
WASHINGTON The Federal Communications Commission is shooting to open the TV spectrum incentive auction with bids for just the top station in each market totaling more than $39 billion. The figure is derived a report by New York-based Greenhill & Co., released by the FCC on Friday and designed to motivate broadcaster participation. It came a day after executives from Fox, Tribune and ION met with FCC Chairman Tom Wheeler to talk about participating in the auction, according to a scoop by John Eggerton at B&C.
The report is the second from Greenhill. The first, released last October, provided estimated high-end compensation per broadcaster, from gross auction receipts totaling $45 billion the amount raised in the recently closed auction of 65 MHz of Advanced Wireless Spectrum. (See FCC Interference Pricing Projects $45 Billion in Proceeds )
Both Greenhill figures reflect the high-end estimates. The report released on Friday starts with a figure of $900 million to calculate opening bid prices in the reverse auction, where broadcasters agree to a sale price for their 6 MHz license. This number is then used in a calculation that considers population and interference.
In New York, for example, the maximum opening bid in the reverse auction was placed at $870 million. That figure represents the most valuable station in the No. 1 market according to the FCC's formula, and also happens to be the most valuable station in all 210 designated market areas. The October Greenhill report set high-end compensation per broadcaster in New York at $490 million.
The relationship between the maximum opening bid and high-end compensation differs in each market. While the New York station may be looking at taking 56 percent of auction proceeds, the top-valued station in Atlanta, DMA No. 9, may be looking at 19 percent, while the top station in No. 4 Philadelphia could get 59 percent, and the top station in No. 67 Wichita-Hutchison, Kan., may get 7 percent.
TV Technology asked a commission official how the agency came up with its figures.
TV Technology: Opening bid prices are based on a figure derived from $900 million for what was considered the highest-valued station. Where did this figure come from, and why then, isn't the maximum open bid price for the top station in New York $900 million?
FCC: We set an opening price of $900 million to get appropriate opening bid prices for participation. The station with the highest volume is a VHF station, so that's why it's $870 million. [VHF stations are discounted because that spectrum is worth less.]
TV Technology: New Greenhill numbers are calculated on a completely different formula than the original ones. The original one used $1.50 MHz/Pop while this one uses the $900 figure. Please clarify.
FCC: The $1.50 was set to model auction on revenues of $45 billion gross receipts, or $38 billion minus funding the public safety network, etc. We took $38 billion and sliced that up per the interference formula, [the number of people covered by signal, and the number of signals it overlaps with.] The major differences is the first Greenhill figures were estimated high-end payouts. It was a top-down approach. This is maximum opening bids designed to reflect robust auction participation.
TV Technology: TVStudy, or the updated software version of OET-69, is being used to determine pairwise interference, is that correct? What population data does it use?
FCC: We're using the Longley-Rice methodology described in OET-69, and using it in TVStudy for the inputs. We're using population data from the 2010 Census. Population input was previously 2000 Census data. Our baseline is always the methodology of OET-69. We developed the TVStudy software because we will have to continually update interference calculations during the auction.
TV Technology: The reverse auction bid pricing formula says, The base clock price is a constant amount per unit of volume. I see that volume equals interference times population, but what comprises a unit of volume?
FCC: We say, this station has the highest volume, at $900 million.' We had to come up with a scale for stations to price with lower volumes. We applied a metric of 1 million and calculated volume on scale of 1 million. We're translating the $900 million figure to apply to every other station. It's a two-step process.
We calculate the volume for every station. (Interference x population)
We rescale it so the maximum volume is 1 million. It's base clock price is then $900 per unit of volume.
TV Technology: The maximum opening bid prices reflect full relinquishment including stations that will relinquish spectrum to share a channel correct?
FCC: Yes. It's the opening bid for every station with full relinquishment.
TV Technology: Opening bids for stations moving from UHF to low VHF would be calculated at 67 to 80 percent of this relinquishment figure, correct?
FCC: Correct. We've asked for comment on where within that range to put [the discount]. Comments due Feb. 20.
TV Technology: Opening bids for stations moving to a high VHF would be calculated at 33 to 50 percent of this figure, also correct?
FCC: Yes, and we've also asked for comment on this.
TV Technology: How were these discounts derived?
FCC: We picked a range because we wanted some input. They reflect the usability of VHF versus UHF for digital TV. We recognize that for digital TV, VHF is less valuable. We'd still pay them they're getting a less effective channel but they're still giving up spectrum.
TV Technology: Please tell me again about the hierarchy of options. If I go into the auction intending to:
1. Relinquish, I can, during the reverse auction, opt instead to move to a VHF.
2. Move to a VHF, then I cannot relinquish.
3. Share a channel then what?
FCC: Correct on t
Most recent headlines
04/09/2025
Monumental Sports & Entertainment (MSE), in collaboration with Dalet, has been a...
19/04/2025
SDVI, the leading platform provider for cloud-native media supply chains, today announced that the company earned multiple awards at the 2025 NAB Show, with two...
19/04/2025
Ateliere Creative Technologies, a leading GenAI media software solutions company, today announced that Dan Goman has stepped down as CEO and David Bortis, Ateli...
19/04/2025
As Director of Media and Aerial Production at Terrible Herbst Motorsports, Bryan Moore is setting new standards in off-road racing media coverage thanks to his ...
19/04/2025
A next-generation collaboration device that redefines connectivity for meeting environments
Lightware, an industry-leading manufacturer of signal management so...
19/04/2025
Calrec is today announcing that its True Control 2.0 is a Remote Production winner in the 2025 NAB Show Product of the Year Awards. This official awards program...
19/04/2025
Appear, a global leader in live production technology, proudly announces it has been recognised alongside NBCUniversal with the prestigious NAB Show Delivery Pr...
19/04/2025
Deity Microphones, a leader in innovative audio equipment, is proud to announce the expected release of our Ultra-Wide Band IFB to the market. The THEOS DIFB wi...
19/04/2025
A world renowned broadcaster and long-standing LiveU customer has successfully completed a series of live connectivity tests using LiveU's revolutionary, aw...
19/04/2025
BitFire (bitfire.tv), a longtime leader in live video transport, today announced dual NAB Show award wins at the 2025 NAB Show in Las Vegas. The company's M...
19/04/2025
BitFire (bitfire.tv), a longtime leader in live video transport, today announced three major award wins at the 2025 NAB Show, April 5-9, in Las Vegas. The compa...
19/04/2025
AI video discovery company Moments Lab and Satisfaction Group, a leading independent unscripted television production company, are proud to announce a unique st...
19/04/2025
As the media industry navigates the triple challenge of AI-driven production, distributed teams, and skyrocketing content demand, DigitalGlue s creative.space h...
19/04/2025
Network technology startup Miri Technologies Inc. capped off its tremendously successful NAB Show debut by winning two prestigious industry awards for its cutti...
19/04/2025
CINCINNATI Scripp's Nuvyyo USA has concluded a deal with Warner Bros. Discovery to bring 45 FAST channels to Nuvyyo's Tablo TV device....
19/04/2025
In a ruling that could have broader implications on the legality of regulatory agencies levying fines through administrative proceedings, the 5th U.S. Circuit C...
19/04/2025
WASHINGTON Federal Communications Commission chair Brendan Carr has blasted Comcast over MSNBC's coverage of the deportation of Kilmar Abrego Garcia in a so...
19/04/2025
Berklee NYC and NYC Media Launch Season 3 of Inside Power Station @BerkleeNYC This season features faculty member Arun Pandian as the new host and interviews ...
18/04/2025
Director Andrew Ahn, alongside actors Youn Yuh-jung and Joan Chen, takes a photo of the audience after the premiere of his film The Wedding Banquet at Eccles ...
18/04/2025
In a ruling that could have a major impact on the digital advertising market, a federal judge has ruled that Google has monopolized some types of advertising te...
18/04/2025
Broadcast and cable TV news outlets saw strong social media growth in March, according to new data from the social video analytics company Tubular Labs ....
18/04/2025
Berklee Student Yukai Yang Named 2025 Yamaha Young Performing Artist The drummer secured a spot among the elite winners in this years competition.
By
Maddie...
18/04/2025
Boston Conservatory Alums Bring Real Women Have Curves to Broadway The Latin American immigrant community takes center stage in a new musical featuring Tatian...
18/04/2025
WASHINGTON The FCC's call for public comments and suggestions on outdated regulations that it should be eliminated, has prompted a slew of fillings from bro...
18/04/2025
In a ruling that could have a major impact on the digital advertising market, a federal judge has ruled that Google has monopolized some types of advertising te...
18/04/2025
PEARL RIVER, N.Y. Global media solutions company Active Media Services (AMS) has formed a new relationship with VideoAmp, a measurement company for linear TV, c...
18/04/2025
Netflix reported generally positive results for first-quarter 2025, with revenue up 13% year-over-year to $10.543 billion and operating income growing by 27% to...
18/04/2025
NHL Playoffs 2025: TNT Sports Hits the Road for Onsite Productions With Mobile U...
18/04/2025
EVSs S bastien Verlaine on U.S. Expansion, Next-Generation Products Beyond replay, offerings also target asset management and media infrastructure By Ken Kersc...
18/04/2025
ESPN Unleashes 4DREPLAY as NCAA Women's Gymnastics Championships Hit ABC Men's championships to follow Saturday night on ESPN2 By Brandon Costa, Direct...
18/04/2025
Visualizing Victory: The Latest in AR, XR, and Virtual Production in Live Sports This panel discussion featured leaders from ESPN, CBS Sports, Warner Bros. Disc...
18/04/2025
NHL Playoffs 2025: With 16 Games in First Six Days, ESPN Deploys Variety of Remo...
17/04/2025
Emilie Blichfeldt attends the 2025 Sundance Film Festival premiere of The Ugly ...
17/04/2025
R-GPS gives warfighters a decisive battlefield advantage by punching through adv...
17/04/2025
This year's NAB Show in Las Vegas marked a noticeable shift in the priorities of media and broadcast organisations. Gone are the days of chasing flashy, or ...
17/04/2025
class=attachment-thumbnail size-thumbnail f-align-center alt= decoding=async data-lazy-srcset=https://www.antonbauer.com/wp-content/uploads/2024/12/Amy-Daniel-1...
17/04/2025
SAN JOSE, Calif. Roku and Adobe have announced that they are collaborating on a real time data platform made possible by a a new integration of the Roku Data C...
17/04/2025
NEW YORK Internet advertising revenues demonstrated strong growth in 2024, increasing 14.9% year-over-year to $258.6 billion, according to the IAB Internet Adv...
17/04/2025
SDVI Earns Both Product and Project of the Year Awards at 2025 NAB Show
Brie Clayton April 17, 2025
0 Comments
Left to right, Geoff Stedman, CMO, SDVI...
17/04/2025
Singapore Polytechnic Readies Aspiring AV Professionals for Live IP Productions ...
17/04/2025
Calrec Wins 2025 NAB Show Product of the Year Award for True Control 2.0
Brie Clayton April 17, 2025
0 Comments
Image: The Calrec True Control 2.o on ...
17/04/2025
In Return to Berklee, Lucius Looks Back and Moves Forward From mood boards to live demos, the alumni band gave students an exclusive look at the process behin...
17/04/2025
DirecTV's free streaming service MyFree DirecTV has just added another eight channels from NBCUniversal....
17/04/2025
LOS ANGELES The virtual production company GameChanger has announced that it is expanding its global footprint by bringing its virtual production technology to ...
17/04/2025
DENVER The International Broadcaster Coalition Against Piracy (IBCAP) has announced that it has developed a proprietary, automated software-based system to iden...
17/04/2025
Pixalate's new CTV Device Market Share report for Q1 2025 shows that Roku has the highest open programmatic CTV device market share in the United States, wi...
17/04/2025
Edward J. Lewis III Named Senior Vice President of Institutional Advancement Lewis has more than 20 years of industry experience, leading fundraising initiati...
17/04/2025
The Curling Group Puts On Inaugural Curling All-Star Game in Nashville The location in Music City is intended to broaden the sport's appeal By Dan Daley, ...
17/04/2025
April 17th, 2025 Press Materials Available Here
Tribeca Festival 2025 Announces TV & NOW Lineup
World Premieres and Exclusive Cast Panels with Apple TV '...
17/04/2025
SVG Sit-Down: Cisco's Bryan Bedford on Providing End-to-End Support for Clie...