
Roger Franklin
LONDON -The TV landscape has changed dramatically in recent years, with consumers growing accustomed to receiving content they want when and where they want it. With this evolution is increased pressure on video providers to know what the customer wants and to provide recommendations and compelling value added services. Providers are tapping into metadata to increase service value and generate new revenue and business models.
Metadata has been present in video streams since the middle of the 1970s. It is in the changing environment of consumer-driven content consumption that metadata is the way to enhance the viewing experience.
SCTE-35 STANDARD
With the SCTE-35 standard becoming a requirement, metadata must be handled in a very specific way. There is some confusion as to what adhering to the standard actually involves.
The SCTE-35 standard provides more flexibility than previous methods, making it possible to fully describe a segment within a program. SCTE-35 messages not only define the start and stop points of a segment, but also the duration, and the content within the segment. This flexibility makes it easier to provide personalized content.
REQUIRED METADATA
Two primary pieces of metadata are required within the video stream: the first identifies where in the stream a segment starts and ends; the second identifies what content is present in that segment.
In order to set those parameters, the video provider must determine what constitutes a segment for them; e.g. the main program is often one segment, with other segments for national and local advertising spots.
SCTE-35 can be used to define more specific segments than that. Individual scenes can be defined, enabling the possibility of scene substitution based on the age and preference of the viewer.
The rules for content replacement are defined outside of the video stream and should follow the Event Signalling and Management (ESAM) and Event Scheduling and Notification Interface (ESNI) standards.
BEING SCTE-35 COMPLIANT
SCTE-35 splice messages indicate where to replace content in a video stream. Splice points must be identified at the beginning and end of the content segment. Every splice point should begins with and encoder-created IDR frame and the encoder should insert the SCTE-35 splice message. The splice commands are contained within a splice information section SCTE-35 message.
Because duration is present, while it is good practice to supply both the start and stop points, it is only a requirement to provide one.
SCTE-35 messages are used to define what content is in each segment. Splice descriptions identifying the content in each segment can be added to a splice information section message. The SCTE-35 standard predefines three types of descriptions: the Avail descriptor is added to the splice insert command, and this descriptor functions like a cue tone. It is interpreted by the receiving equipment as a splice point for substituting local advertising into the program stream.
The DTMF descriptor instructs a receiver to initiate the specified DTMF tone. The result of this descriptor is the same as the Avail, but it accomplishes this by signaling older splicing equipment that still require the audible DTMF tones.
The segmentation descriptor is used to define the content of a program segment. This descriptor has fields that are used to turn web distribution on or off, or mark whether a segment should or should not be blacked out.
According to the specification, the segmentation descriptor is added to a time signal command or other splice commands, and is used to identify the content of a new upcoming segment. The segmentation descriptor message should be delivered at least four seconds before the beginning of the segment, but is often delivered eight to 12 seconds before the segment.
MAKING THE MOST OF METADATA
With the pace of change in the video distribution industry, it is clear the future for content distributors is in the value added to the distributed content. It is a challenge to implement new standards quickly, especially when you need to leverage older equipment and systems that are not fully compliant. However, the companies that plan today to manage content smartly will reap the rewards, delivering compelling content to viewers, and generating new revenue streams.
--
Most recent headlines
04/09/2025
Monumental Sports & Entertainment (MSE), in collaboration with Dalet, has been a...
29/04/2025
WASHINGTON The Federal Communications Commission has adopted a new licensing framework and new sharing rules for the lower 37-GHz spectrum band that the agency ...
29/04/2025
WASHINGTON The Federal Communications Commission has unanimously voted to pass a Notice of Proposed Rulemaking that the agency said would codify certain foreign...
29/04/2025
Deity Microphones are excited to add the Deity THEOS DXTX Plug-On Transmitter to the THEOS family. The DXTX is packed full of advanced features designed to enha...
29/04/2025
Origin of life twist: New study challenges longstanding hypothesis on how first sugars formed Scripps Research and Georgia Institute of Technology scientists...
28/04/2025
Podcasts have become a cornerstone of the Spotify experience, evolving from a ni...
28/04/2025
Each April, runners and walkers of all stripes gather together in Lower Manhattan for the 9/11 Memorial & Museum 5K. This race remembers those killed on Septemb...
28/04/2025
MELBOURNE, Fla., April 28, 2025 - L3Harris Technologies (NYSE: LHX) Chief Financial Officer and Aerojet Rocketdyne President Ken Bedingfield will present at Bar...
28/04/2025
HACKENSACK, NJ LiveU, a global provider of live IP-video contribution, production and distribution solutions, has signed a definitive agreement to acquire Actus...
28/04/2025
LiveU, the global leader in live IP-video contribution, production and distribution solutions, has signed a definitive agreement to acquire Actus Digital's ...
28/04/2025
Ikegami Electronics (Europe) will promote the latest additions to its range of broadcast-quality television production equipment at Broadcast Innovation Day (BI...
28/04/2025
Intinor is once again set to collaborate with its UK partner Zest Technologies at MPTS 2025 (Olympia, 14-15 May 2025). Following the recent launch of key update...
28/04/2025
CJP Broadcast, the UK-based systems integrator specialising in virtual production and broadcast studio design, installation, commissioning and support, will ret...
28/04/2025
The media landscape in the Middle East continues to see a rise in OTT platforms, regional content creation, and expanding viewer expectations, which means the d...
28/04/2025
Clear-Com has announced the appointment of StreamPort Media as its authorized distributor in the Middle East. This partnership will expand access to Clear-Com&...
28/04/2025
nxtedition will showcase its unified production platform at CABSAT 2025, featuring advanced AI automation, open-source integrations and a seamless approach to l...
28/04/2025
nxtedition will demonstrate its story-first production platform at MPTS 2025, highlighting integrated AI Agents, open-source language models, and frictionless c...
28/04/2025
Keepit has teamed with Ingram Micro, a leading business-to-business platform company for the global technology ecosystem, to expand access to Keepit's vendo...
28/04/2025
Ross Video, a global leader in video production technology, is participating in CABSAT 2025, taking place at the Dubai World Trade Center.
CABSAT is the leadi...
28/04/2025
Disguise, the leading platform and solutions provider driving the next generation of visual experiences, has appointed Jake Stone as its Senior Vice President o...
28/04/2025
Lightware, a global leader in connectivity and signal management solutions, is set to return to InfoComm 2025 with a dynamic showcase of industry-first innovati...
28/04/2025
arkona technologies GmbH, provider of cutting-edge IP core infrastructure solutions has announced that its EASY-IP platform is the recipient of Future's Bes...
28/04/2025
TMT Insights wrapped up an award-winning NAB 2025 with two of its high-profile customer engagements recognized with Project of the Year Awards: Content Acquisit...
28/04/2025
Fix Format Issues & Enhance Videos 80% Faster with VideoProc AI - Major Update
Brie Clayton April 25, 2025
0 Comments
VideoProc Converter AI just got ...
28/04/2025
New in Premiere Pro and After Effects at NAB 2025 - Larry Jordan with Kylee Pe a...
28/04/2025
The Text Selector Expression is arguably the most elusive Adobe After Effects Fe...
28/04/2025
Master your music for free with a new desktop app from Brainworx
Brie Clayton April 27, 2025
0 Comments
bx_mastering studio promises free streaming-re...
28/04/2025
LiveU Inks Deal to Acquire Actus Digital, Boost Video Monitoring and Analytics C...
28/04/2025
Small Van, Big Story: Changing the Game in Sports Broadcasting with Obvious C By SVG Staff
Monday, April 28, 2025 - 10:51 am
Print This Story | Subscribe ...
28/04/2025
SVG Sit-Down: ESPN's Chris Calcinari on New Flagship Mobile Unit, Cloud and ...
28/04/2025
A Swiss Soccer Summer: Previewing UEFA Women's Euros 2025 with BBC Sport and...
28/04/2025
Monday 28 April 2025
New research from Sky Sports, released today, shows that w...
28/04/2025
Monday 28 April 2025
To view this content, please enable our use of cookies. To...
28/04/2025
After 20 Legendary Seasons Sky is Hanging Up The Boots of its BAFTA-winning Sports Show. Production of farewell series tees off this summerMonday 28 April 2025
...
28/04/2025
Back to All News
Netflix Celebrates the Creative Tapestry of APAC Films at Tokyo Showcase
Entertainment
28 April 2025
GlobalJapanSouth KoreaIndiaThailandInd...
28/04/2025
Back to All News
Get Ready for Netflix Tudum 2025: The Live Event! Watch the Tr...
28/04/2025
As enterprises increasingly adopt AI, securing AI factories - where complex, agentic workflows are executed - has never been more critical.
NVIDIA is bringing ...
28/04/2025
Agentic AI is redefining the cybersecurity landscape - introducing new opportunities that demand rethinking how to secure AI while offering the keys to addressi...
28/04/2025
Oracle has stood up and optimized its first wave of liquid-cooled NVIDIA GB200 N...
27/04/2025
It's with deep regret that we share the passing of our dear friend Bruce Logan, ASC.
Bruce was not just a collaborator-he was family. He worked with us at ...
27/04/2025
Back to All News
KAULITZ & KAULITZ - Launch date and first look for season 2
Entertainment
27 April 2025
GlobalGermany
Link copied to clipboard
KAULITZ & ...
27/04/2025
Back to All News
Senna Wins Best Series Creator Category At The 2025 PLATINO Awards
Entertainment
27 April 2025
GlobalBrazil
Link copied to clipboard
This...
27/04/2025
Back to All News
Masterclass With Creative Team Behind Adolescence Takes Filmma...
26/04/2025
NEW YORK Samsung Ads has debuted a new interactive advertising format, Creative Canvas, that helps automate and deliver interactive ads....
26/04/2025
WEST PALM BEACH, Fla. Sinclair has appointed Vincent J. Sollecito vice president and general manager of WPEC, serving the West Palm Beach, Florida market....
26/04/2025
NEW YORK and DENVER AD-ID and Comcast Technology Solutions (CTS) have announced that they are working together to promote the adoption of industry standards in ...
26/04/2025
Cobalt Scores a Trifecta of Awards at NAB 2025
Brie Clayton April 25, 2025
0 Comments
Company adds another Best of Show and two Product of the Year tr...
26/04/2025
FilmLight Colour Awards welcomes 2025 entries
Brie Clayton April 25, 2025
0 Comments
Entries open from 1 May 31 July to colourists on any grading pl...
26/04/2025
Blackmagic's Latest Products - Larry Jordan Guest Spots with Dan May at NAB ...
25/04/2025
Emily Watson, Isaiah Saxon, Helena Zengel, and Finn Wolfhard at The Legend of Ochi premiere (photo by Soul Brother/Shutterstock for Sundance Film Festival)...