
Creativity without limits and without worries in Next4Pro Cientos de profesionales creativos disfrutan de una jornada, organizada por Tangram Solutions, en la que pudieron conocer las ltimas propuestas para entornos de captaci n y postproducci n. El objetivo de esta edici n de Next4Pro ha sido mostrar c mo, incluso trabajando en 4K, la tecnolog a acompa a al creativo para olvidarse de problemas t cnicas y simplemente disfrutar.
Tangram Solutions ha organizado este mi rcoles en Madrid una nueva edici n de Next4Pro, un evento que se ha convertido ya a o a a o en un cl sico para los profesionales creativos del audiovisual. Tangram ha transmitido a los asistentes la necesidad de simplemente disfrutar de lo que cada uno hace al contar con una tecnolog a cada vez m s avanzada que permite que el usuario final se centre en dar alas a su creatividad, sin pensar en las limitaciones del software o del hardware, ya que hay pocas cosas que no se puedan hacer con un hardware realmente profesional y un software de ltima generaci n.
Entre las novedades que pudimos ver en este evento destaca el nuevo camcorder AJ-PX270 de Panasonic, con conectividad inal mbrica. Con las caracter sticas de una c mara de hombro, este nuevo modelo de Panasonic es ideal para cualquier tipo de trabajo que exija inmediatez, gran capacidad de almacenamiento y alta calidad de imagen resalt Jaume Miro, Technical Product Manager de Panasonic. Panasonic mostr tambi n la nueva Lumix GH4 que soporta 4K, UHD y Full HD, con grabaci n 4K a 24p (100 Mbps).
En el rea de exposici n pudimos ver tambi n algunas de las ltimas propuestas tecnol gicas para captaci n y estudio de Blackmagic como la Blackmagic Camera, HyperDeck Studio Pro o la soluci n para correcci n de color DaVinci Resolve.
Por parte de Apple, quienes asistieron a Next4Pro comprobaron de primera mano las posibilidades que ofrece el nuevo Mac Pro que incorpora procesadores Intel Xeon multinucleo a velocidades de hasta 3,9 GHz, y dos GPUs AMD FirePro que ofrecen un rendimiento gr fico hasta 8 veces superior a la generaci n anterior. Adem s, incluye 6 conexiones thunderbolt que permiten conectar todos los dispositivos necesarios para el trabajo diario, desde almacenamientos hasta tarjetas capturadoras de v deo/audio y monitores 4K, como la gama de monitores Eizo que aportan altas prestaciones para adaptarse a la potencia de este nuevo equipo.
En Next4Pro pudimos tambi n conocer las nuevas opciones que brinda la ltima versi n de Final Cut Pro X como la posibilidad de organizar por bibliotecas con eventos, brutos y proyectos relacionado as como la edici n y monitorizaci n 4K. Adem s, la v10.1 est optimizada para el nuevo Mac Pro, mejorando el rendimiento en velocidad en FX, render, an lisis y exportaci n. Tambi n introduce mejoras en multic mara y estabilizaci n.
Por otra parte, para los que trabajan con 3D y consideran que pierden mucho tiempo haciendo tareas repetitivas en Autodesk Maya, o creen que muchos procesos deber an ser m s f ciles realizar; o simplemente echan en falta justo un men que les facilitar a la vida la respuesta es f cil: un poco de Phyton. Es un lenguaje muy sencillo de usar, que se est estandarizando como el lenguaje com n en todas las aplicaciones del sector audiovisual y est disponible en todos los sistemas operativos. Gabriel Roy, compositor digital con una larga trayectoria en este sector (Planet 51, Pirates of the Caribbean, Marmaduke, John Carter, ) mostr c mo, con muy pocas l neas en Phyton, se puede acelerar considerablemente cualquier flujo de trabajo.
En Next4Pro tambi n ha participado Luis Ochoa, colorista con mucho recorrido bajo sus pies (Saga, Tierra de Lobos, videoclips Amaia Montero y Raphael, ) quien bas su exposici n en c mo utilizar Speed Grade CC como herramienta de correcci n y modificaci n de color en los flujos de trabajo en v deo. Ochoa explic c mo la integraci n de Speed Grade CC con el resto de aplicaciones de Creative Cloud simplifica al m ximo los procesos de trabajo con el color y los hace m s flexibles y fluidos trabajando siempre desde la interfaz visual tradicional de los productos de Adobe.
Por ltimo, Alberto Ju rez, compositor de FX (Pocoy , Blancanieves, Los hombres de Paco, Coca-Cola, ) abord las posibilidades que ofrece Autodesk Smoke para Mac, una soluci n que calific como una aut ncia navaja suiza . Ju rez hizo hincapi en c mo esta soluci n para edici n y composici n es capaz de sacar toda la potencia de los nuevos Mac Pro en los flujos de trabajo en los que se hace necesario mezclar algo tan familiar como un timeline de edici n con un sistema de composici n basado en nodos, el cual permite dotar a nuestros proyectos de los efectos m s avanzados dentro de una misma herramienta.
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