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Adobe will update all applications of Adobe Creative Cloud video significantly En los pr ximos meses veremos actualizaciones importantes de Adobe Premiere Pro CC y Adobe After Effects CC, dise adas para facilitar y acelerar a n los procesos creativos.
Adobe ha adelantado en NAB 2014 sus planes para actualizar de modo significativo todas las aplicaciones de v deo de Adobe Creative Cloud. En los pr ximos meses veremos actualizaciones importantes de Adobe Premiere Pro CC y Adobe After Effects CC, dise adas para facilitar y acelerar a n los procesos creativos. Adobe ha desvelado tambi n en Las Vegas nuevas funciones para Adobe Anywhere, la plataforma de flujo de trabajo colaborativo que permite que los equipos de trabajo utilicen las aplicaciones profesionales de v deo de Adobe de un modo conjunto ya que pueden acceder y gestionar los medios y activos centralizados a trav s de pr cticamente cualquier red.
Adobe, al tiempo que pone de relieve la r pida adopci n de las herramientas de Adobe Creative Cloud en las industrias de la retransmisi n y de la cinematograf a, ha anunciado que el editor Kirk Baxter A.C.E., premiado con dos scar, est montando el largometraje de David Fincher, Gone Girl, de pr ximo estreno, exclusivamente con Adobe Premiere Pro CC.
Revelando el futuro del v deo seg n Adobe
Las aplicaciones profesionales de v deo de la compa a incluir n algunas actualizaciones clave como nuevas funciones que incluyen Plantillas de texto en vivo que permiten a los usuarios editar texto en las composiciones de After Effects CC directamente en Premiere Pro CC; Guardado autom tico en Creative Cloud para realizar copias autom ticas de seguridad de los proyectos; y una nueva funci n de Enmascaramiento y seguimiento que proporciona m scaras precisas que siguen a los sujetos y desenfocan caras y logotipos, lo que es crucial para la edici n en la sala de prensa. Adicionalmente, el nuevo efecto de Clip maestro en Premiere Pro y en SpeedGrade cambia los efectos aplicados a los clips originales y los propaga a trav s de todas las instancias del clip.
Adobe incorporar tambi n potentes funciones en After Effects CC. Incluyen los efectos de incrustaci n para proporcionar mejores resultados de incrustaci n con secuencias comprimidas; y la integraci n de Typekit con Premiere Pro CC y After Effects CC proporciona a los usuarios el acceso a una creciente biblioteca de fuentes valorada en 30.000 d lares, que pueden usarse en el escritorio.
Real-time collaboration
Adobe tambi n ha anunciado importantes actualizaciones de Adobe Anywhere, su plataforma de flujo de trabajo colaborativo que permite a los usuarios de las soluciones de v deo profesional de Adobe, como Adobe Premiere Pro CC y Adobe After Effects CC, trabajar de modo conjunto utilizando medios y activos centralizados a trav s de redes est ndar. Adobe Anywhere complementa las aplicaciones de Creative Cloud y permite una profunda colaboraci n entre usuarios en grandes organizaciones que trabajan con v deo, entre las que se incluyen estaciones de televisi n, instituciones educativas y organismos de la administraci n p blica. Las nuevas funciones de Adobe Anywhere incluyen: copia de seguridad en caliente, que proporciona copias de seguridad de los proyectos en tiempo real; Asistencia en montaje inicial para empezar a editar montajes iniciales en Prelude CC y acabar secuencias en Premiere Pro CC; y procesado de medios en After Effects CC para la integraci n directa de Anywhere con After Effects CC.
Steve Warner, vicepresidente de desarrollo de producto en Adobe, ha destacado que las estaciones de televisi n, cineastas, editores corporativos y profesionales del v deo de hoy en d a desean intensamente mantenerse al d a de los nuevos formatos, velocidades de fotograma y m todos de distribuci n. Los clientes que se han pasado a Adobe Creative Cloud desde ofertas alternativas nos dicen que las aplicaciones y soluciones de Adobe les proporcionan una ventaja significativa. Y con la adici n de cientos de nuevas funciones y mejoras incorporadas durante los ltimos 12 meses, seguimos elevando el list n ofreciendo flujos de trabajo m s r pidos a los profesionales del v deo .
Por su parte, Stacey Foster, productor de coordinaci n en Saturday Night Live, reconoce que cuando el equipo editorial empez a usar Adobe Premiere Pro se dio cuenta de que la transici n desde Final Cut Pro 7 era mucho m s f cil que lo que hab a esperado. La curva de aprendizaje era pr cticamente inexistente dada la naturaleza intuitiva y adaptativa de las aplicaciones de Creative Cloud. Nuestra estrecha relaci n de trabajo con Adobe, junto con la implementaci n de Creative Cloud, nos ha llevado a la obtenci n de resultados sorprendentes .
En producci n cinematogr fica, Sam Nicholson, CEO y fundador de Stargate Studios, admite que hacemos gran cantidad de trabajo de pantalla verde y los nuevos efectos de incrustaci n de Adobe After Effects CC nos ayudan a preservar los peque os detalles cuando estamos eliminando fondos al tiempo que controlamos la cantidad de derrame verde que queda en una imagen pudiendo as trabajar de un modo m s r pido y preciso .
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