrible Herbst Motorsports, Bryan Moore is setting new standards in off-road racing media coverage thanks to his ...
19/04/2025
A next-generation collaboration device that redefines connectivity for meeting environments
Lightware, an industry-leading manufacturer of signal management so...
19/04/2025
Calrec is today announcing that its True Control 2.0 is a Remote Production winner in the 2025 NAB Show Product of the Year Awards. This official awards program...
19/04/2025
Appear, a global leader in live production technology, proudly announces it has been recognised alongside NBCUniversal with the prestigious NAB Show Delivery Pr...
19/04/2025
Deity Microphones, a leader in innovative audio equipment, is proud to announce the expected release of our Ultra-Wide Band IFB to the market. The THEOS DIFB wi...
19/04/2025
A world renowned broadcaster and long-standing LiveU customer has successfully completed a series of live connectivity tests using LiveU's revolutionary, aw...
19/04/2025
BitFire (bitfire.tv), a longtime leader in live video transport, today announced dual NAB Show award wins at the 2025 NAB Show in Las Vegas. The company's M...
19/04/2025
BitFire (bitfire.tv), a longtime leader in live video transport, today announced three major award wins at the 2025 NAB Show, April 5-9, in Las Vegas. The compa...
19/04/2025
AI video discovery company Moments Lab and Satisfaction Group, a leading independent unscripted television production company, are proud to announce a unique st...
19/04/2025
As the media industry navigates the triple challenge of AI-driven production, distributed teams, and skyrocketing content demand, DigitalGlue s creative.space h...
19/04/2025
Network technology startup Miri Technologies Inc. capped off its tremendously successful NAB Show debut by winning two prestigious industry awards for its cutti...
19/04/2025
CINCINNATI Scripp's Nuvyyo USA has concluded a deal with Warner Bros. Discovery to bring 45 FAST channels to Nuvyyo's Tablo TV device....
19/04/2025
In a ruling that could have broader implications on the legality of regulatory agencies levying fines through administrative proceedings, the 5th U.S. Circuit C...
19/04/2025
WASHINGTON Federal Communications Commission chair Brendan Carr has blasted Comcast over MSNBC's coverage of the deportation of Kilmar Abrego Garcia in a so...
19/04/2025
Berklee NYC and NYC Media Launch Season 3 of Inside Power Station @BerkleeNYC This season features faculty member Arun Pandian as the new host and interviews ...
18/04/2025
Director Andrew Ahn, alongside actors Youn Yuh-jung and Joan Chen, takes a photo of the audience after the premiere of his film The Wedding Banquet at Eccles ...
18/04/2025
In a ruling that could have a major impact on the digital advertising market, a federal judge has ruled that Google has monopolized some types of advertising te...
18/04/2025
Broadcast and cable TV news outlets saw strong social media growth in March, according to new data from the social video analytics company Tubular Labs ....
18/04/2025
Berklee Student Yukai Yang Named 2025 Yamaha Young Performing Artist The drummer secured a spot among the elite winners in this years competition.
By
Maddie...
18/04/2025
Boston Conservatory Alums Bring Real Women Have Curves to Broadway The Latin American immigrant community takes center stage in a new musical featuring Tatian...
18/04/2025
WASHINGTON The FCC's call for public comments and suggestions on outdated regulations that it should be eliminated, has prompted a slew of fillings from bro...
18/04/2025
In a ruling that could have a major impact on the digital advertising market, a federal judge has ruled that Google has monopolized some types of advertising te...
18/04/2025
PEARL RIVER, N.Y. Global media solutions company Active Media Services (AMS) has formed a new relationship with VideoAmp, a measurement company for linear TV, c...
18/04/2025
Netflix reported generally positive results for first-quarter 2025, with revenue up 13% year-over-year to $10.543 billion and operating income growing by 27% to...
18/04/2025
NHL Playoffs 2025: TNT Sports Hits the Road for Onsite Productions With Mobile U...
18/04/2025
EVSs S bastien Verlaine on U.S. Expansion, Next-Generation Products Beyond replay, offerings also target asset management and media infrastructure By Ken Kersc...
18/04/2025
ESPN Unleashes 4DREPLAY as NCAA Women's Gymnastics Championships Hit ABC Men's championships to follow Saturday night on ESPN2 By Brandon Costa, Direct...
18/04/2025
Visualizing Victory: The Latest in AR, XR, and Virtual Production in Live Sports This panel discussion featured leaders from ESPN, CBS Sports, Warner Bros. Disc...
18/04/2025
NHL Playoffs 2025: With 16 Games in First Six Days, ESPN Deploys Variety of Remo...
17/04/2025
Emilie Blichfeldt attends the 2025 Sundance Film Festival premiere of The Ugly ...
17/04/2025
R-GPS gives warfighters a decisive battlefield advantage by punching through adv...
17/04/2025
This year's NAB Show in Las Vegas marked a noticeable shift in the priorities of media and broadcast organisations. Gone are the days of chasing flashy, or ...
17/04/2025
class=attachment-thumbnail size-thumbnail f-align-center alt= decoding=async data-lazy-srcset=https://www.antonbauer.com/wp-content/uploads/2024/12/Amy-Daniel-1...
17/04/2025
SAN JOSE, Calif. Roku and Adobe have announced that they are collaborating on a real time data platform made possible by a a new integration of the Roku Data C...
17/04/2025
NEW YORK Internet advertising revenues demonstrated strong growth in 2024, increasing 14.9% year-over-year to $258.6 billion, according to the IAB Internet Adv...
17/04/2025
SDVI Earns Both Product and Project of the Year Awards at 2025 NAB Show
Brie Clayton April 17, 2025
0 Comments
Left to right, Geoff Stedman, CMO, SDVI...
17/04/2025
Singapore Polytechnic Readies Aspiring AV Professionals for Live IP Productions ...
17/04/2025
Calrec Wins 2025 NAB Show Product of the Year Award for True Control 2.0
Brie Clayton April 17, 2025
0 Comments
Image: The Calrec True Control 2.o on ...
17/04/2025
In Return to Berklee, Lucius Looks Back and Moves Forward From mood boards to live demos, the alumni band gave students an exclusive look at the process behin...
17/04/2025
DirecTV's free streaming service MyFree DirecTV has just added another eight channels from NBCUniversal....
17/04/2025
LOS ANGELES The virtual production company GameChanger has announced that it is expanding its global footprint by bringing its virtual production technology to ...
17/04/2025
DENVER The International Broadcaster Coalition Against Piracy (IBCAP) has announced that it has developed a proprietary, automated software-based system to iden...
17/04/2025
Pixalate's new CTV Device Market Share report for Q1 2025 shows that Roku has the highest open programmatic CTV device market share in the United States, wi...
17/04/2025
Edward J. Lewis III Named Senior Vice President of Institutional Advancement Lewis has more than 20 years of industry experience, leading fundraising initiati...
17/04/2025
The Curling Group Puts On Inaugural Curling All-Star Game in Nashville The location in Music City is intended to broaden the sport's appeal By Dan Daley, ...
17/04/2025
April 17th, 2025 Press Materials Available Here
Tribeca Festival 2025 Announces TV & NOW Lineup
World Premieres and Exclusive Cast Panels with Apple TV '...
17/04/2025
SVG Sit-Down: Cisco's Bryan Bedford on Providing End-to-End Support for Clie...