FilmLight Colour Awards reveals 2024 nominees
22/10/2024
Brie Clayton October 21, 2024
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Jury selects 25 nominees across six categories - winners to be announced at EnergaCAMERIMAGE on 17 November
FilmLight has revealed the nominees for the 2024 FilmLight Colour Awards. In their fourth year, the awards attracted over 500 entries from 46 countries across the globe and the independent jury of cinematographers, colourists and creatives have now revealed the names of the 25 colourists shortlisted across the six categories.
Ahead of casting their final votes, the 2024 jury gathered to discuss the entries. During the discussion, George Miller, 2024 Jury Guest of Honour, talked to Jury President, Mandy Walker, and other jurors, about his evolving relationship with colour.
For the films I work on, we tend to get the colourist involved early, says Miller. The biggest problem, I think, is that visual effects can be so widespread - with people from all over the planet working on it. With this, there's a risk of losing cohesion, and the colourist is the nexus of all these interactions. This is why I am so excited to be doing this and seeing all the wonderful work that is being completed across so many different platforms and media - it is a very significant moment and one that will develop even more.
This year's nominees for the award for the grading of a Theatrical Feature are:
Dune: Part Two - graded by David Cole at FotoKem
Furiosa: A Mad Max Saga - graded by Eric Whipp at alter ego
Poor Things - graded by Greg Fisher at Company 3
Saltburn - graded by Matt Wallach at Company 3
In the TV Series / Episodic category, the nominees are:
Eric (season 1, episode 1) - graded by Toby Tomkins at Harbor
Expats (season 1) - graded by Seth Ricart at RCO
Griselda (season 1) - graded by Ian Vertovec at Light Iron
The Zweiflers (season 1) - graded by freelance colourist, Manuel Portschy
In the Commercial category, the judges chose:
Air Canada, Ticket to Dream - graded by Wade Odlum at alter ego
McDonald's, We the (In)visible - graded by freelance colourist, Manuel Portschy
Riyadh Season: Crawford Vs Madrimov, Everything Or Nothing - graded by Philip Hambi at The Mill
Zara, SS24 STUDIO COLLECTION - graded by Tim Masick at Company 3
For the Music Video category, the judges selected:
Brodka x Igo, My l sobie - graded by freelance colourist, Nadia Khairat Gomez
Kaismos, Sailed - graded by Sylvain Canaux at Saint Louis
Nettspend, Nothing Like Uuu - graded by freelance colourist, Brian Charles
Shake Stew, Lila - graded by freelance colourist, Manuel Portschy
The Spotlight award aims to recognise the unsung talents in the industry. For this category, the nominees are:
Asleep in My Palm - graded by freelance colourist, Andrew Ceen
La Espera (The Wait) - graded by Ra l Lavado Verd at Misterio Color Lab
Showdown at the Grand - graded by colourist, Asa Fox
The Featherweight - graded by Sam Daley at Light Iron
Yurt - graded by freelance colourist, Pascal Nowak at Cosmodigital
New for 2024, the Emerging Talent award celebrates the work of young colourists (age 18-30). For this category, the nominees are:
Baltic, Harmonical Diffraction - graded by freelance colourist, Douglas Dutton
NBA, Everyone's Game, DC - graded by freelance colourist, Ryan Urzi
Nike Mexico, Pi rdelo Todo, G nalo Todo - graded by Stephanie Park at Rare Medium
Woolworths, Brand Reset - graded by freelance colourist, Terry Simpson
This year's winners will be announced at the annual FilmLight Colour Awards ceremony, taking place at EnergaCAMERIMAGE in Poland on 17 November 2024.
The FilmLight Colour Awards are led and organised by FilmLight in conjunction with EnergaCAMERIMAGE. They are supported by prominent international groups such as: AFC (French Society of Cinematographers), AMC (Mexican Society of Cinematographers), ASC (American Society of Cinematographers), BSC (British Society of Cinematographers), BVK (German Society of Cinematographers), CNSC (Chinese Society of Cinematographers), CSI (Colorist Society International), Imago (the International Federation of Cinematographers), ISC (Indian Society of Cinematographers), PSC (Polish Society of Cinematographers), ShotDeck and more.
October 22, 2024InnovateUK and EU Approve £1.2 Million in Funding for Immersive Technology from DisguiseDisguise Joins the BBC, ARRI and More as Part of MAX-R Alliance
October 22, 2024Hiroshi Okuyama Film My Sunshine Shot and Graded Using Blackmagic Design ProductsBlackmagic Pocket Cinema Camera 4K used to shoot Director Hiroshi Okuyamas latest film. Blackmagic Design
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