
Digital Domain Brings Water, Fire and New MCU Characters to the Climactic Battle in Black Panther: Wakanda Forever'
Brie Clayton December 7, 2022
0 Comments
VFX Work Included an Army of Talokanil, the Introduction of Ironheart, the Midnight Angel Armor and the New Black Panther in Action
In Marvel Studios' latest feature, Black Panther: Wakanda Forever, two worlds collide with brutal results. The technologically advanced Wakandans and the fierce warriors of Talokan fight it out on the high seas, while a decisive battle between the new Black Panther and the Talokanil leader, Namor, takes place in the desert. With effects provided by Oscar-winning VFX studio Digital Domain, the pivotal confrontation is the climactic note to one of the most emotionally charged films in the Marvel Cinematic Universe (MCU), and offers a visually spectacular finale unlike any other.
From the moment Marvel Studios approached us about Wakanda Forever, we knew it was going to be a special project, built on emotion as much as visuals, said Hanzhi Tang, Digital Domain VFX supervisor on the film. But it was also an ambitious film that introduced several major characters to the MCU, along with an army of amphibious superpowered warriors. That let us get creative and use everything from our most sophisticated tools to hand-crafted techniques.
The Battle for Wakanda
Digital Domain's work on Black Panther: Wakanda Forever focused almost entirely on the film's finale, which begins in the Atlantic Ocean aboard a futuristic Wakandan stealth ship known as the Royal Sea Leopard. To create the ship's deck, the filmmakers utilized an elevated, open-air stage, 60-feet long by 75-feet wide, built on a mechanical rig 20-feet off the ground. The full set was then surrounded by blue screens, leaving the rest of the Vibranium-covered ship, ocean and backgrounds to be created by Digital Domain, using Maya and Houdini.
Throughout the fight, the Talokanil continuously scale the hull while battling the Dora Milaje, which led the filmmakers to build a second, vertical stage covered in handholds for the stunt performers to climb. Digital Domain digitally removed the physical handholds, smoothed out the surface of the ship and replaced the stunt performers' hands with CG versions that appeared flat against the metal. It then animated the hands to include movement. Once on the deck, the Talokanil stunt performers were required to wear shoes for safety reasons, which led artists to replace the footwear with bare CG feet.
To convey the true scope of the fighting, the filmmakers needed to depict an epic battle as the two sides fought to determine the future of the surface world. With a limited number of stunt people available, Digital Domain also created full armies of Wakandans and Talokanil. Using Houdini's crowd system, the VFX team took the live-action footage and dramatically increased the number of participants from 20 stunt performers to hundreds of warriors across the deck and on the hull, and even more in the water.
The fighting continues until a massive underwater explosion - caused by hundreds of Talokanil hydrobombs - rocks the Royal Sea Leopard. That triggered the physical stage to tilt to a 35-degree angle, causing a mixture of real performers and CG digidoubles to fall to the water below. The inclusion of grenades meant to function under water meant Digital Domain had to rethink, and even re-examine the physics of an explosion. The VFX team had to factor in the lack of oxygen, fire and shrapnel, then replace the outward expulsion with an implosion and subsequent shockwave.
Introducing the MCU's Newest Heroes
Along with creating two CG armies, Digital Domain also helped to introduce four new Super Heroes to the MCU, taken directly from the pages of Marvel comics.
During the battle on the seas, a small CG craft appears in the distance, heralding the arrival of Wakanda's newest guardians wearing the Midnight Angel armor. Working from concept art provided by Marvel Studios, Digital Domain went through several iterations of the two armored characters, ensuring that they had a look that was familiar, but also unique. Once the final look and style was determined, the supercharged Dora Milaje veterans Okoye (Danai Guira) and Aneka (Michaela Cole) are introduced in full armor as digidoubles, flying over the water and into battle.
Midnight Angels
The fight on the Royal Sea Leopard also features the introduction of another character that will have a lasting impact on the future of the MCU: Ironheart. Early in the film, audiences are introduced to Riri Williams (Dominique Thorne), who acts as a major focal point throughout the film. Her official introduction as Ironheart, however, occurs over the Atlantic Ocean. Building off of 2D artwork from Marvel Studios and a partial practical model built by Legacy Effects, Digital Domain developed the Ironheart armor primarily in Maya, including animations of the character both in the air and underwater.
One of the film's most important moments arrives when Shuri (Letitia Wright) is introduced as the new Black Panther. The reveal happens in the Jabari throne room shortly before the final battle, and features a digidouble of the new Black Panther dropping from a ship high above. Digital Domain then used another digidouble of the character as she runs and jumps on the hull of the Royal Sea Leopard, easily repelling Talokanil attackers.
The Blue Army
Building a Blue Army
Throughout Black Panther: Wakanda Forever, the enigmatic Talokanil are seen in two distinctly different environments, with different looks to match. While in their natural environment underwater, they appear no different from the average human, but on the surface they take on a blue coloration. To create this look, the performers wore full-body blue makeup, and recei
Most recent headlines
04/09/2025
Monumental Sports & Entertainment (MSE), in collaboration with Dalet, has been a...
19/04/2025
SDVI, the leading platform provider for cloud-native media supply chains, today announced that the company earned multiple awards at the 2025 NAB Show, with two...
19/04/2025
Ateliere Creative Technologies, a leading GenAI media software solutions company, today announced that Dan Goman has stepped down as CEO and David Bortis, Ateli...
19/04/2025
As Director of Media and Aerial Production at Terrible Herbst Motorsports, Bryan Moore is setting new standards in off-road racing media coverage thanks to his ...
19/04/2025
A next-generation collaboration device that redefines connectivity for meeting environments
Lightware, an industry-leading manufacturer of signal management so...
19/04/2025
Calrec is today announcing that its True Control 2.0 is a Remote Production winner in the 2025 NAB Show Product of the Year Awards. This official awards program...
19/04/2025
Appear, a global leader in live production technology, proudly announces it has been recognised alongside NBCUniversal with the prestigious NAB Show Delivery Pr...
19/04/2025
Deity Microphones, a leader in innovative audio equipment, is proud to announce the expected release of our Ultra-Wide Band IFB to the market. The THEOS DIFB wi...
19/04/2025
A world renowned broadcaster and long-standing LiveU customer has successfully completed a series of live connectivity tests using LiveU's revolutionary, aw...
19/04/2025
BitFire (bitfire.tv), a longtime leader in live video transport, today announced dual NAB Show award wins at the 2025 NAB Show in Las Vegas. The company's M...
19/04/2025
BitFire (bitfire.tv), a longtime leader in live video transport, today announced three major award wins at the 2025 NAB Show, April 5-9, in Las Vegas. The compa...
19/04/2025
AI video discovery company Moments Lab and Satisfaction Group, a leading independent unscripted television production company, are proud to announce a unique st...
19/04/2025
As the media industry navigates the triple challenge of AI-driven production, distributed teams, and skyrocketing content demand, DigitalGlue s creative.space h...
19/04/2025
Network technology startup Miri Technologies Inc. capped off its tremendously successful NAB Show debut by winning two prestigious industry awards for its cutti...
19/04/2025
CINCINNATI Scripp's Nuvyyo USA has concluded a deal with Warner Bros. Discovery to bring 45 FAST channels to Nuvyyo's Tablo TV device....
19/04/2025
In a ruling that could have broader implications on the legality of regulatory agencies levying fines through administrative proceedings, the 5th U.S. Circuit C...
19/04/2025
WASHINGTON Federal Communications Commission chair Brendan Carr has blasted Comcast over MSNBC's coverage of the deportation of Kilmar Abrego Garcia in a so...
19/04/2025
Berklee NYC and NYC Media Launch Season 3 of Inside Power Station @BerkleeNYC This season features faculty member Arun Pandian as the new host and interviews ...
18/04/2025
Director Andrew Ahn, alongside actors Youn Yuh-jung and Joan Chen, takes a photo of the audience after the premiere of his film The Wedding Banquet at Eccles ...
18/04/2025
In a ruling that could have a major impact on the digital advertising market, a federal judge has ruled that Google has monopolized some types of advertising te...
18/04/2025
Broadcast and cable TV news outlets saw strong social media growth in March, according to new data from the social video analytics company Tubular Labs ....
18/04/2025
Berklee Student Yukai Yang Named 2025 Yamaha Young Performing Artist The drummer secured a spot among the elite winners in this years competition.
By
Maddie...
18/04/2025
Boston Conservatory Alums Bring Real Women Have Curves to Broadway The Latin American immigrant community takes center stage in a new musical featuring Tatian...
18/04/2025
WASHINGTON The FCC's call for public comments and suggestions on outdated regulations that it should be eliminated, has prompted a slew of fillings from bro...
18/04/2025
In a ruling that could have a major impact on the digital advertising market, a federal judge has ruled that Google has monopolized some types of advertising te...
18/04/2025
PEARL RIVER, N.Y. Global media solutions company Active Media Services (AMS) has formed a new relationship with VideoAmp, a measurement company for linear TV, c...
18/04/2025
Netflix reported generally positive results for first-quarter 2025, with revenue up 13% year-over-year to $10.543 billion and operating income growing by 27% to...
18/04/2025
NHL Playoffs 2025: TNT Sports Hits the Road for Onsite Productions With Mobile U...
18/04/2025
EVSs S bastien Verlaine on U.S. Expansion, Next-Generation Products Beyond replay, offerings also target asset management and media infrastructure By Ken Kersc...
18/04/2025
ESPN Unleashes 4DREPLAY as NCAA Women's Gymnastics Championships Hit ABC Men's championships to follow Saturday night on ESPN2 By Brandon Costa, Direct...
18/04/2025
Visualizing Victory: The Latest in AR, XR, and Virtual Production in Live Sports This panel discussion featured leaders from ESPN, CBS Sports, Warner Bros. Disc...
18/04/2025
NHL Playoffs 2025: With 16 Games in First Six Days, ESPN Deploys Variety of Remo...
17/04/2025
Emilie Blichfeldt attends the 2025 Sundance Film Festival premiere of The Ugly ...
17/04/2025
R-GPS gives warfighters a decisive battlefield advantage by punching through adv...
17/04/2025
This year's NAB Show in Las Vegas marked a noticeable shift in the priorities of media and broadcast organisations. Gone are the days of chasing flashy, or ...
17/04/2025
class=attachment-thumbnail size-thumbnail f-align-center alt= decoding=async data-lazy-srcset=https://www.antonbauer.com/wp-content/uploads/2024/12/Amy-Daniel-1...
17/04/2025
SAN JOSE, Calif. Roku and Adobe have announced that they are collaborating on a real time data platform made possible by a a new integration of the Roku Data C...
17/04/2025
NEW YORK Internet advertising revenues demonstrated strong growth in 2024, increasing 14.9% year-over-year to $258.6 billion, according to the IAB Internet Adv...
17/04/2025
SDVI Earns Both Product and Project of the Year Awards at 2025 NAB Show
Brie Clayton April 17, 2025
0 Comments
Left to right, Geoff Stedman, CMO, SDVI...
17/04/2025
Singapore Polytechnic Readies Aspiring AV Professionals for Live IP Productions ...
17/04/2025
Calrec Wins 2025 NAB Show Product of the Year Award for True Control 2.0
Brie Clayton April 17, 2025
0 Comments
Image: The Calrec True Control 2.o on ...
17/04/2025
In Return to Berklee, Lucius Looks Back and Moves Forward From mood boards to live demos, the alumni band gave students an exclusive look at the process behin...
17/04/2025
DirecTV's free streaming service MyFree DirecTV has just added another eight channels from NBCUniversal....
17/04/2025
LOS ANGELES The virtual production company GameChanger has announced that it is expanding its global footprint by bringing its virtual production technology to ...
17/04/2025
DENVER The International Broadcaster Coalition Against Piracy (IBCAP) has announced that it has developed a proprietary, automated software-based system to iden...
17/04/2025
Pixalate's new CTV Device Market Share report for Q1 2025 shows that Roku has the highest open programmatic CTV device market share in the United States, wi...
17/04/2025
Edward J. Lewis III Named Senior Vice President of Institutional Advancement Lewis has more than 20 years of industry experience, leading fundraising initiati...
17/04/2025
The Curling Group Puts On Inaugural Curling All-Star Game in Nashville The location in Music City is intended to broaden the sport's appeal By Dan Daley, ...
17/04/2025
April 17th, 2025 Press Materials Available Here
Tribeca Festival 2025 Announces TV & NOW Lineup
World Premieres and Exclusive Cast Panels with Apple TV '...
17/04/2025
SVG Sit-Down: Cisco's Bryan Bedford on Providing End-to-End Support for Clie...