
Crouch, bind, set: Eir Sport rugby team packs down for Pro14 season By Fergal Ringrose, SVG Europe
Thursday, October 1, 2020 - 11:25
Print This Story
Less than three weeks after serving as host broadcaster for the delayed Guinness Pro14 2020 rugby final at the Aviva Stadium in Dublin, the Eir Sport production team is preparing for the start of the new season this Friday with holders Leinster returning to their home RDS ground to take on the Dragons.
Eir Sport OB and studio director Jamil Abubakar and head of production Chris Blake spoke to SVG Europe about the challenges involved in broadcasting the condensed finish to the 2019-2020 season after a five-month layoff due to COVID-19, and the necessity to pivot quickly in order to go back on air for the 2020-2021 season this weekend.
Pro14 is the professional club championship featuring teams from Ireland, Italy, Scotland, South Africa and Wales. The final matches of the 2020 season featuring Irish teams were condensed into four weeks in August and September, with all fixtures held at the spacious 52,000 seat Aviva Stadium.
Leinster vs Ulster in the Pro14 final on 12 September at the Aviva Stadium in Dublin. INPHO/Billy Stickland
Eir Sport took the helm as host broadcaster for the final on 12 September along with OB facilities partner TVM, providing the live world feed for Premier Sports in the UK, DAZN for Austria, Canada, Germany, Italy and Switzerland, Sky Sports New Zealand, Super Sport South Africa, ESPN+ for the USA and live on Rugby Pass TV for Asia and Australia.
Outside centre Garry Ringrose captained Leinster for the first time as the province, with a straight 17 wins for the season, overcame Ulster 27-5 to seal the competition's first three-in-a-row run of victories.
The Guinness Pro14 will break new ground as it introduces prime-time Monday Night Rugby to its schedule for the 2020/21 season. The first Monday night game will occur in Round 3 when Munster host Cardiff Blues at Thomond Park on 26 October as the tournament enters the week day prime-time market with a 20:15 kick-off slot.
In total, 14 Monday night fixtures will take place between Rounds 3 and 8 with scheduling aimed at preventing direct clashes with the extended international calendar.
With the finale of the Guinness Six Nations and the Autumn Nations Cup taking place from October through to early December, the majority of Pro14 fixtures during this time will take place on Sundays and Mondays. Where possible, Monday night fixtures have been set across two time slots of 18:00 and 20:15 (both UK/IRE).
Rounds 9, 10 and 11 of the tournament will feature the derby matches across the UK, Ireland (where they are known as interpros') and Italy and the scheduling for those games will occur in due course.
This is our third year of a three-year deal covering the Pro14 in the Republic of Ireland, said Blake. We have exclusive rights to nearly all games, and have sub-license agreement with [Irish-language channel] TG4 to produce the Connacht games and some other games for Irish-language purposes only.
TG4 is host broadcaster for all Connacht home games, and then as part of the package they're also able to show Leinster and Munster games against Welsh opposition, home and away, and also the final.
Premier Sports have rights in the UK exclusively, but again BBC Wales and S4C have some sub-licensing rights. It's covered by DAZN in Italy through a production company, and by Super Sport in South Africa. These are the main broadcasters involved in discussions and then Pro14 has another couple of OTT partners for other areas.
Let's go back to when everything stopped in March. As it turned out you had a long five-month layoff and then had to quickly put a plan in place when it looked like the go-ahead would be given to restart the Pro14 season?
Chris Blake: Yes the conversation ceased from March to May, when we were all in complete lockdown, not knowing what the future held. Then from late May conversations re-ignited about getting the season back up and running. I think the Bundesliga was probably the lead for all sports, to see that it could be done and how it could be done.
There were many discussions but eventually it was felt best to allow an off-season to happen from June to August, coming back to play in mid-August. It was decided the best idea was to just play high value matches [such as Leinster v Munster or Edinburgh v Glasgow] every week and condense it into a four-week window. And as it turned out we ended up getting four weekends of interpro games, which was huge for us - especially as three of the four Irish provinces got into the knockout stages.
Once that started we quite quickly turned to production mode regarding what it would look like and how it would be done. That came with quite a lot of challenges out of our control. Obviously the IRFU runs the Irish provinces and we were using the Aviva Stadium, so it had to go through many layers before it really got to us, and what we would be allowed to do.
In fact everything went brilliantly and I must speak very highly of the Aviva, the IRFU and our
Steadicam operator and assist at the final. INPHO/Billy Stickland
broadcast partner TVM OB. But the biggest challenge was numbers: we just didn't know how many would be allowed into the ground. In fact, the government made an announcement of further restrictions to numbers allowed in stadiums just five days before the first game which required us to reduce our numbers for Leinster v Munster game from close to 50 to below 40. That was our biggest challenge.
Thankfully we have a very good relationship with Premier, the other lead broadcaster, so we were able to take a unified approach to the IRFU and Pro14 about how many bodies we genuinely and essentially needed. We were able to get past that bridge and then it got a lit
Most recent headlines
04/09/2025
Monumental Sports & Entertainment (MSE), in collaboration with Dalet, has been a...
19/04/2025
SDVI, the leading platform provider for cloud-native media supply chains, today announced that the company earned multiple awards at the 2025 NAB Show, with two...
19/04/2025
Ateliere Creative Technologies, a leading GenAI media software solutions company, today announced that Dan Goman has stepped down as CEO and David Bortis, Ateli...
19/04/2025
As Director of Media and Aerial Production at Terrible Herbst Motorsports, Bryan Moore is setting new standards in off-road racing media coverage thanks to his ...
19/04/2025
A next-generation collaboration device that redefines connectivity for meeting environments
Lightware, an industry-leading manufacturer of signal management so...
19/04/2025
Calrec is today announcing that its True Control 2.0 is a Remote Production winner in the 2025 NAB Show Product of the Year Awards. This official awards program...
19/04/2025
Appear, a global leader in live production technology, proudly announces it has been recognised alongside NBCUniversal with the prestigious NAB Show Delivery Pr...
19/04/2025
Deity Microphones, a leader in innovative audio equipment, is proud to announce the expected release of our Ultra-Wide Band IFB to the market. The THEOS DIFB wi...
19/04/2025
A world renowned broadcaster and long-standing LiveU customer has successfully completed a series of live connectivity tests using LiveU's revolutionary, aw...
19/04/2025
BitFire (bitfire.tv), a longtime leader in live video transport, today announced dual NAB Show award wins at the 2025 NAB Show in Las Vegas. The company's M...
19/04/2025
BitFire (bitfire.tv), a longtime leader in live video transport, today announced three major award wins at the 2025 NAB Show, April 5-9, in Las Vegas. The compa...
19/04/2025
AI video discovery company Moments Lab and Satisfaction Group, a leading independent unscripted television production company, are proud to announce a unique st...
19/04/2025
As the media industry navigates the triple challenge of AI-driven production, distributed teams, and skyrocketing content demand, DigitalGlue s creative.space h...
19/04/2025
Network technology startup Miri Technologies Inc. capped off its tremendously successful NAB Show debut by winning two prestigious industry awards for its cutti...
19/04/2025
CINCINNATI Scripp's Nuvyyo USA has concluded a deal with Warner Bros. Discovery to bring 45 FAST channels to Nuvyyo's Tablo TV device....
19/04/2025
In a ruling that could have broader implications on the legality of regulatory agencies levying fines through administrative proceedings, the 5th U.S. Circuit C...
19/04/2025
WASHINGTON Federal Communications Commission chair Brendan Carr has blasted Comcast over MSNBC's coverage of the deportation of Kilmar Abrego Garcia in a so...
19/04/2025
Berklee NYC and NYC Media Launch Season 3 of Inside Power Station @BerkleeNYC This season features faculty member Arun Pandian as the new host and interviews ...
18/04/2025
Director Andrew Ahn, alongside actors Youn Yuh-jung and Joan Chen, takes a photo of the audience after the premiere of his film The Wedding Banquet at Eccles ...
18/04/2025
In a ruling that could have a major impact on the digital advertising market, a federal judge has ruled that Google has monopolized some types of advertising te...
18/04/2025
Broadcast and cable TV news outlets saw strong social media growth in March, according to new data from the social video analytics company Tubular Labs ....
18/04/2025
Berklee Student Yukai Yang Named 2025 Yamaha Young Performing Artist The drummer secured a spot among the elite winners in this years competition.
By
Maddie...
18/04/2025
Boston Conservatory Alums Bring Real Women Have Curves to Broadway The Latin American immigrant community takes center stage in a new musical featuring Tatian...
18/04/2025
WASHINGTON The FCC's call for public comments and suggestions on outdated regulations that it should be eliminated, has prompted a slew of fillings from bro...
18/04/2025
In a ruling that could have a major impact on the digital advertising market, a federal judge has ruled that Google has monopolized some types of advertising te...
18/04/2025
PEARL RIVER, N.Y. Global media solutions company Active Media Services (AMS) has formed a new relationship with VideoAmp, a measurement company for linear TV, c...
18/04/2025
Netflix reported generally positive results for first-quarter 2025, with revenue up 13% year-over-year to $10.543 billion and operating income growing by 27% to...
18/04/2025
NHL Playoffs 2025: TNT Sports Hits the Road for Onsite Productions With Mobile U...
18/04/2025
EVSs S bastien Verlaine on U.S. Expansion, Next-Generation Products Beyond replay, offerings also target asset management and media infrastructure By Ken Kersc...
18/04/2025
ESPN Unleashes 4DREPLAY as NCAA Women's Gymnastics Championships Hit ABC Men's championships to follow Saturday night on ESPN2 By Brandon Costa, Direct...
18/04/2025
Visualizing Victory: The Latest in AR, XR, and Virtual Production in Live Sports This panel discussion featured leaders from ESPN, CBS Sports, Warner Bros. Disc...
18/04/2025
NHL Playoffs 2025: With 16 Games in First Six Days, ESPN Deploys Variety of Remo...
17/04/2025
Emilie Blichfeldt attends the 2025 Sundance Film Festival premiere of The Ugly ...
17/04/2025
R-GPS gives warfighters a decisive battlefield advantage by punching through adv...
17/04/2025
This year's NAB Show in Las Vegas marked a noticeable shift in the priorities of media and broadcast organisations. Gone are the days of chasing flashy, or ...
17/04/2025
class=attachment-thumbnail size-thumbnail f-align-center alt= decoding=async data-lazy-srcset=https://www.antonbauer.com/wp-content/uploads/2024/12/Amy-Daniel-1...
17/04/2025
SAN JOSE, Calif. Roku and Adobe have announced that they are collaborating on a real time data platform made possible by a a new integration of the Roku Data C...
17/04/2025
NEW YORK Internet advertising revenues demonstrated strong growth in 2024, increasing 14.9% year-over-year to $258.6 billion, according to the IAB Internet Adv...
17/04/2025
SDVI Earns Both Product and Project of the Year Awards at 2025 NAB Show
Brie Clayton April 17, 2025
0 Comments
Left to right, Geoff Stedman, CMO, SDVI...
17/04/2025
Singapore Polytechnic Readies Aspiring AV Professionals for Live IP Productions ...
17/04/2025
Calrec Wins 2025 NAB Show Product of the Year Award for True Control 2.0
Brie Clayton April 17, 2025
0 Comments
Image: The Calrec True Control 2.o on ...
17/04/2025
In Return to Berklee, Lucius Looks Back and Moves Forward From mood boards to live demos, the alumni band gave students an exclusive look at the process behin...
17/04/2025
DirecTV's free streaming service MyFree DirecTV has just added another eight channels from NBCUniversal....
17/04/2025
LOS ANGELES The virtual production company GameChanger has announced that it is expanding its global footprint by bringing its virtual production technology to ...
17/04/2025
DENVER The International Broadcaster Coalition Against Piracy (IBCAP) has announced that it has developed a proprietary, automated software-based system to iden...
17/04/2025
Pixalate's new CTV Device Market Share report for Q1 2025 shows that Roku has the highest open programmatic CTV device market share in the United States, wi...
17/04/2025
Edward J. Lewis III Named Senior Vice President of Institutional Advancement Lewis has more than 20 years of industry experience, leading fundraising initiati...
17/04/2025
The Curling Group Puts On Inaugural Curling All-Star Game in Nashville The location in Music City is intended to broaden the sport's appeal By Dan Daley, ...
17/04/2025
April 17th, 2025 Press Materials Available Here
Tribeca Festival 2025 Announces TV & NOW Lineup
World Premieres and Exclusive Cast Panels with Apple TV '...
17/04/2025
SVG Sit-Down: Cisco's Bryan Bedford on Providing End-to-End Support for Clie...