
-- --
Facebook
Twitter
Google
Pinterest
By Dave Colantuoni, senior director of product management, Avid.
SCREEN AFRICA EXCLUSIVE: The way we tell stories has itself become the story. It's a well-known fact that media consumption has changed dramatically. But storytelling is also undergoing a radical transformation. Alongside the proliferation of content platforms, including OTT channels, has come an explosion of content creation. Literally.
-- --
Late last year, Netflix predicted it would spend between US$7 billion and US$8 billion on content in 2018. Now it's estimated that the streaming giant will spend US$12 to US$13 billion on its programming this year. And mainstream players are jumping into the market. HBO and CBS were among the first major networks to make digital forays with HBO Go and CBS All Access. ESPN Plus is now up and running and Disney is slated to debut its own streaming service in 2019. The speed at which content is created and its quality will be critical in differentiating streaming media companies from one another.
The sheer amount of content being created and the multitude of ways that media is being experienced creates production and distribution pressures-from the need for greater production speed and mobility to more intelligent ways of finding and managing assets. Further, media organisations must accommodate international versioning issues, including language captioning.
NEW CAPABILITIES AND ALTERED WORKFLOWS
As these forces exert pressure, technology providers are rushing to keep pace, innovating to deliver scalable, flexible and intelligent architectures to meet the new demands. Ecosystems capable of scaling and managing assets logically and flexibly, together with sophisticated storage technology are addressing the challenges of our ubiquitous always-on' live environment, enabling content production and distribution from anywhere to anywhere, and on virtually any device.
Perhaps nowhere are the needs-and the strides made to meet them-more evident than in the 24/7 news environment. For journalists, it's about making workflows faster and easier and removing bottlenecks. Journalists can now be more autonomous and productive in the field, able to search, access and create content, send packages where needed, and get video on air and online faster-all from their laptops. News workflows must also integrate with web, mobile, and social platforms, while enabling all stakeholders to view footage in a browser, and comment on it or log it as needed. Quantum leaps for broadcast workflows.
There are also profound business benefits. For media companies of all kinds, highly integrated ecosystems that include sophisticated MAM systems and shared storage deliver tangible advantages. In addition to resource and cost efficiencies, increased productivity, and higher-quality content, functionalities like integrated metadata sharing help companies expand their assets and leverage content across brands, critical to staying competitive in today's cost-driven broadcast environment.
Many of the tools that facilitate this new collaboration, speed and mobility are remarkably easy to deploy and use but underneath the hood lie some sophisticated technologies.
A COMMON INTERFACE
A common, easy-to-use interface built on a web browser is needed to enable necessary stakeholders to easily access, view and even contribute to content. It must be an extremely lightweight and quick-to-launch client that can be used in a web browser anywhere with very little training. It should also seamlessly connect to a data center housing storage and the servers that run the infrastructure or to cloud or hybrid environments. The ability to move from on-premise to hybrid to cloud provides the portable capability so critical to today's speed-driven, remote and highly integrated workflows.
Users can share content easily and communicate with each other about stories from anywhere in real time. Aggregating social media feeds, logging as content is being acquired, or cutting together a story based on assets on shared virtualised storage or a MAM system can all be achieved on the same interface. And news producers, for example, can log on to see content available and push or pull content to and from production systems within their station group.
RULES AND ROLES
It's also critical for the interface to be applicable to roles in an organisation. An administrator should be able to assign user interfaces based on their tasks. A logger, for example, will see only the log functionality, or an editor only the clips they need. That sort of flexible interface is crucial. It's not helpful for a logger to see social media feeds or have the ability to send content out to social media on a finished news story. So, an interface must have ease of use, flexibility and scalability built in.
APPS AS SERVICES
The ability to quickly and efficiently search all different storage mechanisms, both in the cloud and in on-premise, archive or nearline storage, is essential to retrieve assets quickly. A particular clip may be archived or parked temporarily on nearline, or on your online storage. The best search mechanics allow you to find and retrieve content quickly and easily regardless of its location.
Within this integrated infrastructure, accessing media functions is as simple as selecting the desired app, switching on the modules needed, and customising the workflow with the required media services and partner connectors. Apps that cover everything from searching and browsing media, researching data and social media feeds, logging, editing, review and approval, publishing and more-all accessed from the common interface for a consistent and unified user experience.
NEW SEARCH FRONTIERS
Software-defined storage architecture is designed to accommodate the shift to the cloud while
Most recent headlines
04/09/2025
Monumental Sports & Entertainment (MSE), in collaboration with Dalet, has been a...
19/04/2025
SDVI, the leading platform provider for cloud-native media supply chains, today announced that the company earned multiple awards at the 2025 NAB Show, with two...
19/04/2025
Ateliere Creative Technologies, a leading GenAI media software solutions company, today announced that Dan Goman has stepped down as CEO and David Bortis, Ateli...
19/04/2025
As Director of Media and Aerial Production at Terrible Herbst Motorsports, Bryan Moore is setting new standards in off-road racing media coverage thanks to his ...
19/04/2025
A next-generation collaboration device that redefines connectivity for meeting environments
Lightware, an industry-leading manufacturer of signal management so...
19/04/2025
Calrec is today announcing that its True Control 2.0 is a Remote Production winner in the 2025 NAB Show Product of the Year Awards. This official awards program...
19/04/2025
Appear, a global leader in live production technology, proudly announces it has been recognised alongside NBCUniversal with the prestigious NAB Show Delivery Pr...
19/04/2025
Deity Microphones, a leader in innovative audio equipment, is proud to announce the expected release of our Ultra-Wide Band IFB to the market. The THEOS DIFB wi...
19/04/2025
A world renowned broadcaster and long-standing LiveU customer has successfully completed a series of live connectivity tests using LiveU's revolutionary, aw...
19/04/2025
BitFire (bitfire.tv), a longtime leader in live video transport, today announced dual NAB Show award wins at the 2025 NAB Show in Las Vegas. The company's M...
19/04/2025
BitFire (bitfire.tv), a longtime leader in live video transport, today announced three major award wins at the 2025 NAB Show, April 5-9, in Las Vegas. The compa...
19/04/2025
AI video discovery company Moments Lab and Satisfaction Group, a leading independent unscripted television production company, are proud to announce a unique st...
19/04/2025
As the media industry navigates the triple challenge of AI-driven production, distributed teams, and skyrocketing content demand, DigitalGlue s creative.space h...
19/04/2025
Network technology startup Miri Technologies Inc. capped off its tremendously successful NAB Show debut by winning two prestigious industry awards for its cutti...
19/04/2025
CINCINNATI Scripp's Nuvyyo USA has concluded a deal with Warner Bros. Discovery to bring 45 FAST channels to Nuvyyo's Tablo TV device....
19/04/2025
In a ruling that could have broader implications on the legality of regulatory agencies levying fines through administrative proceedings, the 5th U.S. Circuit C...
19/04/2025
WASHINGTON Federal Communications Commission chair Brendan Carr has blasted Comcast over MSNBC's coverage of the deportation of Kilmar Abrego Garcia in a so...
19/04/2025
Berklee NYC and NYC Media Launch Season 3 of Inside Power Station @BerkleeNYC This season features faculty member Arun Pandian as the new host and interviews ...
18/04/2025
Director Andrew Ahn, alongside actors Youn Yuh-jung and Joan Chen, takes a photo of the audience after the premiere of his film The Wedding Banquet at Eccles ...
18/04/2025
In a ruling that could have a major impact on the digital advertising market, a federal judge has ruled that Google has monopolized some types of advertising te...
18/04/2025
Broadcast and cable TV news outlets saw strong social media growth in March, according to new data from the social video analytics company Tubular Labs ....
18/04/2025
Berklee Student Yukai Yang Named 2025 Yamaha Young Performing Artist The drummer secured a spot among the elite winners in this years competition.
By
Maddie...
18/04/2025
Boston Conservatory Alums Bring Real Women Have Curves to Broadway The Latin American immigrant community takes center stage in a new musical featuring Tatian...
18/04/2025
WASHINGTON The FCC's call for public comments and suggestions on outdated regulations that it should be eliminated, has prompted a slew of fillings from bro...
18/04/2025
In a ruling that could have a major impact on the digital advertising market, a federal judge has ruled that Google has monopolized some types of advertising te...
18/04/2025
PEARL RIVER, N.Y. Global media solutions company Active Media Services (AMS) has formed a new relationship with VideoAmp, a measurement company for linear TV, c...
18/04/2025
Netflix reported generally positive results for first-quarter 2025, with revenue up 13% year-over-year to $10.543 billion and operating income growing by 27% to...
18/04/2025
NHL Playoffs 2025: TNT Sports Hits the Road for Onsite Productions With Mobile U...
18/04/2025
EVSs S bastien Verlaine on U.S. Expansion, Next-Generation Products Beyond replay, offerings also target asset management and media infrastructure By Ken Kersc...
18/04/2025
ESPN Unleashes 4DREPLAY as NCAA Women's Gymnastics Championships Hit ABC Men's championships to follow Saturday night on ESPN2 By Brandon Costa, Direct...
18/04/2025
Visualizing Victory: The Latest in AR, XR, and Virtual Production in Live Sports This panel discussion featured leaders from ESPN, CBS Sports, Warner Bros. Disc...
18/04/2025
NHL Playoffs 2025: With 16 Games in First Six Days, ESPN Deploys Variety of Remo...
17/04/2025
Emilie Blichfeldt attends the 2025 Sundance Film Festival premiere of The Ugly ...
17/04/2025
R-GPS gives warfighters a decisive battlefield advantage by punching through adv...
17/04/2025
This year's NAB Show in Las Vegas marked a noticeable shift in the priorities of media and broadcast organisations. Gone are the days of chasing flashy, or ...
17/04/2025
class=attachment-thumbnail size-thumbnail f-align-center alt= decoding=async data-lazy-srcset=https://www.antonbauer.com/wp-content/uploads/2024/12/Amy-Daniel-1...
17/04/2025
SAN JOSE, Calif. Roku and Adobe have announced that they are collaborating on a real time data platform made possible by a a new integration of the Roku Data C...
17/04/2025
NEW YORK Internet advertising revenues demonstrated strong growth in 2024, increasing 14.9% year-over-year to $258.6 billion, according to the IAB Internet Adv...
17/04/2025
SDVI Earns Both Product and Project of the Year Awards at 2025 NAB Show
Brie Clayton April 17, 2025
0 Comments
Left to right, Geoff Stedman, CMO, SDVI...
17/04/2025
Singapore Polytechnic Readies Aspiring AV Professionals for Live IP Productions ...
17/04/2025
Calrec Wins 2025 NAB Show Product of the Year Award for True Control 2.0
Brie Clayton April 17, 2025
0 Comments
Image: The Calrec True Control 2.o on ...
17/04/2025
In Return to Berklee, Lucius Looks Back and Moves Forward From mood boards to live demos, the alumni band gave students an exclusive look at the process behin...
17/04/2025
DirecTV's free streaming service MyFree DirecTV has just added another eight channels from NBCUniversal....
17/04/2025
LOS ANGELES The virtual production company GameChanger has announced that it is expanding its global footprint by bringing its virtual production technology to ...
17/04/2025
DENVER The International Broadcaster Coalition Against Piracy (IBCAP) has announced that it has developed a proprietary, automated software-based system to iden...
17/04/2025
Pixalate's new CTV Device Market Share report for Q1 2025 shows that Roku has the highest open programmatic CTV device market share in the United States, wi...
17/04/2025
Edward J. Lewis III Named Senior Vice President of Institutional Advancement Lewis has more than 20 years of industry experience, leading fundraising initiati...
17/04/2025
The Curling Group Puts On Inaugural Curling All-Star Game in Nashville The location in Music City is intended to broaden the sport's appeal By Dan Daley, ...
17/04/2025
April 17th, 2025 Press Materials Available Here
Tribeca Festival 2025 Announces TV & NOW Lineup
World Premieres and Exclusive Cast Panels with Apple TV '...
17/04/2025
SVG Sit-Down: Cisco's Bryan Bedford on Providing End-to-End Support for Clie...