
By Shawn Carnahan, CTO, Telestream
Contributor 2 hours ago
By Shawn Carnahan, CTO, Telestream
target=_blank title=Share on LinkedIn class=share-linkedin> By Shawn Carnahan, CTO, Telestream
https://www.tvbeurope.com/features/video-streaming-publish-or-be-damned title=Share via Email class=share-email>
When we look back over 2019, we see a year of really significant change. One of the biggest areas is the rise and rise of video streaming across a diversity of viewing platforms. We have been witnessing some basic changes in consumer behaviour for some time. From their perspective, consumers are seeking to transition to more flexible ways to consume content.
The MSO/Aggregator model is steadily being replaced by direct relationships between content creators and their consumers. This is fragmenting the market. This cord cutting' idea that going OTT is cheaper for consumers is a myth. Consumers will replace one major subscription with multiple individual subscriptions, and I don't see any significant cost savings to be made.
However, this will drive the market since now we see content creators standing up their own distribution channels. These can be their own standalone channels or through third-party platforms, such as Brightcove and BAMTech. In this environment content creators are in control of their brands to a far greater extent.
Then there is a large group of linear TV broadcasters that are seeking to replicate their channels in OTT. These factors are definitely driving the technology companies to support these moves. At Telestream, it is driving our roadmap, and in conversations with colleagues at Harmonic and other companies, they say the same thing. Our collective challenge is how to build more cost-effective, flexible and elastic origins.
Is it an OTT-first approach, and if so, how important is a quality consumer experience?
Looking at one of our core markets - owner operated linear multi-channel broadcasters - they are almost exclusively focussed on OTT build out. Currently, virtually everything we are doing with them is in response to the challenge of how to create an OTT network that is on a par with linear television in terms of quality of service and experience.
The transition from OTT being a novelty to having the same consumer expectations as the linear TV experience in your living room is massive.
The bigger operators in this market want to control the viewer experience and build their brands. Today, the technology is not experimental: there has been a shrinking in the options for how they distribute content across all the consumer platforms that they need to cover.
It's not as much of a mystery for them as it once was. So, I believe that many of the bigger players will build their OTT channels out internally, whereas earlier, the strategy was to wholesale outsource the challenge. This internalisation process will include the entire workflow including App development for these platforms. This will enable them to better control consumer behaviour, consumer experience, monetisation and analytics of the process.
From a technology perspective, you can't just throw the QoS responsibility at companies such as Akamai, who really don't want to be in the media business - they want to be in the data business.
As they learned from the IPTV transition, there is a massive difference between IP for data and IP for media. At Telestream, the development of our iQ portfolio is driven by the problems that are unique to the delivery of media over IP. This continues to be true for OTT delivery - it's just a different set of problems. Our customers seek control over this, and also to control costs. When OTT was an experimental novelty, organisations weren't staking revenue on these new channels. But as they transition to OTT becoming the core business then bottom-line profitability is directly related to costs.
For Telestream, this speaks to the level of integration we have within our customers' workflows. As a technology vendor, we can do so much more depending on the amount of the whole process that we're participating in. OTT is not as componentised as television was in the past. We must have a broader portfolio of system solutions. We're not there yet, but strategically it is where we are heading.
In practical OTT applications, the more that you're involved with across the entire workflow, the more value you can add, especially in the absence of standards. Take latency as an example. If you can inject instrumentation into the signals that you're encoding early in the process, this allows you to pick up problems as they travel through the distribution food chain, particularly when you lose sight of the signals.
If you can instrument your signals up front it enables you to measure latency and find problems further out in the network. Our customers won't find this level of integration in a multi-vendor scenario unless the vendors get together and generate standards that they can all interoperate with.
Is latency still an issue in live streaming?
Absolutely, latency is still an enormous issue - for all the reasons that have been explained ad nauseam! If it's sports, or anything that is timely, you need to reduce latency as much as possible. If the consumer is switching between live linear TV and OTT it is essential.
The big question is what are your expectations? The elegance of http-based OTT is that it enables media distribution through content delivery networks that don't treat media any differently than a web page. We're leveraging an infrastructure that is very broad based as long as we can make everything look like chunks of data that can be accessed via http. With this comes a requirement to segment the video into chunks that can be cached on http. This is where the latency is introduced.
Most recent headlines
04/09/2025
Monumental Sports & Entertainment (MSE), in collaboration with Dalet, has been a...
19/04/2025
SDVI, the leading platform provider for cloud-native media supply chains, today announced that the company earned multiple awards at the 2025 NAB Show, with two...
19/04/2025
Ateliere Creative Technologies, a leading GenAI media software solutions company, today announced that Dan Goman has stepped down as CEO and David Bortis, Ateli...
19/04/2025
As Director of Media and Aerial Production at Terrible Herbst Motorsports, Bryan Moore is setting new standards in off-road racing media coverage thanks to his ...
19/04/2025
A next-generation collaboration device that redefines connectivity for meeting environments
Lightware, an industry-leading manufacturer of signal management so...
19/04/2025
Calrec is today announcing that its True Control 2.0 is a Remote Production winner in the 2025 NAB Show Product of the Year Awards. This official awards program...
19/04/2025
Appear, a global leader in live production technology, proudly announces it has been recognised alongside NBCUniversal with the prestigious NAB Show Delivery Pr...
19/04/2025
Deity Microphones, a leader in innovative audio equipment, is proud to announce the expected release of our Ultra-Wide Band IFB to the market. The THEOS DIFB wi...
19/04/2025
A world renowned broadcaster and long-standing LiveU customer has successfully completed a series of live connectivity tests using LiveU's revolutionary, aw...
19/04/2025
BitFire (bitfire.tv), a longtime leader in live video transport, today announced dual NAB Show award wins at the 2025 NAB Show in Las Vegas. The company's M...
19/04/2025
BitFire (bitfire.tv), a longtime leader in live video transport, today announced three major award wins at the 2025 NAB Show, April 5-9, in Las Vegas. The compa...
19/04/2025
AI video discovery company Moments Lab and Satisfaction Group, a leading independent unscripted television production company, are proud to announce a unique st...
19/04/2025
As the media industry navigates the triple challenge of AI-driven production, distributed teams, and skyrocketing content demand, DigitalGlue s creative.space h...
19/04/2025
Network technology startup Miri Technologies Inc. capped off its tremendously successful NAB Show debut by winning two prestigious industry awards for its cutti...
19/04/2025
CINCINNATI Scripp's Nuvyyo USA has concluded a deal with Warner Bros. Discovery to bring 45 FAST channels to Nuvyyo's Tablo TV device....
19/04/2025
In a ruling that could have broader implications on the legality of regulatory agencies levying fines through administrative proceedings, the 5th U.S. Circuit C...
19/04/2025
WASHINGTON Federal Communications Commission chair Brendan Carr has blasted Comcast over MSNBC's coverage of the deportation of Kilmar Abrego Garcia in a so...
19/04/2025
Berklee NYC and NYC Media Launch Season 3 of Inside Power Station @BerkleeNYC This season features faculty member Arun Pandian as the new host and interviews ...
18/04/2025
Director Andrew Ahn, alongside actors Youn Yuh-jung and Joan Chen, takes a photo of the audience after the premiere of his film The Wedding Banquet at Eccles ...
18/04/2025
In a ruling that could have a major impact on the digital advertising market, a federal judge has ruled that Google has monopolized some types of advertising te...
18/04/2025
Broadcast and cable TV news outlets saw strong social media growth in March, according to new data from the social video analytics company Tubular Labs ....
18/04/2025
Berklee Student Yukai Yang Named 2025 Yamaha Young Performing Artist The drummer secured a spot among the elite winners in this years competition.
By
Maddie...
18/04/2025
Boston Conservatory Alums Bring Real Women Have Curves to Broadway The Latin American immigrant community takes center stage in a new musical featuring Tatian...
18/04/2025
WASHINGTON The FCC's call for public comments and suggestions on outdated regulations that it should be eliminated, has prompted a slew of fillings from bro...
18/04/2025
In a ruling that could have a major impact on the digital advertising market, a federal judge has ruled that Google has monopolized some types of advertising te...
18/04/2025
PEARL RIVER, N.Y. Global media solutions company Active Media Services (AMS) has formed a new relationship with VideoAmp, a measurement company for linear TV, c...
18/04/2025
Netflix reported generally positive results for first-quarter 2025, with revenue up 13% year-over-year to $10.543 billion and operating income growing by 27% to...
18/04/2025
NHL Playoffs 2025: TNT Sports Hits the Road for Onsite Productions With Mobile U...
18/04/2025
EVSs S bastien Verlaine on U.S. Expansion, Next-Generation Products Beyond replay, offerings also target asset management and media infrastructure By Ken Kersc...
18/04/2025
ESPN Unleashes 4DREPLAY as NCAA Women's Gymnastics Championships Hit ABC Men's championships to follow Saturday night on ESPN2 By Brandon Costa, Direct...
18/04/2025
Visualizing Victory: The Latest in AR, XR, and Virtual Production in Live Sports This panel discussion featured leaders from ESPN, CBS Sports, Warner Bros. Disc...
18/04/2025
NHL Playoffs 2025: With 16 Games in First Six Days, ESPN Deploys Variety of Remo...
17/04/2025
Emilie Blichfeldt attends the 2025 Sundance Film Festival premiere of The Ugly ...
17/04/2025
R-GPS gives warfighters a decisive battlefield advantage by punching through adv...
17/04/2025
This year's NAB Show in Las Vegas marked a noticeable shift in the priorities of media and broadcast organisations. Gone are the days of chasing flashy, or ...
17/04/2025
class=attachment-thumbnail size-thumbnail f-align-center alt= decoding=async data-lazy-srcset=https://www.antonbauer.com/wp-content/uploads/2024/12/Amy-Daniel-1...
17/04/2025
SAN JOSE, Calif. Roku and Adobe have announced that they are collaborating on a real time data platform made possible by a a new integration of the Roku Data C...
17/04/2025
NEW YORK Internet advertising revenues demonstrated strong growth in 2024, increasing 14.9% year-over-year to $258.6 billion, according to the IAB Internet Adv...
17/04/2025
SDVI Earns Both Product and Project of the Year Awards at 2025 NAB Show
Brie Clayton April 17, 2025
0 Comments
Left to right, Geoff Stedman, CMO, SDVI...
17/04/2025
Singapore Polytechnic Readies Aspiring AV Professionals for Live IP Productions ...
17/04/2025
Calrec Wins 2025 NAB Show Product of the Year Award for True Control 2.0
Brie Clayton April 17, 2025
0 Comments
Image: The Calrec True Control 2.o on ...
17/04/2025
In Return to Berklee, Lucius Looks Back and Moves Forward From mood boards to live demos, the alumni band gave students an exclusive look at the process behin...
17/04/2025
DirecTV's free streaming service MyFree DirecTV has just added another eight channels from NBCUniversal....
17/04/2025
LOS ANGELES The virtual production company GameChanger has announced that it is expanding its global footprint by bringing its virtual production technology to ...
17/04/2025
DENVER The International Broadcaster Coalition Against Piracy (IBCAP) has announced that it has developed a proprietary, automated software-based system to iden...
17/04/2025
Pixalate's new CTV Device Market Share report for Q1 2025 shows that Roku has the highest open programmatic CTV device market share in the United States, wi...
17/04/2025
Edward J. Lewis III Named Senior Vice President of Institutional Advancement Lewis has more than 20 years of industry experience, leading fundraising initiati...
17/04/2025
The Curling Group Puts On Inaugural Curling All-Star Game in Nashville The location in Music City is intended to broaden the sport's appeal By Dan Daley, ...
17/04/2025
April 17th, 2025 Press Materials Available Here
Tribeca Festival 2025 Announces TV & NOW Lineup
World Premieres and Exclusive Cast Panels with Apple TV '...
17/04/2025
SVG Sit-Down: Cisco's Bryan Bedford on Providing End-to-End Support for Clie...