Broadcast RF gets Lost in London
27/01/2017
Lost in London is a semi-autobiographic depiction of a 2002 London nightclub incident and its aftermath involving Harrelson, which eventually saw him having an overnight stay courtesy of the London Metropolitan police.
Loosely based on the events of that night, The Natural Born Killers and Indecent Proposal star wrote a natural born proposal and script to recreate the infamous adventure, more or less as it happened, and present it live using Broadcast RFs state-of-the-art wireless technology.
Most of Harrelsons friends told him he was insane to do this when he first proposed the idea, and at first we had reservations ourselves, said Broadcast RFs sales director Chris Brandrick. But very soon after we received details of what was required, we knew we could do it technically. Were experts in this field, and have covered entire marathons with the same technology, but a live film, broadcast to cinemas on the other side of the Atlantic, with one camera, was an altogether different proposition.
The unique broadcast was filmed with one camera and in one take, so there was no room for error. 100 percent coverage had to be achieved as there were thousands of paying customers watching eagerly for this world first.
A Domo HD transmitter was built into a backpack that contained the transmitter, four batteries, and sound equipment, carried by a grip. The transmit backpack was connected to the film camera, an Arri Alexa Mini shooting in 1080/23.98PsF, by an umbilical cable. Whilst the camera was recording on board, the live video was transmitted through the transmitter and received at 14 locations throughout central London via a total of 54 antennas. The transmitter runs at just 100mW, relayed by a chase car running 4W for in-car scenes. The event marked the largest single RF camera job Broadcast RF has ever done, including providing RF facilities for events such as Wimbledon and the Ryder Cup combined.
Mark Houghton, technical director of Broadcast RF, said, What was achieved in London last night was historic. It took the passions of Woody and his cast and crew, the drive of the production teams and determination of a technical crew to turn fantasy into history. With more receive sites than the Wimbledon Tennis and the Open Golf Championships combined and an arsenal of RF trickery, we joined 14 locations together to produce a cinematic first.
All 100 minutes of the film, which progressed through a theatre, restaurant, nightclub and police station along with travelling in a camper van, two London taxis and a police van through the streets of London before the finale in the centre of Waterloo Bridge, were captured and transmitted using a single wireless camera system designed and supplied by Broadcast RF.
Nick Fuller, Lost in London project manager, Broadcast RF said, When this project landed on my desk, I thought our sales guys were crazy. After digesting what was required, I was resigned to the fact that I would be spending my time wandering around London looking for suitable receive positions to make this work. We had only six weeks - with the Christmas break in the middle - to plan this project but were determined to make it happen. In all my years in this industry, I have never worked on such an interesting project, and it was all the more enjoyable to see Woody, the cast, and crew create something very special.
Without Nick, this wouldnt have happened, Brandrick added. His detailed planning and preparation, along with the technical team behind him, was instrumental to this production.
LINK: | https://www.kitplus.com/news/Broadcast_RF_gets_Lost_in_London/15410.ht... |
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