
Snapchat's Kahlen Macaulay on engaging with Gen Z and younger sports fans By George Bevir
Tuesday, October 10, 2023 - 10:36
Print This Story
Snapchat is arguably best known as a messaging app, but the use of augmented reality experiences by clubs and federations and the creation of behind-the-scenes content has placed Snapchat at the forefront of the ever-evolving sports landscape, according to Kahlen Macaulay, senior manager of international sports partnerships at Snapchat.
During this conversation with SVG Europe, Macaulay explains how Snapchat is being used to engage with younger fans and the content strategies used by clubs and brands.
For those who might not be familiar, can you tell us how Snapchat positions itself and who in terms of clubs and federations Snap is working with, and how?
Kahlen Macaulay: Snapchat is really a technology company that's focused on visual communication; we empower people and friends to connect and experience the world together. So one of the objectives of what we do is bring relationships together, and of course, sport is such a key way of connecting communities.
Kahlen Macaulay, senior manager of international sports partnerships at Snapchat
To give you an overview of what Snapchat is, and what we do, one major point differentiation is we've got 397 million people who use the app every single day. So our daily active users are nearly 400 million, which is surprising to many. That's 750 million monthly active users, which was one in 10 people globally, and that's spread across many markets. There used to be the perception that we were mainly a US company, but that has definitely changed; we have now more users in India, for example, the Middle East is really big for us, and in France, Snap is one of the number one apps. But the really interesting thing about our audience are the demographics: we reach 90% of 13 to 24 year olds, and when you look at 13 to 34 year olds, it's 75%.
What does that mean from a sports perspective? Well, there's this narrative that Gen Z are less engaged with sports as previous generations, but we find the opposite to be true. It's just the ways in which they engage have changed.
An example is the Men's and Women's FIFA World Cup. We worked with broadcaster's in every single market to ensure we had official highlights and coverage, because the expectation is if you're on Snap, you're only connecting with your friends, but you're also following your interests and we'd have access to players posting content, for example.
We had teams posting content from behind the scenes, such as Saudi Arabia's win against Argentina. So we find that we have all these different perspectives covered in a very digestible format. It means that the kind of partners we work with range from official broadcasters, to teams, leagues and athletes.
In the UK, we have a partnership with Sky Sports which means we have highlights of every single goal in the Premier League, while our partnerships in the US with the NBA and NFL mean we have every single moment covered there. But then on the flip side, we also cover the cultural side of things, with content that's less about highlights and more about the culture.
You mentioned the age groups that Snap reaches - what kind of content really resonates with 13 to 24 year olds?
KM: The kind of content works well on Snap is quick story format content. We pioneered vertical video and now it's become ubiquitous, and that's great. And we also invented the stories format. So ITV Sport's coverage of the FIFA World Cup on Snapchat is, for example, very different to their traditional broadcast, as you'd expect. We would have a summary every day, where people could get those highlights in a three-minute, compressed version. It's really quick, and it's just the best moments as a quick update - that kind of content really resonates.
And then what we see as well is the ability to engage an event in a different way through augmented reality, through Bitmojis (personal avatars) and other tools.
Some people might be put off by the thought of augmented reality, but we have technology that we have been investing in for 10 years (Snapchat is 12 years old) and we have an audience that uses it every single day; 250 million people on Snapchat use augmented reality every day to express themselves. It used to be used for things like vomiting rainbows and puppy dog ears, but now you can try on the latest Manchester United jersey, and swipe up to buy it.
And for those rights-holding broadcasters that are using Snap, what do they need to do in order to get the most out of Snap?
KM: They have to think differently about how they present their product on Snap, just as they would on any platform. And they need to think about how their audience is consuming that content.
There has been a lot of talk about the fight for attention in the first three seconds of watching something, but actually, it's more like the first second. So how you might package or present highlights from the Rugby World Cup, for example, will be very different on Snap. For broadcast, you can imagine a lovely graphic, beautiful imagery, maybe a two-second intro, and then you start the show. This audience [on Snap] is not interested in that; what you want to lead with, is a massive hit, a huge tackle or a major moment. And then you build the story after that. It's all about really grabbing their attention in the first second with something that's super impactful.
What kind of relationships do you have with brands, broadcasters and clubs? And how do you work with them to create content?
KM: There are a couple of points of differentiation with Snap. Firstly, we're a closed platform, so you can't just come onto our platform and start posting content
Most recent headlines
04/09/2025
Monumental Sports & Entertainment (MSE), in collaboration with Dalet, has been a...
19/04/2025
SDVI, the leading platform provider for cloud-native media supply chains, today announced that the company earned multiple awards at the 2025 NAB Show, with two...
19/04/2025
Ateliere Creative Technologies, a leading GenAI media software solutions company, today announced that Dan Goman has stepped down as CEO and David Bortis, Ateli...
19/04/2025
As Director of Media and Aerial Production at Terrible Herbst Motorsports, Bryan Moore is setting new standards in off-road racing media coverage thanks to his ...
19/04/2025
A next-generation collaboration device that redefines connectivity for meeting environments
Lightware, an industry-leading manufacturer of signal management so...
19/04/2025
Calrec is today announcing that its True Control 2.0 is a Remote Production winner in the 2025 NAB Show Product of the Year Awards. This official awards program...
19/04/2025
Appear, a global leader in live production technology, proudly announces it has been recognised alongside NBCUniversal with the prestigious NAB Show Delivery Pr...
19/04/2025
Deity Microphones, a leader in innovative audio equipment, is proud to announce the expected release of our Ultra-Wide Band IFB to the market. The THEOS DIFB wi...
19/04/2025
A world renowned broadcaster and long-standing LiveU customer has successfully completed a series of live connectivity tests using LiveU's revolutionary, aw...
19/04/2025
BitFire (bitfire.tv), a longtime leader in live video transport, today announced dual NAB Show award wins at the 2025 NAB Show in Las Vegas. The company's M...
19/04/2025
BitFire (bitfire.tv), a longtime leader in live video transport, today announced three major award wins at the 2025 NAB Show, April 5-9, in Las Vegas. The compa...
19/04/2025
AI video discovery company Moments Lab and Satisfaction Group, a leading independent unscripted television production company, are proud to announce a unique st...
19/04/2025
As the media industry navigates the triple challenge of AI-driven production, distributed teams, and skyrocketing content demand, DigitalGlue s creative.space h...
19/04/2025
Network technology startup Miri Technologies Inc. capped off its tremendously successful NAB Show debut by winning two prestigious industry awards for its cutti...
19/04/2025
CINCINNATI Scripp's Nuvyyo USA has concluded a deal with Warner Bros. Discovery to bring 45 FAST channels to Nuvyyo's Tablo TV device....
19/04/2025
In a ruling that could have broader implications on the legality of regulatory agencies levying fines through administrative proceedings, the 5th U.S. Circuit C...
19/04/2025
WASHINGTON Federal Communications Commission chair Brendan Carr has blasted Comcast over MSNBC's coverage of the deportation of Kilmar Abrego Garcia in a so...
19/04/2025
Berklee NYC and NYC Media Launch Season 3 of Inside Power Station @BerkleeNYC This season features faculty member Arun Pandian as the new host and interviews ...
18/04/2025
Director Andrew Ahn, alongside actors Youn Yuh-jung and Joan Chen, takes a photo of the audience after the premiere of his film The Wedding Banquet at Eccles ...
18/04/2025
In a ruling that could have a major impact on the digital advertising market, a federal judge has ruled that Google has monopolized some types of advertising te...
18/04/2025
Broadcast and cable TV news outlets saw strong social media growth in March, according to new data from the social video analytics company Tubular Labs ....
18/04/2025
Berklee Student Yukai Yang Named 2025 Yamaha Young Performing Artist The drummer secured a spot among the elite winners in this years competition.
By
Maddie...
18/04/2025
Boston Conservatory Alums Bring Real Women Have Curves to Broadway The Latin American immigrant community takes center stage in a new musical featuring Tatian...
18/04/2025
WASHINGTON The FCC's call for public comments and suggestions on outdated regulations that it should be eliminated, has prompted a slew of fillings from bro...
18/04/2025
In a ruling that could have a major impact on the digital advertising market, a federal judge has ruled that Google has monopolized some types of advertising te...
18/04/2025
PEARL RIVER, N.Y. Global media solutions company Active Media Services (AMS) has formed a new relationship with VideoAmp, a measurement company for linear TV, c...
18/04/2025
Netflix reported generally positive results for first-quarter 2025, with revenue up 13% year-over-year to $10.543 billion and operating income growing by 27% to...
18/04/2025
NHL Playoffs 2025: TNT Sports Hits the Road for Onsite Productions With Mobile U...
18/04/2025
EVSs S bastien Verlaine on U.S. Expansion, Next-Generation Products Beyond replay, offerings also target asset management and media infrastructure By Ken Kersc...
18/04/2025
ESPN Unleashes 4DREPLAY as NCAA Women's Gymnastics Championships Hit ABC Men's championships to follow Saturday night on ESPN2 By Brandon Costa, Direct...
18/04/2025
Visualizing Victory: The Latest in AR, XR, and Virtual Production in Live Sports This panel discussion featured leaders from ESPN, CBS Sports, Warner Bros. Disc...
18/04/2025
NHL Playoffs 2025: With 16 Games in First Six Days, ESPN Deploys Variety of Remo...
17/04/2025
Emilie Blichfeldt attends the 2025 Sundance Film Festival premiere of The Ugly ...
17/04/2025
R-GPS gives warfighters a decisive battlefield advantage by punching through adv...
17/04/2025
This year's NAB Show in Las Vegas marked a noticeable shift in the priorities of media and broadcast organisations. Gone are the days of chasing flashy, or ...
17/04/2025
class=attachment-thumbnail size-thumbnail f-align-center alt= decoding=async data-lazy-srcset=https://www.antonbauer.com/wp-content/uploads/2024/12/Amy-Daniel-1...
17/04/2025
SAN JOSE, Calif. Roku and Adobe have announced that they are collaborating on a real time data platform made possible by a a new integration of the Roku Data C...
17/04/2025
NEW YORK Internet advertising revenues demonstrated strong growth in 2024, increasing 14.9% year-over-year to $258.6 billion, according to the IAB Internet Adv...
17/04/2025
SDVI Earns Both Product and Project of the Year Awards at 2025 NAB Show
Brie Clayton April 17, 2025
0 Comments
Left to right, Geoff Stedman, CMO, SDVI...
17/04/2025
Singapore Polytechnic Readies Aspiring AV Professionals for Live IP Productions ...
17/04/2025
Calrec Wins 2025 NAB Show Product of the Year Award for True Control 2.0
Brie Clayton April 17, 2025
0 Comments
Image: The Calrec True Control 2.o on ...
17/04/2025
In Return to Berklee, Lucius Looks Back and Moves Forward From mood boards to live demos, the alumni band gave students an exclusive look at the process behin...
17/04/2025
DirecTV's free streaming service MyFree DirecTV has just added another eight channels from NBCUniversal....
17/04/2025
LOS ANGELES The virtual production company GameChanger has announced that it is expanding its global footprint by bringing its virtual production technology to ...
17/04/2025
DENVER The International Broadcaster Coalition Against Piracy (IBCAP) has announced that it has developed a proprietary, automated software-based system to iden...
17/04/2025
Pixalate's new CTV Device Market Share report for Q1 2025 shows that Roku has the highest open programmatic CTV device market share in the United States, wi...
17/04/2025
Edward J. Lewis III Named Senior Vice President of Institutional Advancement Lewis has more than 20 years of industry experience, leading fundraising initiati...
17/04/2025
The Curling Group Puts On Inaugural Curling All-Star Game in Nashville The location in Music City is intended to broaden the sport's appeal By Dan Daley, ...
17/04/2025
April 17th, 2025 Press Materials Available Here
Tribeca Festival 2025 Announces TV & NOW Lineup
World Premieres and Exclusive Cast Panels with Apple TV '...
17/04/2025
SVG Sit-Down: Cisco's Bryan Bedford on Providing End-to-End Support for Clie...