
Sport Production & Technology Summit 2021: Pace of technology change leaves skills behind By Adrian Pennington
Monday, November 1, 2021 - 17:17
Print This Story
Sky Germany SVP of sport production Alessandro Reitano moderated the panel
It almost goes without saying that the pandemic accelerated the introduction of automated and remote production workflows and web-based technologies, but a lingering side effect has been to exacerbate an industry-wide skills gap.
The issue was top of mind for executives speaking during the Sport Production Leaders Briefing at SVG Europe's Sport Production and Technology Summit on 28 October.
Sky Germany SVP of sport production Alessandro Reitano, moderating, issued a call to action. This is a war of talents, he said. Cloud, IP, SaaS and data have all helped us continue to work and deliver live to air this past 18 months, but now the focus is on people and skills.
Sky Sports executive director of production services and operations Inga Ruehl validated this. The organisational, cultural and skills piece is very important. There's a real challenge around talent in the industry. We have some amazing people, but we need to train, upskill and bring in more.
Mediapro CTO and operations manager Emili Planas Quintana said his company was competing with major tech companies like Google. The shortage is a major problem not just for ourselves but for the industry as a whole. The problem is how we can get everyone in the chain involved, from technicians to producers and TV directors. Everyone needs to learn what they can do with these new workflows.
There's a real challenge around talent in the industry. We have some amazing people, but we need to train, upskill and bring in more
Trevor Turner, F1's head of new technologies for broadcast and media, said that the abstraction from the technology that comes with virtualisation and kit like surface panels can oversimplify what is a highly complex set of signals under the hood. We need to know every last mile of our connectivity from track to facility otherwise you leave yourself open to risk. We do have a relatively young team and train them up quite quickly and allow them to follow their aspirations because that's the best way for people to ask questions.
Formula One has begun taking steps forward from remote production into cloud and IP 2110 workflows. It is building a new fixed installation at its UK facility and it started out with an ST-2110 roadmap with a new MCR last winter.
There was nervousness about our team not knowing enough about IP to monitor feeds for distribution to the world, admitted Turner. We don't have the time or opportunity to put more formal courses together so we rely on manufacturers to handhold us. Initially our engineers were wary of the tech but over the course of the race season they are now much more comfortable with it.
By the same token, Turner called on those on the network side to understand core broadcast skills. They need to know why PTP is important to us and why we are concerned about proper orchestration, the impact of latency change on the network and the implication of lost packets. It cuts both ways.
He added: By being early adopters of technology we find we can retain most people because they can see a roadmap to stay with us and progress their career. It is recruitment that's tough.
It is not just technical skills from IT though. Quintana gave an example of the changing skillsets of camera shaders. When we work in UHD HDR the shaders need different skills. We need to teach them away from waveform - the traditional way of operating in SDR - to become less technicians and more creative people. The type of people with the right sensibility come from cinema but it is complex to operate live systems and they lack the technology knowledge. We need talent with both skillsets.
Sky's Ruehl agreed: It's not in our business to be an educator although we have been doing training in pockets, such as in sound. We find we're having to slow things down right now because of the skills challenge. Yes, people want to work in sports but it's traditionally appealed to certain groups and we're not seen as a place for all. We need to do more to proactively go out and attract the younger generation into the industry.
COVID, of course, has permanently changed workflows and the executives talked about how their operations have shifted from the initial scramble to using remote and automation and hybrid in a more concrete fashion.
Ruehl spoke for everyone when she said: We did in six months what had been planned for two to three years. Our tech teams were having the time of their lives; no-one was saying you can't do this. We relied on the technology we already had to reduce the number of people we physically move around and now we're pushing it further.
Turner explained that F1's ability to rapidly adopt remote production in the early phases of the pandemic was due to having laid the groundwork with tests including at Barcelona in 2020, before the calendar was cancelled.
Fundamentally, our philosophy was not to change workflows. We have a successful formula for Formula 1 built over 20 years into a slick operation. When COVID struck we had to plan to restart, to safely send a lower number of people, and what we did was effectively scale our Barcelona test. We still have to send cameras and audio and have people produce and manage that, but the secret is connectivity and better compression techniques to get the volume of material back to the UK for production. The pandemic also accelerated our use of cloud to distribute signals; we're still at the beginning of that journey.
Level playing field
Quintana suggested that the use of remote web-based production and distribution tools had levelled the
Most recent headlines
04/09/2025
Monumental Sports & Entertainment (MSE), in collaboration with Dalet, has been a...
19/04/2025
SDVI, the leading platform provider for cloud-native media supply chains, today announced that the company earned multiple awards at the 2025 NAB Show, with two...
19/04/2025
Ateliere Creative Technologies, a leading GenAI media software solutions company, today announced that Dan Goman has stepped down as CEO and David Bortis, Ateli...
19/04/2025
As Director of Media and Aerial Production at Terrible Herbst Motorsports, Bryan Moore is setting new standards in off-road racing media coverage thanks to his ...
19/04/2025
A next-generation collaboration device that redefines connectivity for meeting environments
Lightware, an industry-leading manufacturer of signal management so...
19/04/2025
Calrec is today announcing that its True Control 2.0 is a Remote Production winner in the 2025 NAB Show Product of the Year Awards. This official awards program...
19/04/2025
Appear, a global leader in live production technology, proudly announces it has been recognised alongside NBCUniversal with the prestigious NAB Show Delivery Pr...
19/04/2025
Deity Microphones, a leader in innovative audio equipment, is proud to announce the expected release of our Ultra-Wide Band IFB to the market. The THEOS DIFB wi...
19/04/2025
A world renowned broadcaster and long-standing LiveU customer has successfully completed a series of live connectivity tests using LiveU's revolutionary, aw...
19/04/2025
BitFire (bitfire.tv), a longtime leader in live video transport, today announced dual NAB Show award wins at the 2025 NAB Show in Las Vegas. The company's M...
19/04/2025
BitFire (bitfire.tv), a longtime leader in live video transport, today announced three major award wins at the 2025 NAB Show, April 5-9, in Las Vegas. The compa...
19/04/2025
AI video discovery company Moments Lab and Satisfaction Group, a leading independent unscripted television production company, are proud to announce a unique st...
19/04/2025
As the media industry navigates the triple challenge of AI-driven production, distributed teams, and skyrocketing content demand, DigitalGlue s creative.space h...
19/04/2025
Network technology startup Miri Technologies Inc. capped off its tremendously successful NAB Show debut by winning two prestigious industry awards for its cutti...
19/04/2025
CINCINNATI Scripp's Nuvyyo USA has concluded a deal with Warner Bros. Discovery to bring 45 FAST channels to Nuvyyo's Tablo TV device....
19/04/2025
In a ruling that could have broader implications on the legality of regulatory agencies levying fines through administrative proceedings, the 5th U.S. Circuit C...
19/04/2025
WASHINGTON Federal Communications Commission chair Brendan Carr has blasted Comcast over MSNBC's coverage of the deportation of Kilmar Abrego Garcia in a so...
19/04/2025
Berklee NYC and NYC Media Launch Season 3 of Inside Power Station @BerkleeNYC This season features faculty member Arun Pandian as the new host and interviews ...
18/04/2025
Director Andrew Ahn, alongside actors Youn Yuh-jung and Joan Chen, takes a photo of the audience after the premiere of his film The Wedding Banquet at Eccles ...
18/04/2025
In a ruling that could have a major impact on the digital advertising market, a federal judge has ruled that Google has monopolized some types of advertising te...
18/04/2025
Broadcast and cable TV news outlets saw strong social media growth in March, according to new data from the social video analytics company Tubular Labs ....
18/04/2025
Berklee Student Yukai Yang Named 2025 Yamaha Young Performing Artist The drummer secured a spot among the elite winners in this years competition.
By
Maddie...
18/04/2025
Boston Conservatory Alums Bring Real Women Have Curves to Broadway The Latin American immigrant community takes center stage in a new musical featuring Tatian...
18/04/2025
WASHINGTON The FCC's call for public comments and suggestions on outdated regulations that it should be eliminated, has prompted a slew of fillings from bro...
18/04/2025
In a ruling that could have a major impact on the digital advertising market, a federal judge has ruled that Google has monopolized some types of advertising te...
18/04/2025
PEARL RIVER, N.Y. Global media solutions company Active Media Services (AMS) has formed a new relationship with VideoAmp, a measurement company for linear TV, c...
18/04/2025
Netflix reported generally positive results for first-quarter 2025, with revenue up 13% year-over-year to $10.543 billion and operating income growing by 27% to...
18/04/2025
NHL Playoffs 2025: TNT Sports Hits the Road for Onsite Productions With Mobile U...
18/04/2025
EVSs S bastien Verlaine on U.S. Expansion, Next-Generation Products Beyond replay, offerings also target asset management and media infrastructure By Ken Kersc...
18/04/2025
ESPN Unleashes 4DREPLAY as NCAA Women's Gymnastics Championships Hit ABC Men's championships to follow Saturday night on ESPN2 By Brandon Costa, Direct...
18/04/2025
Visualizing Victory: The Latest in AR, XR, and Virtual Production in Live Sports This panel discussion featured leaders from ESPN, CBS Sports, Warner Bros. Disc...
18/04/2025
NHL Playoffs 2025: With 16 Games in First Six Days, ESPN Deploys Variety of Remo...
17/04/2025
Emilie Blichfeldt attends the 2025 Sundance Film Festival premiere of The Ugly ...
17/04/2025
R-GPS gives warfighters a decisive battlefield advantage by punching through adv...
17/04/2025
This year's NAB Show in Las Vegas marked a noticeable shift in the priorities of media and broadcast organisations. Gone are the days of chasing flashy, or ...
17/04/2025
class=attachment-thumbnail size-thumbnail f-align-center alt= decoding=async data-lazy-srcset=https://www.antonbauer.com/wp-content/uploads/2024/12/Amy-Daniel-1...
17/04/2025
SAN JOSE, Calif. Roku and Adobe have announced that they are collaborating on a real time data platform made possible by a a new integration of the Roku Data C...
17/04/2025
NEW YORK Internet advertising revenues demonstrated strong growth in 2024, increasing 14.9% year-over-year to $258.6 billion, according to the IAB Internet Adv...
17/04/2025
SDVI Earns Both Product and Project of the Year Awards at 2025 NAB Show
Brie Clayton April 17, 2025
0 Comments
Left to right, Geoff Stedman, CMO, SDVI...
17/04/2025
Singapore Polytechnic Readies Aspiring AV Professionals for Live IP Productions ...
17/04/2025
Calrec Wins 2025 NAB Show Product of the Year Award for True Control 2.0
Brie Clayton April 17, 2025
0 Comments
Image: The Calrec True Control 2.o on ...
17/04/2025
In Return to Berklee, Lucius Looks Back and Moves Forward From mood boards to live demos, the alumni band gave students an exclusive look at the process behin...
17/04/2025
DirecTV's free streaming service MyFree DirecTV has just added another eight channels from NBCUniversal....
17/04/2025
LOS ANGELES The virtual production company GameChanger has announced that it is expanding its global footprint by bringing its virtual production technology to ...
17/04/2025
DENVER The International Broadcaster Coalition Against Piracy (IBCAP) has announced that it has developed a proprietary, automated software-based system to iden...
17/04/2025
Pixalate's new CTV Device Market Share report for Q1 2025 shows that Roku has the highest open programmatic CTV device market share in the United States, wi...
17/04/2025
Edward J. Lewis III Named Senior Vice President of Institutional Advancement Lewis has more than 20 years of industry experience, leading fundraising initiati...
17/04/2025
The Curling Group Puts On Inaugural Curling All-Star Game in Nashville The location in Music City is intended to broaden the sport's appeal By Dan Daley, ...
17/04/2025
April 17th, 2025 Press Materials Available Here
Tribeca Festival 2025 Announces TV & NOW Lineup
World Premieres and Exclusive Cast Panels with Apple TV '...
17/04/2025
SVG Sit-Down: Cisco's Bryan Bedford on Providing End-to-End Support for Clie...