46 of the Biggest Fall TV Shows Created Using Blackmagic Design Cameras and Software

Blackmagic Design has announced that several Blackmagic Design products, including digital film cameras, Fusion Studio visual effects and motion graphics software and DaVinci Resolve Studio color corrector and editor, are being used for production and post production work on some of the most anticipated shows in this years fall television lineup.

More than 46 of 2016s fall television shows use Blackmagic Designs cameras, Fusion Studio and DaVinci Resolve Studio. Top directors of photography, VFX artists, colorists and post production facilities rely on Blackmagic Design to deliver shows for the top primetime and cable networks, including returning hit shows like Modern Family, 2 Broke Girls, Jane the Virgin and Blindspot.

Fall TV Shows Using Blackmagic Design:

DP Allan Westbrook uses a Video Assist 4K and Micro Cinema Camera to shoot in tight quarters and small spaces on ABCs Marvel s Agents of S.H.I.E.L.D.;

DP David Tuttman uses the Blackmagic Cinema Camera and Pocket Cinema Camera on NBCs Blindspot;

DP Glen Keenan used a Pocket Cinema Camera, Production Camera 4K, ATEM Switcher and DaVinci Resolve Studio on Foxs A.P.B. pilot episode;

On CBS Blue Bloods, the shows DPs use Blackmagic Production Camera 4Ks and URSA cameras;

For Visual Effects:

Inhance Digital VFX Supervisor Eddie Robison and his team use Fusion Studio for VFX work on The CWs Jane the Virgin, EPIXs Graves and Foxs Empire;

Muse VFX Founders and VFX Supervisors John Gross and Fred Pienkos and their team use Fusion Studio to composite El Rey Networks From Dusk Till Dawn: The Series, MTVs Teen Wolf and Mary + Jane, and CBS NCIS: New Orleans and Elementary;

Warner Bros. Motion Picture Imaging Colorist Scott Gregory uses DaVinci Resolve Studio for VFX work, including comps, beauty work and sky replacements on CBS 2 Broke Girls and MTVs Sweet/Vicious;

For Color Grading:

Chainsaw Supervising Senior Colorist Todd Bochner uses DaVinci Resolve Studio to grade The CWs Jane the Virgin and No Tomorrow and HBOs The Leftovers;

Chainsaw Colorist Joe Finley uses DaVinci Resolve Studio to grade HBOs Insecure;

ColorTime Senior Colorist Russell Lynch uses DaVinci Resolve Studio to grade ABCs Modern Family and CBS Life in Pieces;

Deluxes Encore, Company 3 and Level 3 teams are currently coloring and mastering a number of fall shows, many in HDR, including those below, and others not listed:

Company 3 Senior Colorist Cody Baker uses DaVinci Resolve Studio to grade USAs Shooter;

Company 3 Senior Colorist Siggy Ferstl uses DaVinci Resolve Studio to grade Hulus Shut Eye;

Company 3 Senior Colorist Shane Harris uses DaVinci Resolve Studio to grade HBOs Westworld and IFCs Documentary Now!;

Encore Senior Colorist Tony DAmore uses DaVinci Resolve Studio to grade CBS Elementary and Starz Power (project shared with Deluxes Company 3 colorist Sofie Friis Borup);

Encore Senior Colorist Kevin Kirwan uses DaVinci Resolve Studio to grade FXs American Horror Story: Roanoke and Foxs Scream Queens;

Level 3 Senior Colorist Randy Beveridge uses DaVinci Resolve Studio to grade Netflixs The Ranch and Foxs Lucifer;

Level 3 Senior Colorist Ken Van Deest uses DaVinci Resolve Studio to grade The CWs The Flash and Legends of Tomorrow;

Level 3 Senior Colorist Mark Wilkins uses DaVinci Resolve Studio to grade Foxs The Exorcist;

DigitalFilm Tree Colorist Patrick Woodard uses DaVinci Resolve Studio to grade ABCs Mistresses and American Housewife, and CBS NCIS: Los Angeles;

Light Iron LA Supervising Colorist Jeremy Sawyer uses DaVinci Resolve Studio to grade FXs Better Things and AMCs The Walking Dead;

Light Iron LA Colorist Nick Lareau uses DaVinci Resolve Studio to grade Investigation Discoverys True Nightmares;

Modern VideoFilm Colorist Aidan Stanford uses DaVinci Resolve Studio to grade ABCs Fresh Off the Boat;

NXNW Colorist Sam Read uses DaVinci Resolve Studio to grade Syfys Z Nation;

Picture Shop Senior Colorist George Delaney uses DaVinci Resolve Studio to grade CBS NCIS: New Orleans;

Picture Shop Senior Colorist Chris Boyer uses DaVinci Resolve Studio to grade NBCs Blindspot;

Picture Shop Colorist George Manno uses DaVinci Resolve Studio to grade Foxs Lethal Weapon, ABCs Once Upon a Time and The CWs Arrow;

The Foundation Owner and Colorist Gareth Cook uses DaVinci Resolve Studio to grade ABCs The Real O Neals;

The Loft Owner and Colorist Dan Judy uses DaVinci Resolve Studio to grade The CWs Frequency and Foxs The Last Man on Earth;

Warner Bros. Motion Picture Imaging Colorist Scott Gregory uses DaVinci Resolve Studio to grade CBS 2 Broke Girls and MTVs Sweet/Vicious; and

Warner Bros. Motion Picture Imaging Senior Supervising Television Colorist Scott Klein uses DaVinci Resolve Studio to grade Foxs Empire and AMCs Halt and Catch Fire.

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