
Media Asset Capitals Jeremy Bancroft explains why the current model of measuring TV audiences is all wrong
By Contributor
Published: September 23, 2020
Media Asset Capital's Jeremy Bancroft explains why the current model of measuring TV audiences is all wrong
target=_blank title=Share on LinkedIn class=share-linkedin> Media Asset Capital's Jeremy Bancroft explains why the current model of measuring TV audiences is all wrong
https://www.tvbeurope.com/media-consumption/can-we-really-rely-on-tv-ratings title=Share via Email class=share-email>
The coronavirus pandemic has led to people watching more TV than ever. Content consumption has substantially increased, and many TV channels have recorded some of their best ratings in years.
The TV industry relies upon ratings. These ratings tell the channels and their advertisers which shows are most popular, and which times of the day capture the largest audiences.
Streaming platforms such as Netflix, Amazon Prime Video, Disney Plus, ITV Hub and BBC iPlayer have only recently been added to ratings listings, but each of the operators can measure viewing of content on their own streaming platform. Some, however, are reluctant to release this data.
Traditional TV viewing figures are produced by specialist ratings agencies, including BARB, Nielsen, and Kantar. For free to air satellite and terrestrial TV, the number of viewers for each channel at different times is measured using selected panels of viewers, and everything that the viewers watch is logged.
Unfortunately, these panels represent a very small sample of the viewing public.
For example, in the UK, BARB collects and distributes TV ratings. There are about 5200 BARB-monitored households from a total of around 27 million TV-equipped homes.
In the US, Nielsen is the most widely used ratings agency. There are about 27,000 Nielsen-monitored households from around 120 million TV-equipped homes.
This means that the ratings used by over the air TV channels, programme makers and advertisers are based upon a sample size of approximately 0.02 per cent.
The TV industry makes decisions about which programmes to commission, continue or drop based upon these ratings. How much advertisers pay for particular spots is also based on these ratings. With only one in every 5,000 homes being sampled, there is much criticism within the industry about the accuracy of this data, especially given the financial implications of such potentially misleading information.
Subscription platforms (such as Sky) can measure their own viewing figures with greater accuracy by interrogating their own branded set top boxes. In the UK, Sky collects data from about 500,000 set top boxes, which is approximately 4 per cent of their total subscribers. Unfortunately, this method is not available to non-subscription platforms.
In the US, Nielsen has started providing ratings for popular streaming platforms. Netflix has responded to these ratings based on viewing panels in a statement: The data that Nielsen is reporting is not accurate, not even close, and does not reflect the viewing of these shows on Netflix
As Netflix can measure every single time that their content is streamed to a subscriber (a sample size of 100 per cent), they can be confident in their own conclusions.
Some TV set manufacturers have built software into their devices that detects what their viewers are watching so that they can provide data to third parties. American TV set maker Vizio did exactly this, but ended up losing a $17 million class-action lawsuit for allegedly spying on their customers' viewing habits, violating privacy and consumer-protection laws'.
Within the EU, General Data Protection Regulation (GDPR) covers information that relates to an identified or identifiable individual. Essentially, if you can know who the person is, then you must obtain their explicit approval to collect, store and forward (or sell on) their data. Breaching GDPR regulations can be very expensive for a business, with a maximum fine of 20 million, or 4 per cent of annual global turnover for offenders.
Recently, a small UK company called TVA Group developed and patented a solution that collects large-scale live TV viewership data without infringing GDPR and consumer-protection laws.
Almost any Smart TV that is connected to the internet can utilise some of the interactive capabilities of today's digital TV transmission standards to tell TVA whether it is tuned to specific channels.
By collecting this data and processing it to identify regionalities, TVA is producing real-time dashboards and historic reports that show, very accurately, what is being watched, where, and to a precision measured in seconds. This can be associated with specific programmes or commercials on individual channels.
In order to comply with GDPR, the TVA solution cannot identify what was showing on any given TV set, but can tell you how many sets in a given geographical area were tuned in to a specific channel at a precise time.
This can detect how many people saw a particular programme or commercial or, for example, whether the moving of live sports coverage between channels to avoid a clash with the news resulted in a loss of viewers. Traditional panel-based ratings collection can only report this type of data many hours or days later, and as we have seen, with dubious accuracy.
Online TV viewing is clearly gaining in popularity, and data from a channel's streaming platforms can also be incorporated into TVA's data analytics and reporting engines to provide an even broader view of total viewership.
Despite their small size, this UK company is successfully producing accurate live TV ratings for over 50 clients in an industry that has been poorly served by the established providers.
No single solution can measure the entire range of ways in wh
Most recent headlines
04/09/2025
Monumental Sports & Entertainment (MSE), in collaboration with Dalet, has been a...
19/04/2025
SDVI, the leading platform provider for cloud-native media supply chains, today announced that the company earned multiple awards at the 2025 NAB Show, with two...
19/04/2025
Ateliere Creative Technologies, a leading GenAI media software solutions company, today announced that Dan Goman has stepped down as CEO and David Bortis, Ateli...
19/04/2025
As Director of Media and Aerial Production at Terrible Herbst Motorsports, Bryan Moore is setting new standards in off-road racing media coverage thanks to his ...
19/04/2025
A next-generation collaboration device that redefines connectivity for meeting environments
Lightware, an industry-leading manufacturer of signal management so...
19/04/2025
Calrec is today announcing that its True Control 2.0 is a Remote Production winner in the 2025 NAB Show Product of the Year Awards. This official awards program...
19/04/2025
Appear, a global leader in live production technology, proudly announces it has been recognised alongside NBCUniversal with the prestigious NAB Show Delivery Pr...
19/04/2025
Deity Microphones, a leader in innovative audio equipment, is proud to announce the expected release of our Ultra-Wide Band IFB to the market. The THEOS DIFB wi...
19/04/2025
A world renowned broadcaster and long-standing LiveU customer has successfully completed a series of live connectivity tests using LiveU's revolutionary, aw...
19/04/2025
BitFire (bitfire.tv), a longtime leader in live video transport, today announced dual NAB Show award wins at the 2025 NAB Show in Las Vegas. The company's M...
19/04/2025
BitFire (bitfire.tv), a longtime leader in live video transport, today announced three major award wins at the 2025 NAB Show, April 5-9, in Las Vegas. The compa...
19/04/2025
AI video discovery company Moments Lab and Satisfaction Group, a leading independent unscripted television production company, are proud to announce a unique st...
19/04/2025
As the media industry navigates the triple challenge of AI-driven production, distributed teams, and skyrocketing content demand, DigitalGlue s creative.space h...
19/04/2025
Network technology startup Miri Technologies Inc. capped off its tremendously successful NAB Show debut by winning two prestigious industry awards for its cutti...
19/04/2025
CINCINNATI Scripp's Nuvyyo USA has concluded a deal with Warner Bros. Discovery to bring 45 FAST channels to Nuvyyo's Tablo TV device....
19/04/2025
In a ruling that could have broader implications on the legality of regulatory agencies levying fines through administrative proceedings, the 5th U.S. Circuit C...
19/04/2025
WASHINGTON Federal Communications Commission chair Brendan Carr has blasted Comcast over MSNBC's coverage of the deportation of Kilmar Abrego Garcia in a so...
19/04/2025
Berklee NYC and NYC Media Launch Season 3 of Inside Power Station @BerkleeNYC This season features faculty member Arun Pandian as the new host and interviews ...
18/04/2025
Director Andrew Ahn, alongside actors Youn Yuh-jung and Joan Chen, takes a photo of the audience after the premiere of his film The Wedding Banquet at Eccles ...
18/04/2025
In a ruling that could have a major impact on the digital advertising market, a federal judge has ruled that Google has monopolized some types of advertising te...
18/04/2025
Broadcast and cable TV news outlets saw strong social media growth in March, according to new data from the social video analytics company Tubular Labs ....
18/04/2025
Berklee Student Yukai Yang Named 2025 Yamaha Young Performing Artist The drummer secured a spot among the elite winners in this years competition.
By
Maddie...
18/04/2025
Boston Conservatory Alums Bring Real Women Have Curves to Broadway The Latin American immigrant community takes center stage in a new musical featuring Tatian...
18/04/2025
WASHINGTON The FCC's call for public comments and suggestions on outdated regulations that it should be eliminated, has prompted a slew of fillings from bro...
18/04/2025
In a ruling that could have a major impact on the digital advertising market, a federal judge has ruled that Google has monopolized some types of advertising te...
18/04/2025
PEARL RIVER, N.Y. Global media solutions company Active Media Services (AMS) has formed a new relationship with VideoAmp, a measurement company for linear TV, c...
18/04/2025
Netflix reported generally positive results for first-quarter 2025, with revenue up 13% year-over-year to $10.543 billion and operating income growing by 27% to...
18/04/2025
NHL Playoffs 2025: TNT Sports Hits the Road for Onsite Productions With Mobile U...
18/04/2025
EVSs S bastien Verlaine on U.S. Expansion, Next-Generation Products Beyond replay, offerings also target asset management and media infrastructure By Ken Kersc...
18/04/2025
ESPN Unleashes 4DREPLAY as NCAA Women's Gymnastics Championships Hit ABC Men's championships to follow Saturday night on ESPN2 By Brandon Costa, Direct...
18/04/2025
Visualizing Victory: The Latest in AR, XR, and Virtual Production in Live Sports This panel discussion featured leaders from ESPN, CBS Sports, Warner Bros. Disc...
18/04/2025
NHL Playoffs 2025: With 16 Games in First Six Days, ESPN Deploys Variety of Remo...
17/04/2025
Emilie Blichfeldt attends the 2025 Sundance Film Festival premiere of The Ugly ...
17/04/2025
R-GPS gives warfighters a decisive battlefield advantage by punching through adv...
17/04/2025
This year's NAB Show in Las Vegas marked a noticeable shift in the priorities of media and broadcast organisations. Gone are the days of chasing flashy, or ...
17/04/2025
class=attachment-thumbnail size-thumbnail f-align-center alt= decoding=async data-lazy-srcset=https://www.antonbauer.com/wp-content/uploads/2024/12/Amy-Daniel-1...
17/04/2025
SAN JOSE, Calif. Roku and Adobe have announced that they are collaborating on a real time data platform made possible by a a new integration of the Roku Data C...
17/04/2025
NEW YORK Internet advertising revenues demonstrated strong growth in 2024, increasing 14.9% year-over-year to $258.6 billion, according to the IAB Internet Adv...
17/04/2025
SDVI Earns Both Product and Project of the Year Awards at 2025 NAB Show
Brie Clayton April 17, 2025
0 Comments
Left to right, Geoff Stedman, CMO, SDVI...
17/04/2025
Singapore Polytechnic Readies Aspiring AV Professionals for Live IP Productions ...
17/04/2025
Calrec Wins 2025 NAB Show Product of the Year Award for True Control 2.0
Brie Clayton April 17, 2025
0 Comments
Image: The Calrec True Control 2.o on ...
17/04/2025
In Return to Berklee, Lucius Looks Back and Moves Forward From mood boards to live demos, the alumni band gave students an exclusive look at the process behin...
17/04/2025
DirecTV's free streaming service MyFree DirecTV has just added another eight channels from NBCUniversal....
17/04/2025
LOS ANGELES The virtual production company GameChanger has announced that it is expanding its global footprint by bringing its virtual production technology to ...
17/04/2025
DENVER The International Broadcaster Coalition Against Piracy (IBCAP) has announced that it has developed a proprietary, automated software-based system to iden...
17/04/2025
Pixalate's new CTV Device Market Share report for Q1 2025 shows that Roku has the highest open programmatic CTV device market share in the United States, wi...
17/04/2025
Edward J. Lewis III Named Senior Vice President of Institutional Advancement Lewis has more than 20 years of industry experience, leading fundraising initiati...
17/04/2025
The Curling Group Puts On Inaugural Curling All-Star Game in Nashville The location in Music City is intended to broaden the sport's appeal By Dan Daley, ...
17/04/2025
April 17th, 2025 Press Materials Available Here
Tribeca Festival 2025 Announces TV & NOW Lineup
World Premieres and Exclusive Cast Panels with Apple TV '...
17/04/2025
SVG Sit-Down: Cisco's Bryan Bedford on Providing End-to-End Support for Clie...