Sony Pixel Power calrec Sony

Filming in 4K at Bercy

01/11/2013

(01/11/2013) Euro Media France spent three days at Bercy for the live coverage of the BNP Paribas Masters in Paris. For the occasion, EMF provided the French Tennis Federation with a complete solution ranging from a multi-camera Ultra-HD production to delivery of RTB (broadcast-ready) files that offered even sharper and more striking images.

copyrighted by liveProduction.tv Ga l (directeur technique) et Christophe (Chef de projet)

copyrighted by liveProduction.tv St phane et Alex au bord du terrain

copyrighted by liveProduction.tv S bastien, pour lhabillage graphique...

copyrighted by liveProduction.tv Marc aussi est au

copyrighted by liveProduction.tv Ronald, avec en fond la remote production

copyrighted by liveProduction.tv Les cars EMG se sont bien install s au pied de Bercy

copyrighted by liveProduction.tv Tennis indoorground

copyrighted by liveProduction.tv Tennis indoorground

copyrighted by liveProduction.tv Vision Mixer

copyrighted by liveProduction.tv Audio Mixer

Apr s le tournage du concert de Muse r alis par les quipes de United l' t dernier ainsi que le d veloppement des cam ras 4K par ACS (Aerial Camera System) et DVS (Digital Video Sud), Euro Media Group accro t une nouvelle fois la ma trise de la technologie 4K avec la captation Live du Tournoi BNP Paribas Masters de Paris-Bercy

Euro Media France produit pendant 3 jours un signal multi-cam ra en Ultra HD pour la F d ration Fran aise de Tennis. EMF propose ici une solution compl te, de la captation 4 cam ras, la remise de fichiers PAD, avec une r solution de 3840x2160 pixels, 4 fois sup rieure un signal HD classique.

Ce signal est disponible sur site au POPB via des crans grand public 4K (des crans TXL65WT600E 65 pouces) mis disposition par Panasonic, partenaire du Tournoi.

Euro Media France s'est entour d'un grand nombre de soci t s :

Sony qui a fourni les cam ras F55, le m langeur MVS 8000X, les enregistreurs HDCAM S R-R1000 et le monitoring 4K,

Ang nieux et Fuji pour les optiques,

DVS (filiale de Rohde & Schwartz) pour le Clipster (recording et transcodage de fichiers),

EVS pour les ralentis avec le serveur XT3,

Vizrt pour la plateforme d'habillage 4K,

CTM pour la station de montage 4K

Miranda pour l' quipement down conversion 4K 1080 p50 vers HD 1080 p50 & i50,

Axon pour la cross conversion de 4K 1080 p50 vers 4K 1080p25.

Au sein de la r gie construite pour l'occasion, nous avons galement r alis avec succ s une transmission pour diffusion du signal 4K par fibre directement Roland Garros (en partenariat avec la soci t Vidi via Medialinks).

Nous avons galement d ploy une unit de Remote Production en installant au si ge de la FFT, une r gie permettant une r alisation distance avec 4 cam ras HD, une remote t l command e et les ordres (cadreurs et techniques).

Enfin, pour Canal+Sport, EMF a d ploy le car XL4 pour l'habillage de l'ensemble des matches avec 3 cam ras, 1 position commentateur et 1 cam ra HF sur le terrain. W9 de son c t r alisera l'habillage et une position commentateur pour les demi-finales et la finale avec le car XL3.

Ga l Tanguy, Directeur technique d'Euro Media France souligne : Euro Media France a jou un r le d'ensemblier sur l' v nement en adaptant ses techniques aux exigences requises pour la 4K. Nous avons galement profit des Masters de Tennis pour aller plus loin dans l'innovation avec le test de la Remote Production qui ouvre de belles perspectives pour le futur .
LINK: http://www.live-production.tv/news/3d-4k-arising/filming-4k-bercy.html...
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