
--
South African Department of Trade and Industry production and post-production incentives --
Tue, 29 Jul 2014 10:45
--
The South African Department of Trade and Industry (DTI) has developed incentives to attract international investment and production as well as to assist South African filmmakers in developing local content.
The Foreign Film and Television Production and Post-Production Incentive is geared towards increasing skills, creativity and employment opportunities within the local film industry by promoting the country as a valuable production destination to international players.
The Foreign Film and Television Production and Post-Production Incentive offers:
Shooting on location in South Africa, the incentive is 20% of the Qualifying South African Production Expenditure (QSAPE) - there is no cap for this incentive
Shooting on location in South Africa and conducting post-production with a Qualifying SA Post-Production Expenditure (QSAPPE) in SA of R1.5m, the incentive is 22,5% of QSAPE and QSAPPE (an additional 2,5%, cumulative 22,5%)
Shooting on location in South Africa and conducting post-production with a QSAPPE of R3m and more in SA, the incentive is 25% of QSAPE and QSAPPE (an additional 5%, cumulative 25%)
Foreign post-production with QSAPPE of R1.5m, the incentive is 22,5% of QSAPPE
Foreign post-production with QSAPPE of R3m and more the incentive is 25% of QSAPPE
Incentives are granted to foreign-owned qualifying productions and South African qualifying post-production work where:
QSAPE is R12m and more, provided that at least 50% of the principal photography schedule is filmed in South Africa, for a minimum of four weeks
QSAPPE is R1.5m and more, provided that 100% of the post-production is conducted in South Africa, for a minimum of two weeks
An applicant must be a Special Purpose Corporate Vehicle (SPCV) incorporated in the Republic of South Africa solely for the purpose of the production and/or post-production of the film or television project
An applicant must be the entity responsible for all activities involved in the production and/or post-production in South Africa and must have access to full financial information for the whole production and post-production worldwide
Only one entity per production and/or post-production for film, animation and television drama or documentary series is eligible for the incentive
The applicant must comply fully with its obligations in terms of the Legal Deposit Act 54 of 1997
The DTI requires both the SPV and the parent company of the SPV to achieve a minimum level of compliance with regard to Broad-based Black Economic Empowerment (B-BBEE). This is determined in accordance with a points scoring system and is subject to independent verification
The final application must include a DVD of the final film, including the end- crawl (closing credits)
The DTI requires a credit in the end-crawl, which must include its official logo.
A feature film must be no less than 90 minutes (including end credits) and a television series may be no more than 13 episodes of one hour each
The DTI only pays the rebate upon submission of the final application, which may only take place upon completion of the production (completion is defined as the date upon which the project is ready for distribution, exhibition or broadcast).
The main focus of the South African Local Production and Post-Production Incentive is to encourage the creation of local content and to increase employment opportunities in the country.
The rebate is calculated as 35% of the first R6m of QSAPE and 25% of the QSAPE on amounts above R6m.
South African Local Production and Post-Production Incentives are granted to productions which:
Qualify as a South African film or as a South African co-production under an official co-production treaty. Coproduction certification is administered by the National Film and Video Foundation (NFVF)
Special Purpose Corporate Vehicles (SPCV) incorporated in the Republic of South Africa solely for the purpose of the production of the film or television project
The SPCV and parent company or companies must have a majority of South African shareholders of whom at least one shareholder must play an active role in the production and be accredited in that role
An applicant must be the entity responsible for all activities involved in making the production in South Africa and must have access to full financial information for the whole production
Only one film production, television drama or documentary series per entity is eligible for the incentive
The following formats are eligible: feature films, tele-movies, television drama series, documentaries and animation. The DTI is in the process of adding digital content and gaming
The incentive is available only to qualifying South African productions with a total production budget of R2.5m and more. However, the DTI is in the process of making the rebate available for projects that do not undertake shooting in South Africa but undertake a certain level of post-production within South Africa.
If the film is not bonded, the DTI only pays the rebate upon submission of the Final Application, which may only take place upon completion of the production (completion is defined as the date upon which the project is ready for distribution / exhibition / broadcast).
If the film is bonded the DTI will pay the rebate at milestones during the production process, as follows:
% of rebate Milestone
20% Confirmation of Completion Bond
20% Start of principal photography
20% Completion of principle photography
20% Commencement of post-production
20% Submission of the Final Application
DTI contacts
Wendy Mphahlele: WMphahlele@thedti.gov.za 27 (12) 394 1876
Rudi Siefert: RSiefert@thedti.gov.za 27 (12) 394 1270
Visit
Most recent headlines
04/09/2025
Monumental Sports & Entertainment (MSE), in collaboration with Dalet, has been a...
19/04/2025
SDVI, the leading platform provider for cloud-native media supply chains, today announced that the company earned multiple awards at the 2025 NAB Show, with two...
19/04/2025
Ateliere Creative Technologies, a leading GenAI media software solutions company, today announced that Dan Goman has stepped down as CEO and David Bortis, Ateli...
19/04/2025
As Director of Media and Aerial Production at Terrible Herbst Motorsports, Bryan Moore is setting new standards in off-road racing media coverage thanks to his ...
19/04/2025
A next-generation collaboration device that redefines connectivity for meeting environments
Lightware, an industry-leading manufacturer of signal management so...
19/04/2025
Calrec is today announcing that its True Control 2.0 is a Remote Production winner in the 2025 NAB Show Product of the Year Awards. This official awards program...
19/04/2025
Appear, a global leader in live production technology, proudly announces it has been recognised alongside NBCUniversal with the prestigious NAB Show Delivery Pr...
19/04/2025
Deity Microphones, a leader in innovative audio equipment, is proud to announce the expected release of our Ultra-Wide Band IFB to the market. The THEOS DIFB wi...
19/04/2025
A world renowned broadcaster and long-standing LiveU customer has successfully completed a series of live connectivity tests using LiveU's revolutionary, aw...
19/04/2025
BitFire (bitfire.tv), a longtime leader in live video transport, today announced dual NAB Show award wins at the 2025 NAB Show in Las Vegas. The company's M...
19/04/2025
BitFire (bitfire.tv), a longtime leader in live video transport, today announced three major award wins at the 2025 NAB Show, April 5-9, in Las Vegas. The compa...
19/04/2025
AI video discovery company Moments Lab and Satisfaction Group, a leading independent unscripted television production company, are proud to announce a unique st...
19/04/2025
As the media industry navigates the triple challenge of AI-driven production, distributed teams, and skyrocketing content demand, DigitalGlue s creative.space h...
19/04/2025
Network technology startup Miri Technologies Inc. capped off its tremendously successful NAB Show debut by winning two prestigious industry awards for its cutti...
19/04/2025
CINCINNATI Scripp's Nuvyyo USA has concluded a deal with Warner Bros. Discovery to bring 45 FAST channels to Nuvyyo's Tablo TV device....
19/04/2025
In a ruling that could have broader implications on the legality of regulatory agencies levying fines through administrative proceedings, the 5th U.S. Circuit C...
19/04/2025
WASHINGTON Federal Communications Commission chair Brendan Carr has blasted Comcast over MSNBC's coverage of the deportation of Kilmar Abrego Garcia in a so...
19/04/2025
Berklee NYC and NYC Media Launch Season 3 of Inside Power Station @BerkleeNYC This season features faculty member Arun Pandian as the new host and interviews ...
18/04/2025
Director Andrew Ahn, alongside actors Youn Yuh-jung and Joan Chen, takes a photo of the audience after the premiere of his film The Wedding Banquet at Eccles ...
18/04/2025
In a ruling that could have a major impact on the digital advertising market, a federal judge has ruled that Google has monopolized some types of advertising te...
18/04/2025
Broadcast and cable TV news outlets saw strong social media growth in March, according to new data from the social video analytics company Tubular Labs ....
18/04/2025
Berklee Student Yukai Yang Named 2025 Yamaha Young Performing Artist The drummer secured a spot among the elite winners in this years competition.
By
Maddie...
18/04/2025
Boston Conservatory Alums Bring Real Women Have Curves to Broadway The Latin American immigrant community takes center stage in a new musical featuring Tatian...
18/04/2025
WASHINGTON The FCC's call for public comments and suggestions on outdated regulations that it should be eliminated, has prompted a slew of fillings from bro...
18/04/2025
In a ruling that could have a major impact on the digital advertising market, a federal judge has ruled that Google has monopolized some types of advertising te...
18/04/2025
PEARL RIVER, N.Y. Global media solutions company Active Media Services (AMS) has formed a new relationship with VideoAmp, a measurement company for linear TV, c...
18/04/2025
Netflix reported generally positive results for first-quarter 2025, with revenue up 13% year-over-year to $10.543 billion and operating income growing by 27% to...
18/04/2025
NHL Playoffs 2025: TNT Sports Hits the Road for Onsite Productions With Mobile U...
18/04/2025
EVSs S bastien Verlaine on U.S. Expansion, Next-Generation Products Beyond replay, offerings also target asset management and media infrastructure By Ken Kersc...
18/04/2025
ESPN Unleashes 4DREPLAY as NCAA Women's Gymnastics Championships Hit ABC Men's championships to follow Saturday night on ESPN2 By Brandon Costa, Direct...
18/04/2025
Visualizing Victory: The Latest in AR, XR, and Virtual Production in Live Sports This panel discussion featured leaders from ESPN, CBS Sports, Warner Bros. Disc...
18/04/2025
NHL Playoffs 2025: With 16 Games in First Six Days, ESPN Deploys Variety of Remo...
17/04/2025
Emilie Blichfeldt attends the 2025 Sundance Film Festival premiere of The Ugly ...
17/04/2025
R-GPS gives warfighters a decisive battlefield advantage by punching through adv...
17/04/2025
This year's NAB Show in Las Vegas marked a noticeable shift in the priorities of media and broadcast organisations. Gone are the days of chasing flashy, or ...
17/04/2025
class=attachment-thumbnail size-thumbnail f-align-center alt= decoding=async data-lazy-srcset=https://www.antonbauer.com/wp-content/uploads/2024/12/Amy-Daniel-1...
17/04/2025
SAN JOSE, Calif. Roku and Adobe have announced that they are collaborating on a real time data platform made possible by a a new integration of the Roku Data C...
17/04/2025
NEW YORK Internet advertising revenues demonstrated strong growth in 2024, increasing 14.9% year-over-year to $258.6 billion, according to the IAB Internet Adv...
17/04/2025
SDVI Earns Both Product and Project of the Year Awards at 2025 NAB Show
Brie Clayton April 17, 2025
0 Comments
Left to right, Geoff Stedman, CMO, SDVI...
17/04/2025
Singapore Polytechnic Readies Aspiring AV Professionals for Live IP Productions ...
17/04/2025
Calrec Wins 2025 NAB Show Product of the Year Award for True Control 2.0
Brie Clayton April 17, 2025
0 Comments
Image: The Calrec True Control 2.o on ...
17/04/2025
In Return to Berklee, Lucius Looks Back and Moves Forward From mood boards to live demos, the alumni band gave students an exclusive look at the process behin...
17/04/2025
DirecTV's free streaming service MyFree DirecTV has just added another eight channels from NBCUniversal....
17/04/2025
LOS ANGELES The virtual production company GameChanger has announced that it is expanding its global footprint by bringing its virtual production technology to ...
17/04/2025
DENVER The International Broadcaster Coalition Against Piracy (IBCAP) has announced that it has developed a proprietary, automated software-based system to iden...
17/04/2025
Pixalate's new CTV Device Market Share report for Q1 2025 shows that Roku has the highest open programmatic CTV device market share in the United States, wi...
17/04/2025
Edward J. Lewis III Named Senior Vice President of Institutional Advancement Lewis has more than 20 years of industry experience, leading fundraising initiati...
17/04/2025
The Curling Group Puts On Inaugural Curling All-Star Game in Nashville The location in Music City is intended to broaden the sport's appeal By Dan Daley, ...
17/04/2025
April 17th, 2025 Press Materials Available Here
Tribeca Festival 2025 Announces TV & NOW Lineup
World Premieres and Exclusive Cast Panels with Apple TV '...
17/04/2025
SVG Sit-Down: Cisco's Bryan Bedford on Providing End-to-End Support for Clie...