
The Cloud is rapidly being established as an important new form of TV distribution, using over-the-top (OTT) technologies to reliably deliver TV to devices inside and outside the home. It increasingly makes economic and strategic sense for pay-TV service providers to deliver TV including live TV, from the cloud.
The rapid take-up of tablets and smartphones, and the demand by consumers to watch TV on these devices anywhere and everywhere, has been a key driver for the growth of OTT based TV services. These OTT services were originally focused on on-demand content but in the last year that focus has increasingly shifted to live/linear TV, live TV being essential for certain kinds of content sports, event-based programs and the emerging genre of social TV.
As mobile devices become ubiquitous, TV Everywhere becomes increasingly important to pay-TV service providers who want to build relationships with their customers beyond the home, using live and on-demand content delivered from the Cloud. A key question is to what extent they can or should fully replicate their set-topbox service on the secondary screens of smartphones and tablets.
Another rationale for Live TV from the Cloud is the move by cable and telco pay-TV providers to deliver off-net services using OTT technologies to areas outside their networks and to reach new customers in a more cost-effective way. To offer a similar level of service to all customers, the OTT offer needs to include linear programs.
Telcos are also turning from providing TV via managed IPTV networks to the simpler and more cost-effective approach of OTT. While this means a shift from quality of service to a best effort model, adaptive bitrate streaming ensures the best possible service is delivered and there is a graceful degradation of service as network conditions change. It can also adapt to the consumers inhouse network which is often beyond the control of the service provider. Some would argue that such graceful degradation leads to better quality of experience than an all or nothing service.
Lastly, delivering television via the cloud - relying on CDNs - is becoming increasingly economically viable in geographies where broadband is both sufficiently ubiquitous and open, making it a realistic option already to distribute the niche channels of a bouquet in a hybrid broadcast-broadband setup.
New cloud-TV services that include live TV are launching on a nearly weekly basis. In Spain, NAGRA has provided the technology to enable telco Jazztel to switch earlier this year from an IPTV service to an OTT service using an IP-based settop box that employs adaptive bitrate streaming that provides both linear pay-TV channels and VOD.
As cloud based TV services increasingly offer live TV as well as VOD, they need to take on more of the characteristics of a traditional broadcast network and the technology that enables TV from the cloud. Most notably the content protection and security used needs to become more like traditional broadcast systems. A new breed of solution is needed that combines digital rights management (DRM) used today to secure Internet delivered content with the best aspects of broadcast conditional access (CA). Such solutions must address the specific requirements of delivering premium live content via OTT.
Premium live content (e.g. sports) has a different risk profile from content traditionally delivered from the cloud. It also has much higher scalability requirements. Major football matches not only attract a large percentage of the subscriber base, the usage is highly synchronized.
With linear TV, it is the service/channel as a whole that needs to be protected rather than individual content items. Linear services have particular business models; these include such things as live pay-perview events with geographical blackout, free previews, pay per time, vouchers and subscription bundles and packages. These have been supported for years by CA vendors for broadcast TV but are potentially new concepts for DRM providers.
The DRM systems that protect content delivered over the Internet therefore need to rapidly evolve to be more like the conditional access systems protecting broadcast content today. The growth of live TV from the cloud will have a particular impact on the content protection and security systems in place. Other technologies must evolve as well because there is a clear imperative for service providers to expand this part of their multi-screen offer.
Most recent headlines
04/09/2025
Monumental Sports & Entertainment (MSE), in collaboration with Dalet, has been a...
18/04/2025
Director Andrew Ahn, alongside actors Youn Yuh-jung and Joan Chen, takes a photo of the audience after the premiere of his film The Wedding Banquet at Eccles ...
18/04/2025
In a ruling that could have a major impact on the digital advertising market, a federal judge has ruled that Google has monopolized some types of advertising te...
18/04/2025
Broadcast and cable TV news outlets saw strong social media growth in March, according to new data from the social video analytics company Tubular Labs ....
18/04/2025
Berklee Student Yukai Yang Named 2025 Yamaha Young Performing Artist The drummer secured a spot among the elite winners in this years competition.
By
Maddie...
18/04/2025
Boston Conservatory Alums Bring Real Women Have Curves to Broadway The Latin American immigrant community takes center stage in a new musical featuring Tatian...
18/04/2025
WASHINGTON The FCC's call for public comments and suggestions on outdated regulations that it should be eliminated, has prompted a slew of fillings from bro...
18/04/2025
In a ruling that could have a major impact on the digital advertising market, a federal judge has ruled that Google has monopolized some types of advertising te...
18/04/2025
PEARL RIVER, N.Y. Global media solutions company Active Media Services (AMS) has formed a new relationship with VideoAmp, a measurement company for linear TV, c...
18/04/2025
Netflix reported generally positive results for first-quarter 2025, with revenue up 13% year-over-year to $10.543 billion and operating income growing by 27% to...
18/04/2025
NHL Playoffs 2025: TNT Sports Hits the Road for Onsite Productions With Mobile U...
18/04/2025
EVSs S bastien Verlaine on U.S. Expansion, Next-Generation Products Beyond replay, offerings also target asset management and media infrastructure By Ken Kersc...
18/04/2025
ESPN Unleashes 4DREPLAY as NCAA Women's Gymnastics Championships Hit ABC Men's championships to follow Saturday night on ESPN2 By Brandon Costa, Direct...
18/04/2025
Visualizing Victory: The Latest in AR, XR, and Virtual Production in Live Sports This panel discussion featured leaders from ESPN, CBS Sports, Warner Bros. Disc...
18/04/2025
NHL Playoffs 2025: With 16 Games in First Six Days, ESPN Deploys Variety of Remo...
17/04/2025
Emilie Blichfeldt attends the 2025 Sundance Film Festival premiere of The Ugly ...
17/04/2025
R-GPS gives warfighters a decisive battlefield advantage by punching through adv...
17/04/2025
This year's NAB Show in Las Vegas marked a noticeable shift in the priorities of media and broadcast organisations. Gone are the days of chasing flashy, or ...
17/04/2025
class=attachment-thumbnail size-thumbnail f-align-center alt= decoding=async data-lazy-srcset=https://www.antonbauer.com/wp-content/uploads/2024/12/Amy-Daniel-1...
17/04/2025
SAN JOSE, Calif. Roku and Adobe have announced that they are collaborating on a real time data platform made possible by a a new integration of the Roku Data C...
17/04/2025
NEW YORK Internet advertising revenues demonstrated strong growth in 2024, increasing 14.9% year-over-year to $258.6 billion, according to the IAB Internet Adv...
17/04/2025
SDVI Earns Both Product and Project of the Year Awards at 2025 NAB Show
Brie Clayton April 17, 2025
0 Comments
Left to right, Geoff Stedman, CMO, SDVI...
17/04/2025
Singapore Polytechnic Readies Aspiring AV Professionals for Live IP Productions ...
17/04/2025
Calrec Wins 2025 NAB Show Product of the Year Award for True Control 2.0
Brie Clayton April 17, 2025
0 Comments
Image: The Calrec True Control 2.o on ...
17/04/2025
In Return to Berklee, Lucius Looks Back and Moves Forward From mood boards to live demos, the alumni band gave students an exclusive look at the process behin...
17/04/2025
DirecTV's free streaming service MyFree DirecTV has just added another eight channels from NBCUniversal....
17/04/2025
LOS ANGELES The virtual production company GameChanger has announced that it is expanding its global footprint by bringing its virtual production technology to ...
17/04/2025
DENVER The International Broadcaster Coalition Against Piracy (IBCAP) has announced that it has developed a proprietary, automated software-based system to iden...
17/04/2025
Pixalate's new CTV Device Market Share report for Q1 2025 shows that Roku has the highest open programmatic CTV device market share in the United States, wi...
17/04/2025
Edward J. Lewis III Named Senior Vice President of Institutional Advancement Lewis has more than 20 years of industry experience, leading fundraising initiati...
17/04/2025
The Curling Group Puts On Inaugural Curling All-Star Game in Nashville The location in Music City is intended to broaden the sport's appeal By Dan Daley, ...
17/04/2025
April 17th, 2025 Press Materials Available Here
Tribeca Festival 2025 Announces TV & NOW Lineup
World Premieres and Exclusive Cast Panels with Apple TV '...
17/04/2025
SVG Sit-Down: Cisco's Bryan Bedford on Providing End-to-End Support for Clie...
17/04/2025
FIFA's Oscar Sanchez on the Task of Producing a North American World Cup The head of host broadcast production spoke during SVG Europe's Football Summit...
17/04/2025
NBA Playoffs 2025: As Play-In Tourney Continues, TNT Sports Preps Escalated Game...
17/04/2025
NBA Playoffs 2025: ESPN's Postseason Run Highlighted by New Cameras, Player ...
17/04/2025
Back to All News
Dear Hongrang' Blends Mystery and Romance in New Period D...
17/04/2025
Back to All News
The Making of Frozen Hot Boys': Real Training, Real Sculp...
17/04/2025
Back to All News
A Charming Prince, A Feisty Commoner and One Unexpected Love S...
17/04/2025
Back to All News
Made in New Mexico: A Look Behind the Scenes at Our New Drama ...
17/04/2025
Big shout out for our Managing Director Simon Couchman who is running his 50th and final marathon ahead of his 50th birthday in fancy dress!
Simon hopes to ach...
17/04/2025
The broadcast industry is on the brink of a transformative revolution, and at th...
17/04/2025
Festival programme promises a feast of drama, an action-packed fringe festival a...
17/04/2025
Gold prospecting in Venezuela has led to a malaria resurgence, but researchers h...
17/04/2025
Facebook
Twitter
LinkedIn
Thursday, 17 April 2025 - The next step has now been taken in the Franco-German armaments project Main Ground Combat System (MGC...
17/04/2025
RT 's Ireland's Wild Islands wins Best Series at the 2025 International ...
17/04/2025
As the days grow longer and the flowers bloom, GFN Thursday brings a fresh lineup of games to brighten the week.
Dive into thrilling hunts and dark fantasy adv...
17/04/2025
A better way to predict a patient's risk of coronary artery disease Scripps Research scientists developed a model that more accurately identifies patients a...
16/04/2025
At a time when Sudanese women journalists face unprecedented challenges, She Speaks Sudan has provided a critical platform for training, mentorship, and collabo...
16/04/2025
It's an understatement to say that the Peabody Awards are major. The winners...