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Drop Kick Finale: BBC Sport on the Challenges and Triumphs of Producing Six Nations 2021

22/03/2021

Drop kick finale: BBC Sport on the challenges and triumphs of producing Six Nations 2021 By Heather McLean, Editor

Thursday, March 18, 2021 - 17:42

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BBC Sport's coverage of the Six Nations Championship 2021 has seen viewing figures rise year on year. Seen here, the Murrayfield studio

The final round of the Six Nations Championship 2021 is set to kick off this weekend with three matches that should see the winner emerging triumphant, although a postponed match between France and Scotland could be the decider between potential champions France or Wales.

BBC Sport's Six Nations senior producer Matt Griffiths has been overseeing its production of the tournament, for which the broadcaster has ramped up its remote production while negotiating the challenges of pandemic restrictions between the UK and France.

We've all had to kind of help each other out a little bit more than we would do normally; we're all broadcasters and we all want the same thing so that's not too bad, but you don't always have that much ownership [of the production], whereas normally we would

The use of remote production techniques is entirely new for BBC Sport at the Six Nations, comments Griffiths: One of our biggest innovations this year is producing our domestic output remotely. This is something we probably wouldn't have considered doing before COVID, but all of the travel restrictions and different COVID protocols across the different regions made remote production the only option in a couple of instances, so that's definitely accelerated any remote production plans we had.

Griffiths confirms that viewing figures of this behind closed doors Six Nations are up year on year, with viewers for the highly contested Wales v England game on 27 February at just over eight million.

Murrayfield in Edinburgh has been the site of some exciting moments during Six Nations 2021

Challenging production restrictions

The host broadcaster situation remains unchanged from previous years, with BBC Sport host broadcaster at the Principality Stadium in Cardiff and at BT Murrayfield in Edinburgh, ITV Sport host at Twickenham, Virgin Media at the Aviva in Dublin, France TV Sport at the Stade de France in Paris and DMAX in Italy's Stadio Olimpico.

BBC Sport's Six Nations senior producer Matt Griffiths

However, the difference this year is that key rights holders are not able to send any crew or talent into any stadiums except those they are hosting themselves. This has been a challenging aspect of the production, comments Griffiths: The biggest change is normally if we're not host broadcaster somewhere, we would still send our own people on site to do our own interviews pre and post match, and maybe get some of our own close-up shots and shots we'd use the following weekend in montages and things like that. But because of the COVID protocols, we haven't been able to do that [and vice versa for the other broadcasters].

We've all had to kind of help each other out a little bit more than we would do normally; we're all broadcasters and we all want the same thing, so that's not too bad, but you don't always have that much ownership [of the production], whereas normally we would.

For what should be the big finale of the Six Nations this weekend - pending the result of the France v Wales match on Saturday, which will affect or be affected by the result of the postponed France v Scotland match still to come - BBC Sport's presentation will be carried out remotely for the game that should be the Grand Slam, France v Wales, and in the old fashioned way on location for Scotland v Italy.

BBC Sport's Batcam Drive (the kart cam) used for Six Nations games in Cardiff

Griffiths, who will be on the ground in Murrayfield producing Scotland v Italy, comments: Murrayfield will be done in the usual way of a truck on site in the glamorous carpark. The potential Grand Slam game for Wales will be produced in France by France TV Sport. We take a feed of that and we'll be doing our production around that from Salford; because of travel restrictions we can't get everybody out there to do it on site, which is how we would normally do it.

Griffiths continues: Our presentation is being done up in Salford for the France v Wales match, so that's a challenge because we're completely relying on France TV Sport's pictures; we're completely relying on the World Feed to get us our post-match interviews and everything, which isn't ideal for any production. That's a challenge.

Yet the show must go on. Griffiths says the production at Murrayfield will be the best BBC Sport can muster within current parameters. He notes: For the big finish in Murrayfield [Scotland v Italy] we've got a spider cam again, we've got post cams, which are remote cameras on top of the padding on the posts for that on the field kind of action. We've got corner post cameras which are little mini cameras in the actual flags in the corners that we get some good stuff from, and that is it.

He adds: We normally have ref cam but we haven't got those at the minute because of COVID restrictions and not being able to have somebody put cameras on the referees, or fix them if they breakdown.

Tech boost to stripped down coverage

While much of the technology being used for the BBC Sport broadcasts of its Six Nations matches is not new, having been rolled out by the broadcaster in 2020, it is aiding the BBC in its remote and restricted productions this year.

On those technologies giving the slightly stripped down coverage a boost, Griffiths says: From a BBC point of view, down in Cardiff I used a kart cam [Batcam Drive]; because we weren't allowed to have anybody in the tunnel for teams out, it's basically a remote control car with a nic
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