
MovieLabs CEO Rich Berger talks to TVBEurope about the 2030 Showcase programme, which encourages companies to submit real-life case studies illustrating some of the pillars of the MovieLabs 2030 Vision
By Jenny Priestley
Published: June 29, 2023 Updated: June 30, 2023
MovieLabs' CEO Rich Berger talks to TVBEurope about the 2030 Showcase programme, which encourages companies to submit real-life case studies illustrating some of the pillars of the MovieLabs 2030 Vision
target=_blank title=Share on LinkedIn class=share-linkedin>
Technology research company MovieLabs has launched this year's 2030 Showcase Programme, which recognises organisations in the M&E industry that are using emerging cloud and production technologies to advance the industry.
The aim of the programme is to show how companies are helping to realise the MovieLabs 2030 Vision and its goals of enhanced efficiency and interoperability within the entertainment industry.
The submission window is open until 14th July, and MovieLabs will announce the selected 2030 Showcase Case Studies at IBC 2023.
TVBEurope spoke to MovieLabs CEO Rich Berger about the programme and what it means for the media tech industry.
What is the aim of the programme? The goal of our 2030 Showcase Programme is to highlight how organisations have not only embraced and aligned with the MovieLabs 2030 Vision, but have also begun to implement its principles in real-world workflows with partners and customers across the global media creation industry. We've been impressed with how the Vision has resonated widely within the industry and how it has inspired strategic roadmap decisions across organisations beyond the major Hollywood studios who helped articulate and launch the Vision at IBC 2019. We have launched this Showcase Programme to celebrate and showcase progress, as well as to inform and inspire others to begin their own journey to the MovieLabs 2030 Vision.
How can companies get involved and what do you need from them? It's really quite simple to submit to the Showcase programme. All the details are on our website https://movielabs.com/showcase-submissions/ but essentially, the initial submission should be a short 10 - 15 minute video that tells us about your organisation, the case study you are presenting, the problem it solves, how that works technically and importantly, which principles of the 2030 Vision it demonstrates. We are not looking for a slick, high quality video. It's the implementation story that counts. And we are not looking for a product demo or company pitch. It's all about how your organisation is implementing the vision for stakeholders, partners and customers in real-world product/service implementations or workflows. If that sounds like what your organisation has done, head to our website and read a great summary of how to study for the test and then submit your case study for consideration.
What kind of case studies are you looking for? Can it be on any topic? Surprise us! Last year's submissions did. They showed us that organisations across the entire media creation supply chain have been more than thinking about the Vision. They've been hard at work putting these 2030 Vision principles into practice across pre-production, production, post production, editorial, visual effects, sound, and delivery/distribution workflows in television, film and broadcast. While our initial focus for the Vision was on the production of scripted film and television, what is apparent, and what did surprise us, was the amount of work being done across global players (large and small) in areas of our industry that before our Showcase programme, we did not have much insight or visibility into. The novel application of the Vision was the real story last year and we are looking forward to hearing from any organisation on any topic that meets our criteria.
You've chosen three areas to focus on this year why those three in particular? We've suggested these three areas for case studies because they align with the active work MovieLabs is doing in 2023, they are - the Common Security Architecture for Production (CSAP) and the journey to Zero Trust, implementations of our Ontology for Media Creation and Asset/Data Interchange that demonstrates interoperability quite deliberately. These are areas where there are gaps to fill and frankly, some hard technical, workflow and change management challenges to solve. Showcase submissions don't need to cover one of those three areas but consider them extra credit'! We have been continually impressed as we learn about companies tackling and solving issues that drive the Vision forward. We are hoping that there are organisations that are beginning to focus on these specific challenges as filling some of these gaps accelerates the potential benefits across the entire industry.
You had a lot of submissions in 2022, which ones really stood out, and why? Can we say that we love all of our children and all submissions, which made selection difficult? Of course, the ones we published especially stood out. And as you look at the ones we did select, what you'll find is that these case studies came from across the world and across the industry in places and workflows that expanded our own notion of how the vision is resonating. We were impressed at the sheer number of submissions last year and are getting ready to evaluate this year's submissions in time to announce them at IBC 2023.
Who will be judging the submissions? There is really not a judging process per se as this is not an award, a certification, endorsement or MovieLabs 2030 Vision compliance programme. What we will be doing is evaluating submissions based on how they meet our criteria and help the industry better understand the implementation of our MovieLabs Principles. This pr
Most recent headlines
04/09/2025
Monumental Sports & Entertainment (MSE), in collaboration with Dalet, has been a...
19/04/2025
SDVI, the leading platform provider for cloud-native media supply chains, today announced that the company earned multiple awards at the 2025 NAB Show, with two...
19/04/2025
Ateliere Creative Technologies, a leading GenAI media software solutions company, today announced that Dan Goman has stepped down as CEO and David Bortis, Ateli...
19/04/2025
As Director of Media and Aerial Production at Terrible Herbst Motorsports, Bryan Moore is setting new standards in off-road racing media coverage thanks to his ...
19/04/2025
A next-generation collaboration device that redefines connectivity for meeting environments
Lightware, an industry-leading manufacturer of signal management so...
19/04/2025
Calrec is today announcing that its True Control 2.0 is a Remote Production winner in the 2025 NAB Show Product of the Year Awards. This official awards program...
19/04/2025
Appear, a global leader in live production technology, proudly announces it has been recognised alongside NBCUniversal with the prestigious NAB Show Delivery Pr...
19/04/2025
Deity Microphones, a leader in innovative audio equipment, is proud to announce the expected release of our Ultra-Wide Band IFB to the market. The THEOS DIFB wi...
19/04/2025
A world renowned broadcaster and long-standing LiveU customer has successfully completed a series of live connectivity tests using LiveU's revolutionary, aw...
19/04/2025
BitFire (bitfire.tv), a longtime leader in live video transport, today announced dual NAB Show award wins at the 2025 NAB Show in Las Vegas. The company's M...
19/04/2025
BitFire (bitfire.tv), a longtime leader in live video transport, today announced three major award wins at the 2025 NAB Show, April 5-9, in Las Vegas. The compa...
19/04/2025
AI video discovery company Moments Lab and Satisfaction Group, a leading independent unscripted television production company, are proud to announce a unique st...
19/04/2025
As the media industry navigates the triple challenge of AI-driven production, distributed teams, and skyrocketing content demand, DigitalGlue s creative.space h...
19/04/2025
Network technology startup Miri Technologies Inc. capped off its tremendously successful NAB Show debut by winning two prestigious industry awards for its cutti...
19/04/2025
CINCINNATI Scripp's Nuvyyo USA has concluded a deal with Warner Bros. Discovery to bring 45 FAST channels to Nuvyyo's Tablo TV device....
19/04/2025
In a ruling that could have broader implications on the legality of regulatory agencies levying fines through administrative proceedings, the 5th U.S. Circuit C...
19/04/2025
WASHINGTON Federal Communications Commission chair Brendan Carr has blasted Comcast over MSNBC's coverage of the deportation of Kilmar Abrego Garcia in a so...
19/04/2025
Berklee NYC and NYC Media Launch Season 3 of Inside Power Station @BerkleeNYC This season features faculty member Arun Pandian as the new host and interviews ...
18/04/2025
Director Andrew Ahn, alongside actors Youn Yuh-jung and Joan Chen, takes a photo of the audience after the premiere of his film The Wedding Banquet at Eccles ...
18/04/2025
In a ruling that could have a major impact on the digital advertising market, a federal judge has ruled that Google has monopolized some types of advertising te...
18/04/2025
Broadcast and cable TV news outlets saw strong social media growth in March, according to new data from the social video analytics company Tubular Labs ....
18/04/2025
Berklee Student Yukai Yang Named 2025 Yamaha Young Performing Artist The drummer secured a spot among the elite winners in this years competition.
By
Maddie...
18/04/2025
Boston Conservatory Alums Bring Real Women Have Curves to Broadway The Latin American immigrant community takes center stage in a new musical featuring Tatian...
18/04/2025
WASHINGTON The FCC's call for public comments and suggestions on outdated regulations that it should be eliminated, has prompted a slew of fillings from bro...
18/04/2025
In a ruling that could have a major impact on the digital advertising market, a federal judge has ruled that Google has monopolized some types of advertising te...
18/04/2025
PEARL RIVER, N.Y. Global media solutions company Active Media Services (AMS) has formed a new relationship with VideoAmp, a measurement company for linear TV, c...
18/04/2025
Netflix reported generally positive results for first-quarter 2025, with revenue up 13% year-over-year to $10.543 billion and operating income growing by 27% to...
18/04/2025
NHL Playoffs 2025: TNT Sports Hits the Road for Onsite Productions With Mobile U...
18/04/2025
EVSs S bastien Verlaine on U.S. Expansion, Next-Generation Products Beyond replay, offerings also target asset management and media infrastructure By Ken Kersc...
18/04/2025
ESPN Unleashes 4DREPLAY as NCAA Women's Gymnastics Championships Hit ABC Men's championships to follow Saturday night on ESPN2 By Brandon Costa, Direct...
18/04/2025
Visualizing Victory: The Latest in AR, XR, and Virtual Production in Live Sports This panel discussion featured leaders from ESPN, CBS Sports, Warner Bros. Disc...
18/04/2025
NHL Playoffs 2025: With 16 Games in First Six Days, ESPN Deploys Variety of Remo...
17/04/2025
Emilie Blichfeldt attends the 2025 Sundance Film Festival premiere of The Ugly ...
17/04/2025
R-GPS gives warfighters a decisive battlefield advantage by punching through adv...
17/04/2025
This year's NAB Show in Las Vegas marked a noticeable shift in the priorities of media and broadcast organisations. Gone are the days of chasing flashy, or ...
17/04/2025
class=attachment-thumbnail size-thumbnail f-align-center alt= decoding=async data-lazy-srcset=https://www.antonbauer.com/wp-content/uploads/2024/12/Amy-Daniel-1...
17/04/2025
SAN JOSE, Calif. Roku and Adobe have announced that they are collaborating on a real time data platform made possible by a a new integration of the Roku Data C...
17/04/2025
NEW YORK Internet advertising revenues demonstrated strong growth in 2024, increasing 14.9% year-over-year to $258.6 billion, according to the IAB Internet Adv...
17/04/2025
SDVI Earns Both Product and Project of the Year Awards at 2025 NAB Show
Brie Clayton April 17, 2025
0 Comments
Left to right, Geoff Stedman, CMO, SDVI...
17/04/2025
Singapore Polytechnic Readies Aspiring AV Professionals for Live IP Productions ...
17/04/2025
Calrec Wins 2025 NAB Show Product of the Year Award for True Control 2.0
Brie Clayton April 17, 2025
0 Comments
Image: The Calrec True Control 2.o on ...
17/04/2025
In Return to Berklee, Lucius Looks Back and Moves Forward From mood boards to live demos, the alumni band gave students an exclusive look at the process behin...
17/04/2025
DirecTV's free streaming service MyFree DirecTV has just added another eight channels from NBCUniversal....
17/04/2025
LOS ANGELES The virtual production company GameChanger has announced that it is expanding its global footprint by bringing its virtual production technology to ...
17/04/2025
DENVER The International Broadcaster Coalition Against Piracy (IBCAP) has announced that it has developed a proprietary, automated software-based system to iden...
17/04/2025
Pixalate's new CTV Device Market Share report for Q1 2025 shows that Roku has the highest open programmatic CTV device market share in the United States, wi...
17/04/2025
Edward J. Lewis III Named Senior Vice President of Institutional Advancement Lewis has more than 20 years of industry experience, leading fundraising initiati...
17/04/2025
The Curling Group Puts On Inaugural Curling All-Star Game in Nashville The location in Music City is intended to broaden the sport's appeal By Dan Daley, ...
17/04/2025
April 17th, 2025 Press Materials Available Here
Tribeca Festival 2025 Announces TV & NOW Lineup
World Premieres and Exclusive Cast Panels with Apple TV '...
17/04/2025
SVG Sit-Down: Cisco's Bryan Bedford on Providing End-to-End Support for Clie...