
Designer lighting, Juanjo Beloqui, innovates in the top 40 Awards Con un dise o escenogr fico de Paco Redondo, y con realizaci n televisiva de Santiago Torres Muro, Beloqui dise a una iluminaci n que dot de una atm sfera especial la entrega de los Premios 40 Principales.
Los Premios 40 Principales, emitidos por Divinity y Cuatro recientemente desde el Palacio de Deportes de Madrid, contaron con el dise or de iluminaci n Juanjo Beloqui para crear una atm sfera especial.
Para este evento, Beloqui cont con una treintena de Robin Pointe y otros tantos LEDBeam 100 para el show realizado en el Palacio de Los Deportes en Madrid y presenciado por 15.000 entusiastas fan ticos de la m sica.
Beloqui iluminaba los Premios 40 Principales por s ptima vez, y similar a los a os anteriores, su punto de comienzo creativo fue el dise o escenogr fico, este a o realizado por Paco Redondo.
Basado en Madrid, Beloqui ha usado productos Robe durante algunos a os en su variado trabajo pero estaba ansioso por probar el nuevo Pointe de Robe por primera vez y tambi n integrar las m s recientes tecnolog as de Robe en este show de alto perfil.
Necesitaba una cantidad de aparatos peque os con Grandes soluciones en t rminos de efectos, brillo, potencia y recursos, y comenta que la decisi n fue dif cil debido al n mero actual de opciones disponibles en este momento.
Los treinta Pointe y otros tantos LEDBeam 100, todos provistos por la empresa de alquiler ASL, fueron montados a trav s de toda la estructura escenogr fica central sobre el escenario y usados principalmente para iluminaci n desde atr s.
Beloquei ha asegurado que los Pointe proporcionan gran potencia y una gran luz beam adem s de un spot muy preciso con excelentes gobos y mucha velocidad qu m s podr a necesitar? .
Tambi n le gustaron otras caracter sticas como el zoom, los prismas rotatorios y el filtro de difusi n / frost, los cuales se suman a la versatilidad general del Pointe.
De los LEDBeam 100 ha asegurado que son peque os, potentes y con un haz muy n tido con todos los colores saturados precisos, m s la velocidad de la iluminaci n y r pida respuesta son lo que necesitaba para adaptarse perfectamente a esta aplicaci n .
The challenges
Montar el evento present varios desaf os para Beloqui y su equipo de iluminaci n. Primero estaba asegurar que todas las tomas de c mara no tuvieran obstrucciones y presentaran suficiente claridad y las temperaturas de color correctas como tambi n todos los aparatos ubicados para que pudieran operar para las tomas de c maras m ltiples.
Luego, todos los artistas necesitaban un buen look y tener diferentes tratamientos individuales para sus presentaciones, y adem s de eso, la presi n yac a en crear un show que fuera visualmente emocionante para la audiencia en vivo de 15.000 personas.
Beloqui program y oper las luces, se encarg de llamar los seis seguidores y mantuvo una observaci n cercana de todas las transmisiones de c mara adem s de escuchar al realizador Santiago Torres Muro llamando las c maras para asegurar que todo estuviera al ritmo de la acci n.
Otro desaf o general fueron los cortos tiempos de montaje y ensayo, dictados por la programaci n de eventos movida de la sala de modo que el montaje de iluminaci n fue dise ado desde el comienzo con la practicidad de colocarlo en la sala r pidamente.
Otra persona ayudando a que todo saliera como pensado fue el Jefe de Iluminaci n Mariano C. Piaggio (Bochi), quien ha trabajado en todas las giras, shows y eventos de Beloqui durante los ltimos siete a os.
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