
Forget this years event, Brian Morris, general manager and vice president, Media & Entertainment, Tata Communications, is already planning ahead
Author:
ContributorPublish date:
Jun 7, 2018Social count:
0
0
SHARES
The FIFA World Cup is the biggest single sporting event on the planet in terms of viewership. Figures from Kantar Media on behalf of FIFA estimated that the 2014 tournament in Brazil reached 3.2bn viewers over four weeks with one billion tuning in to watch the final match between Argentina and Germany.
Hosting the World Cup is, therefore, one of the most sought after honours in the football world, and shortly before this year's competition kicks off in Russia, a decision will be reached as to which nation or group of nations will host the World Cup in 2026.
On the table for 2026, there are two serious bids with a contrasting set of pros and cons: a joint-super-bid made up of USA, Canada and Mexico versus the solo act of Morocco. In this article, we'll examine why this decision is tougher than it may seem to the untrained eye and the role technology may play in how we watch World Cup 2026, wherever it may be.
Romance or finance?
World Cup bidding is a complex game, but while scepticism understandably exists in light of previous instances of alleged bribery and corruption, the decision is largely democratic. All 211 football associations affiliated with FIFA have one vote regardless of size or budget.
So, as well as making a bid which is commercially lucrative for FIFA and football, bidding nations must convince as many countries as possible to vote for their right to host the tournament.
FIFA generates approximately 90 per cent of its revenue from the sale of television, marketing, hospitality and licensing rights for the FIFA World Cup. From a global perspective, you could say that the World Cup funds world football.
This money is used to finance other international tournaments, and FIFA states that almost 72 per cent of expenditure flows back into football development in the form of financial support, development programmes and funding competitions.
So, while World Cup bids can be based on romantic sentiments, such as Uruguay hosting a centenary 2030 tournament in conjunction with Argentina and Paraguay having held the first ever competition in 1930, the bid has to be commercially and financially lucrative.
Furthermore, given the recently announced decision to expand the 2026 World Cup to 48 teams from the current 32, budding hosts need to have the infrastructure and facilities in place to host 40 national teams as well as the travelling circus which surrounds such a widely broadcast event.
With this context in mind, it may be surprising to some people that there is even an argument over whether the 2026 World Cup should be held in North America (USA, Canada and Mexico) or Morocco.
David versus Goliath?
From an infrastructure and sporting facilities perspective, the North American bid is made up of three absolute super-powers. The proposed 23 host cities boast enough world-class sports stadiums to host two or three tournaments in one summer.
The commercial benefits of a North American World Cup are also mouth-watering. Football is Mexico's number one national sport, and while soccer is still a fast-growing alternative rather than an established cornerstone of a US-Canadian sports diet, its potential market value is colossal.
Stats from a recent Gallup survey show that soccer, the USA's fastest-growing sport in terms of popularity, is likely to soon surpass baseball as the nation's third favourite sport behind American football and basketball. Meanwhile, Canadian Major League Soccer (MLS) clubs such as Toronto FC, Vancouver Whitecaps and Montreal Impact are indicative of the growing enthusiasm for soccer across the board in North America.
As well as its sporting might, it would be remiss to overlook the lobbying power of the North American bid with President Trump attempting to exert pressure on USA's political allies to support the bid via his personal Twitter feed.
The beauty of any classic David versus Goliath clash is that the underdog can emerge victorious and despite the apparent might of North America's super-bid, Morocco has every chance of upsetting the apple cart.
The Morocco 2026 bid team has been eager to play up its geographical location as a key selection criteria. From a revenue generation perspective, Morocco's central time zone means its live broadcasting potential is as close to truly global as possible. This potentially increases the value of broadcasting rights, which will be sold at primetime rates to European, African and Asian audiences without completely cannibalising interest from Oceanic and American interest.
Moreover, culturally Morocco represents an interesting set of demographics which FIFA is keen to tap into. As evidenced by FIFA's decision to include more nations in the tournament itself and award the hosting of the 2022 World Cup to Qatar - the global organising body is keen to spread football fever to as many countries as possible, maximising its geographic appeal to broadcasters and sponsors.
Therefore, Morocco ticks quite a few importance boxes. It is an African country with close cultural and historical links to parts of Europe, the Middle East and Asia. Furthermore, while it has nowhere near the world-class stadia of North America to choose from, Morocco is well enough equipped to be prepared by 2026. It hosted the 2018 African Cup on Nations earlier this year and plans to spend $15.8 billion on infrastructure if it is awarded the 2026 World Cup.
World at their feet
The concept of hosting a tournament generally leads to a conversation about the physical practicalities of the tournament. Are there enough stadiums and will they be full? Are the accommodation and training fa
Most recent headlines
04/09/2025
Monumental Sports & Entertainment (MSE), in collaboration with Dalet, has been a...
19/04/2025
SDVI, the leading platform provider for cloud-native media supply chains, today announced that the company earned multiple awards at the 2025 NAB Show, with two...
19/04/2025
Ateliere Creative Technologies, a leading GenAI media software solutions company, today announced that Dan Goman has stepped down as CEO and David Bortis, Ateli...
19/04/2025
As Director of Media and Aerial Production at Terrible Herbst Motorsports, Bryan Moore is setting new standards in off-road racing media coverage thanks to his ...
19/04/2025
A next-generation collaboration device that redefines connectivity for meeting environments
Lightware, an industry-leading manufacturer of signal management so...
19/04/2025
Calrec is today announcing that its True Control 2.0 is a Remote Production winner in the 2025 NAB Show Product of the Year Awards. This official awards program...
19/04/2025
Appear, a global leader in live production technology, proudly announces it has been recognised alongside NBCUniversal with the prestigious NAB Show Delivery Pr...
19/04/2025
Deity Microphones, a leader in innovative audio equipment, is proud to announce the expected release of our Ultra-Wide Band IFB to the market. The THEOS DIFB wi...
19/04/2025
A world renowned broadcaster and long-standing LiveU customer has successfully completed a series of live connectivity tests using LiveU's revolutionary, aw...
19/04/2025
BitFire (bitfire.tv), a longtime leader in live video transport, today announced dual NAB Show award wins at the 2025 NAB Show in Las Vegas. The company's M...
19/04/2025
BitFire (bitfire.tv), a longtime leader in live video transport, today announced three major award wins at the 2025 NAB Show, April 5-9, in Las Vegas. The compa...
19/04/2025
AI video discovery company Moments Lab and Satisfaction Group, a leading independent unscripted television production company, are proud to announce a unique st...
19/04/2025
As the media industry navigates the triple challenge of AI-driven production, distributed teams, and skyrocketing content demand, DigitalGlue s creative.space h...
19/04/2025
Network technology startup Miri Technologies Inc. capped off its tremendously successful NAB Show debut by winning two prestigious industry awards for its cutti...
19/04/2025
CINCINNATI Scripp's Nuvyyo USA has concluded a deal with Warner Bros. Discovery to bring 45 FAST channels to Nuvyyo's Tablo TV device....
19/04/2025
In a ruling that could have broader implications on the legality of regulatory agencies levying fines through administrative proceedings, the 5th U.S. Circuit C...
19/04/2025
WASHINGTON Federal Communications Commission chair Brendan Carr has blasted Comcast over MSNBC's coverage of the deportation of Kilmar Abrego Garcia in a so...
19/04/2025
Berklee NYC and NYC Media Launch Season 3 of Inside Power Station @BerkleeNYC This season features faculty member Arun Pandian as the new host and interviews ...
18/04/2025
Director Andrew Ahn, alongside actors Youn Yuh-jung and Joan Chen, takes a photo of the audience after the premiere of his film The Wedding Banquet at Eccles ...
18/04/2025
In a ruling that could have a major impact on the digital advertising market, a federal judge has ruled that Google has monopolized some types of advertising te...
18/04/2025
Broadcast and cable TV news outlets saw strong social media growth in March, according to new data from the social video analytics company Tubular Labs ....
18/04/2025
Berklee Student Yukai Yang Named 2025 Yamaha Young Performing Artist The drummer secured a spot among the elite winners in this years competition.
By
Maddie...
18/04/2025
Boston Conservatory Alums Bring Real Women Have Curves to Broadway The Latin American immigrant community takes center stage in a new musical featuring Tatian...
18/04/2025
WASHINGTON The FCC's call for public comments and suggestions on outdated regulations that it should be eliminated, has prompted a slew of fillings from bro...
18/04/2025
In a ruling that could have a major impact on the digital advertising market, a federal judge has ruled that Google has monopolized some types of advertising te...
18/04/2025
PEARL RIVER, N.Y. Global media solutions company Active Media Services (AMS) has formed a new relationship with VideoAmp, a measurement company for linear TV, c...
18/04/2025
Netflix reported generally positive results for first-quarter 2025, with revenue up 13% year-over-year to $10.543 billion and operating income growing by 27% to...
18/04/2025
NHL Playoffs 2025: TNT Sports Hits the Road for Onsite Productions With Mobile U...
18/04/2025
EVSs S bastien Verlaine on U.S. Expansion, Next-Generation Products Beyond replay, offerings also target asset management and media infrastructure By Ken Kersc...
18/04/2025
ESPN Unleashes 4DREPLAY as NCAA Women's Gymnastics Championships Hit ABC Men's championships to follow Saturday night on ESPN2 By Brandon Costa, Direct...
18/04/2025
Visualizing Victory: The Latest in AR, XR, and Virtual Production in Live Sports This panel discussion featured leaders from ESPN, CBS Sports, Warner Bros. Disc...
18/04/2025
NHL Playoffs 2025: With 16 Games in First Six Days, ESPN Deploys Variety of Remo...
17/04/2025
Emilie Blichfeldt attends the 2025 Sundance Film Festival premiere of The Ugly ...
17/04/2025
R-GPS gives warfighters a decisive battlefield advantage by punching through adv...
17/04/2025
This year's NAB Show in Las Vegas marked a noticeable shift in the priorities of media and broadcast organisations. Gone are the days of chasing flashy, or ...
17/04/2025
class=attachment-thumbnail size-thumbnail f-align-center alt= decoding=async data-lazy-srcset=https://www.antonbauer.com/wp-content/uploads/2024/12/Amy-Daniel-1...
17/04/2025
SAN JOSE, Calif. Roku and Adobe have announced that they are collaborating on a real time data platform made possible by a a new integration of the Roku Data C...
17/04/2025
NEW YORK Internet advertising revenues demonstrated strong growth in 2024, increasing 14.9% year-over-year to $258.6 billion, according to the IAB Internet Adv...
17/04/2025
SDVI Earns Both Product and Project of the Year Awards at 2025 NAB Show
Brie Clayton April 17, 2025
0 Comments
Left to right, Geoff Stedman, CMO, SDVI...
17/04/2025
Singapore Polytechnic Readies Aspiring AV Professionals for Live IP Productions ...
17/04/2025
Calrec Wins 2025 NAB Show Product of the Year Award for True Control 2.0
Brie Clayton April 17, 2025
0 Comments
Image: The Calrec True Control 2.o on ...
17/04/2025
In Return to Berklee, Lucius Looks Back and Moves Forward From mood boards to live demos, the alumni band gave students an exclusive look at the process behin...
17/04/2025
DirecTV's free streaming service MyFree DirecTV has just added another eight channels from NBCUniversal....
17/04/2025
LOS ANGELES The virtual production company GameChanger has announced that it is expanding its global footprint by bringing its virtual production technology to ...
17/04/2025
DENVER The International Broadcaster Coalition Against Piracy (IBCAP) has announced that it has developed a proprietary, automated software-based system to iden...
17/04/2025
Pixalate's new CTV Device Market Share report for Q1 2025 shows that Roku has the highest open programmatic CTV device market share in the United States, wi...
17/04/2025
Edward J. Lewis III Named Senior Vice President of Institutional Advancement Lewis has more than 20 years of industry experience, leading fundraising initiati...
17/04/2025
The Curling Group Puts On Inaugural Curling All-Star Game in Nashville The location in Music City is intended to broaden the sport's appeal By Dan Daley, ...
17/04/2025
April 17th, 2025 Press Materials Available Here
Tribeca Festival 2025 Announces TV & NOW Lineup
World Premieres and Exclusive Cast Panels with Apple TV '...
17/04/2025
SVG Sit-Down: Cisco's Bryan Bedford on Providing End-to-End Support for Clie...