
Yospace's Paul Davies casts an eye over the impact of GAFAN and the latest in Dynamic Ad Insertion
Author:
ContributorPublish date:
Feb 8, 2018Social count:
0
Yospace's Paul Davies casts an eye over the impact of GAFAN and the latest in Dynamic Ad Insertion
0
SHARES
2018 promises to be a big year for live online television, with many major sporting events in the pipeline and dynamic ad insertion (DAI) opening up highly valuable new inventory. This coincides with a new sense of bullishness from broadcasters, as revealed in a report that Yospace sponsored recently from leading industry analyst MTM
The report found that broadcasters are rediscovering some of their spark after several years of nervousness around the threat to their dominance posed by the major internet companies, or GAFAN', as they're increasing becoming known. Such bullishness is partly down to the noises coming from some of the biggest advertisers and media buyers who clearly still have a preference for live and linear television, citing its mass reach and single point-of-contact for trading and measurement.
There is also a growing sense of frustration at the likes of Facebook and YouTube from advertisers who have been used to the high quality of delivery and standardised measurement that television offers. After all, TV is a premium experience. The incredibly high standards of content, video delivery and reliability are simply unmatched by any other medium. Advertisers are able to deliver a premium 30-second ad in an environment where levels of viewability are exceptionally high and not just of the first few seconds of the ad, but its entire 30-second duration.
If you apply these standards to major sports events with huge captive, concurrent audiences, such as the Australian Open, Commonwealth Games or World Cup, then the value of the available inventory increases significantly. Compared to the likes of Facebook and YouTube where three seconds, in some cases without audio, can be enough to register as a view, there is simply no comparison.
However, OTT television does not currently provide mass concurrency and a single point-of-access for advertisers like traditional TV does. It also doesn't offer a single, joined-up way of enhancing advertising with user data. Despite any bullishness in the industry, there is still a sense of urgency about translating traditional TV's USP to the online world. It's clear from the report that broadcasters do not underestimate the scale of this task.
Centralised infrastructure is required for OTT advertising to allow buyers to trade and accurately measure their ads. This needs to be achieved across multiple video formats, multiple players and an increasingly fragmented array of platforms and devices, each with their own personality. On top of this, there is a breadth of new functionality to consider.
Enhanced transport controls with functions such as live rewind and overlays are unquestionably improving the user experience, but they are making ad-tech integrations more complex. Addressability and interactivity represent brilliant advances for advertising, but they also add a level of complexity. It is imperative that technology such as DAI sits comfortably within this modern user experience at scale, and with exceptionally high levels of reliability.
For broadcasters, there is a huge opportunity to significantly enhance the value of their OTT inventory, especially where live sports is concerned. Single points of trading and measurement and the effective use of data are essential in realising this opportunity. Collaborations between some of the most unlikely parties are required in order to see this though and looking at Channel 4 and BT's recent announcement, it's clear that some of these relationships are already being forged.
Broadcasters know that the GAFAN threat is not going away, with Amazon in particular widely expected to bid for major sports rights at some point. If they do, then the data they have access to would help create an incredibly attractive proposition for advertisers, not to mention the links they could provide from an ad directly to a shopping mall. However, broadcasters also have access to data and if they can manage and use it effectively as a collective in the online world then they too will continue to be a prime target for ad spend.
Collaborations are in their early stages and a lot needs to happen if broadcasters are to achieve their goal of offering a straightforward route to mass reach for advertisers, with addressability, in the OTT marketplace. It is essential that these targets are reached if broadcasters are to truly establish themselves in the digital age, and what they have now is a clear sense of purpose: they know the path they need to take, even if, in some ways, it is largely untrodden.
Broadcasters are right to feel bullish. From my experience at Yospace, major sports events in recent years have always served as catalysts for ad-tech advancements and this year will be no exception. I expect 2018 to be a very significant year in the long-term evolution of live television.
Most recent headlines
04/09/2025
Monumental Sports & Entertainment (MSE), in collaboration with Dalet, has been a...
19/04/2025
SDVI, the leading platform provider for cloud-native media supply chains, today announced that the company earned multiple awards at the 2025 NAB Show, with two...
19/04/2025
Ateliere Creative Technologies, a leading GenAI media software solutions company, today announced that Dan Goman has stepped down as CEO and David Bortis, Ateli...
19/04/2025
As Director of Media and Aerial Production at Terrible Herbst Motorsports, Bryan Moore is setting new standards in off-road racing media coverage thanks to his ...
19/04/2025
A next-generation collaboration device that redefines connectivity for meeting environments
Lightware, an industry-leading manufacturer of signal management so...
19/04/2025
Calrec is today announcing that its True Control 2.0 is a Remote Production winner in the 2025 NAB Show Product of the Year Awards. This official awards program...
19/04/2025
Appear, a global leader in live production technology, proudly announces it has been recognised alongside NBCUniversal with the prestigious NAB Show Delivery Pr...
19/04/2025
Deity Microphones, a leader in innovative audio equipment, is proud to announce the expected release of our Ultra-Wide Band IFB to the market. The THEOS DIFB wi...
19/04/2025
A world renowned broadcaster and long-standing LiveU customer has successfully completed a series of live connectivity tests using LiveU's revolutionary, aw...
19/04/2025
BitFire (bitfire.tv), a longtime leader in live video transport, today announced dual NAB Show award wins at the 2025 NAB Show in Las Vegas. The company's M...
19/04/2025
BitFire (bitfire.tv), a longtime leader in live video transport, today announced three major award wins at the 2025 NAB Show, April 5-9, in Las Vegas. The compa...
19/04/2025
AI video discovery company Moments Lab and Satisfaction Group, a leading independent unscripted television production company, are proud to announce a unique st...
19/04/2025
As the media industry navigates the triple challenge of AI-driven production, distributed teams, and skyrocketing content demand, DigitalGlue s creative.space h...
19/04/2025
Network technology startup Miri Technologies Inc. capped off its tremendously successful NAB Show debut by winning two prestigious industry awards for its cutti...
19/04/2025
CINCINNATI Scripp's Nuvyyo USA has concluded a deal with Warner Bros. Discovery to bring 45 FAST channels to Nuvyyo's Tablo TV device....
19/04/2025
In a ruling that could have broader implications on the legality of regulatory agencies levying fines through administrative proceedings, the 5th U.S. Circuit C...
19/04/2025
WASHINGTON Federal Communications Commission chair Brendan Carr has blasted Comcast over MSNBC's coverage of the deportation of Kilmar Abrego Garcia in a so...
19/04/2025
Berklee NYC and NYC Media Launch Season 3 of Inside Power Station @BerkleeNYC This season features faculty member Arun Pandian as the new host and interviews ...
18/04/2025
Director Andrew Ahn, alongside actors Youn Yuh-jung and Joan Chen, takes a photo of the audience after the premiere of his film The Wedding Banquet at Eccles ...
18/04/2025
In a ruling that could have a major impact on the digital advertising market, a federal judge has ruled that Google has monopolized some types of advertising te...
18/04/2025
Broadcast and cable TV news outlets saw strong social media growth in March, according to new data from the social video analytics company Tubular Labs ....
18/04/2025
Berklee Student Yukai Yang Named 2025 Yamaha Young Performing Artist The drummer secured a spot among the elite winners in this years competition.
By
Maddie...
18/04/2025
Boston Conservatory Alums Bring Real Women Have Curves to Broadway The Latin American immigrant community takes center stage in a new musical featuring Tatian...
18/04/2025
WASHINGTON The FCC's call for public comments and suggestions on outdated regulations that it should be eliminated, has prompted a slew of fillings from bro...
18/04/2025
In a ruling that could have a major impact on the digital advertising market, a federal judge has ruled that Google has monopolized some types of advertising te...
18/04/2025
PEARL RIVER, N.Y. Global media solutions company Active Media Services (AMS) has formed a new relationship with VideoAmp, a measurement company for linear TV, c...
18/04/2025
Netflix reported generally positive results for first-quarter 2025, with revenue up 13% year-over-year to $10.543 billion and operating income growing by 27% to...
18/04/2025
NHL Playoffs 2025: TNT Sports Hits the Road for Onsite Productions With Mobile U...
18/04/2025
EVSs S bastien Verlaine on U.S. Expansion, Next-Generation Products Beyond replay, offerings also target asset management and media infrastructure By Ken Kersc...
18/04/2025
ESPN Unleashes 4DREPLAY as NCAA Women's Gymnastics Championships Hit ABC Men's championships to follow Saturday night on ESPN2 By Brandon Costa, Direct...
18/04/2025
Visualizing Victory: The Latest in AR, XR, and Virtual Production in Live Sports This panel discussion featured leaders from ESPN, CBS Sports, Warner Bros. Disc...
18/04/2025
NHL Playoffs 2025: With 16 Games in First Six Days, ESPN Deploys Variety of Remo...
17/04/2025
Emilie Blichfeldt attends the 2025 Sundance Film Festival premiere of The Ugly ...
17/04/2025
R-GPS gives warfighters a decisive battlefield advantage by punching through adv...
17/04/2025
This year's NAB Show in Las Vegas marked a noticeable shift in the priorities of media and broadcast organisations. Gone are the days of chasing flashy, or ...
17/04/2025
class=attachment-thumbnail size-thumbnail f-align-center alt= decoding=async data-lazy-srcset=https://www.antonbauer.com/wp-content/uploads/2024/12/Amy-Daniel-1...
17/04/2025
SAN JOSE, Calif. Roku and Adobe have announced that they are collaborating on a real time data platform made possible by a a new integration of the Roku Data C...
17/04/2025
NEW YORK Internet advertising revenues demonstrated strong growth in 2024, increasing 14.9% year-over-year to $258.6 billion, according to the IAB Internet Adv...
17/04/2025
SDVI Earns Both Product and Project of the Year Awards at 2025 NAB Show
Brie Clayton April 17, 2025
0 Comments
Left to right, Geoff Stedman, CMO, SDVI...
17/04/2025
Singapore Polytechnic Readies Aspiring AV Professionals for Live IP Productions ...
17/04/2025
Calrec Wins 2025 NAB Show Product of the Year Award for True Control 2.0
Brie Clayton April 17, 2025
0 Comments
Image: The Calrec True Control 2.o on ...
17/04/2025
In Return to Berklee, Lucius Looks Back and Moves Forward From mood boards to live demos, the alumni band gave students an exclusive look at the process behin...
17/04/2025
DirecTV's free streaming service MyFree DirecTV has just added another eight channels from NBCUniversal....
17/04/2025
LOS ANGELES The virtual production company GameChanger has announced that it is expanding its global footprint by bringing its virtual production technology to ...
17/04/2025
DENVER The International Broadcaster Coalition Against Piracy (IBCAP) has announced that it has developed a proprietary, automated software-based system to iden...
17/04/2025
Pixalate's new CTV Device Market Share report for Q1 2025 shows that Roku has the highest open programmatic CTV device market share in the United States, wi...
17/04/2025
Edward J. Lewis III Named Senior Vice President of Institutional Advancement Lewis has more than 20 years of industry experience, leading fundraising initiati...
17/04/2025
The Curling Group Puts On Inaugural Curling All-Star Game in Nashville The location in Music City is intended to broaden the sport's appeal By Dan Daley, ...
17/04/2025
April 17th, 2025 Press Materials Available Here
Tribeca Festival 2025 Announces TV & NOW Lineup
World Premieres and Exclusive Cast Panels with Apple TV '...
17/04/2025
SVG Sit-Down: Cisco's Bryan Bedford on Providing End-to-End Support for Clie...