
First FA Foray into Esports Broadcasting Finds eLions Champions Ready for FIFA eNations Cup By Heather McLean, SVG Europe
Friday, March 22, 2019 - 12:47 pm
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With London set to host the inaugural FIFA eNations Cup from April 13 to 14, the Football Association (FA) found itself with just six weeks to pull together an Esports competition that would decide the composition of England's first eLions lineup.
Esmond Blake, senior manager for commercial strategy at The FA, has been looking into the feasibility of an England eSports team over the last six months, so the area has been on the FA's radar for some time. The FA has waited for the perfect opportunity to get into the game.
Damien Cullen, senior video manager at The FA, told SVG Europe: We're always trying to find ways to be innovative. The FA wanted to own its entry into eSports.
FIFA sent an invite six weeks ago asking if we wanted to take part [in the FIFA eNations Cup]. From there, we quickly looked at whether we wanted to outsource this broadcast or own it, and we decided we wanted to own it, while collaborating on the project with ESL. It seemed like a good point in time to [get the FA into eSports]. It was a great opportunity, added Cullen.
At the time of the announcement of its participation in the FIFA eNations Cup, Mark Bullingham, chief commercial and football development officer at The FA, said: This presents an exciting opportunity for Three Lions fans to help form a new chapter in England's history and add a 29th side to our current stable of national teams. The FA prides itself on being a modern, innovative organisation that strives to engage and inspire all generations of football fans. FIFA 19 is played by hundreds of millions of players daily with many selecting our male and female players so we have a great chance to engage with these as part of our efforts to continue to grow the game in England.
Tight deadline
On 1 February 2019 FIFA invited the FA to put forward a team, launching Cullen into action to put together an eSports event to find the two champions to go forward on England's behalf with the clock ticking. FIFA's deadline for submitting a team was 31 March, however The FA made the decision that if it wanted to do a broadcast, it was best to do it before the men's senior team met up on 17 March.
Competitors fight to become one of two eLions to represent The FA at April's FIFA eNations Cup 2019 in April
With FIFA setting a short deadline for the eNations Cup, Cullen had a time restriction that had to be worked around. However, Cullen said the FA wanted to make sure it broke into the eSports arena in the right way. He explains: We were aware of eSports and that it was growing, but we didn't want to look like the old boy with his cap on at the party; I didn't want to see a load of comments about why are you doing this?, why are you trying to be cool?'. We're a massive organisation and our remit is to get people involved at all levels [of this sport]; it's a lot to look after. eSports has always been on our radar, but I wanted to find the right opportunity to take part in it, and we definitely thought this was the right time and opportunity. The gaming community cares very much about this.
Adds Cullen: This isn't a one-off event; this is the start.
Cullen went first to Alex Pettitt, technical consultant for the FA's video team, who he had first worked with on the FA's Lions' Den daily show, which was exclusively live from the England camp in Russia during the 2018 FIFA World Cup. The key to this was Alex, and a central London studio, notes Cullen.
The biggest challenge for this project was time, Pettitt says: This came to us late in the day on a very tight turnaround. But I knew even though time was tight, it was doable. The first conversation between Cullen and Pettitt was on 26 February, and their first face to face meeting about it was the next day.
Collaborative effort
eSports organiser and production company, ESL, was bought into handle the gaming expertise for the event. In preparation, ESL invited four seeded gamers to take part in the event (two on Xbox One and two on PS4). Meanwhile online qualifiers held over the weekend of 9 and 10 March had total sign-ups of around 750 people, ready to compete on either Xbox One or PS4. Two winning players per console went forward to fight against each other and the seeded players just four days later.
While The FA handled the look and feel of the final tournament to find the ultimate eLion champions, Pettitt notes that the first question he had faced was whether to build a custom studio at Wembley for the day of competing to find England's eLions, or to find a studio in London that The FA could work with. Due to time restraints, the latter was decided upon as the plan of action and the team found TOG Studios, a fully flexible, all-inclusive production studio based in Marylebone, London.
Pettitt is fully versed and an ardent fan of Blackmagic Design's production technology, and in order to run the event on 14 March he needed to get additional kit from Blackmagic to create the look and feel of the broadcast required bv the FA. Pettitt says: We reached out to Blackmagic, who allowed us to use its higher end stuff.
Commentators on the eLion competitors during the live broadcast on 14 March
On production, Blackmagic installed the following at TOG: one ATEM 4 M/E Broadcast Studio 4K; an ATEM 1 M/E Advanced Panel; one ATEM Talkback Converter 4K; plus two Teranex Mini SDI to HDMI; two Teranex Mini HDMI to SDI; four Teranex Mini Smart Panels; and one Teranex AV.
On the assembly of new ATEM kit, Pettitt commented: We wanted a three box set up on screen during the competition, so you can see all the gameplay on screen at the same ti
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