
John Wastcoat, SVP marketing and alliances, Zixi, looks at how broadcasters can take advantage of new monetisation opportunities emerging from the move to IP with a strategy that embraces openness and interoperability, as well as being flexible enough to accommodate future requirements
By Contributor
Published: July 13, 2023
John Wastcoat, SVP marketing and alliances, Zixi, looks at how broadcasters can take advantage of new monetisation opportunities emerging from the move to IP with a strategy that embraces openness and interoperability, as well as being flexible enough to accommodate future requirements
target=_blank title=Share on LinkedIn class=share-linkedin>
The adoption of IP workflows across the broadcast industry is proving to be a major enabler of innovation and efficiency and is leading to the same rapid phase of digital transformation that we have seen in many other industries to date. The benefits are similar across industries too, an increase in operational flexibility and agility, end-to-end visibility and management, positive bottom-line business impacts, and, specific to broadcasting, the delivery of reliable broadcast quality, live and pre-recorded video content over the public internet.
In short, it has enabled streaming at scale and furthermore allowed workflows to be set up quickly and at a lower cost point not before seen in the industry.
More than that though, it has also enabled a complete rethink of the way that media companies can do business. Content distribution has grown far more complex and dynamic than the legacy one-to-one delivery model. The ecosystem has evolved in a dramatic fashion, and the modern content provider sits at the centre of an interlocking mesh that encompasses traditional broadcasters, service providers, MPVDs and vMPVDs, leagues and rights holders, distribution partners and more.
The net result is that it is not uncommon for large content providers to deliver dozens of customised, resilient and secure channels to many internal and external distribution partners and platforms at the same time. The newly agile IP-based broadcaster has many more monetisation opportunities available to them as a consequence; live events channels, sponsored content feeds, pop-up channels, regional and localised feeds, and a whole new media audience experience available on social and web-based platforms.
Each individual media organisation ecosystem is also connected to another's as well, resulting in a genuine global marketplace for content. This has been accelerated by the demand for content during the pandemic, and, to add a topical note, with the Writers' Strike ongoing in the US it is easy to see that the demand for live events to fill the gaps that will start to appear in the schedule soon is only going to increase.
However, just because the services can be set up quickly and comparatively cheaply does not mean that there are not some gotchas inherent in the new IP architectures. The newly crucial distribution platforms and content aggregation services that play a central role in the new ecosystem present some interesting challenges. Normalising and maintaining high-quality channels access across disparate delivery, formats, protocols, and technical specifications that vary from company to company is a non-trivial task, especially when we are talking about dozens or even hundreds of individual channels.
Each of these must be ingested, normalised, monetised, secured, and prepared for distribution to the audience. The cloud is often critical in this regard, and we have recently seen many of our clients move transcoding to the cloud, from where it can then be pushed out to CDNs for delivery to multiple endpoints. One of the keys to success here is interoperability. Although the Zixi protocol is the market leader with 75 per cent market share, there are over a dozen industry protocols in everyday use in IP-based broadcasting, and the challenge is to maintain high levels of audio-visual quality and user experience while ensuring that additional latency is not introduced into the system - a key consideration for live content and sports in particular.
The numbers involved here are large ones. For example, we work with over 1000 providers offering 20,000 linear and event channels to 1500 distributors and platform endpoints. All in all over 100,000 total channel feeds are delivered. This global explosion of distributed, live linear and event programming has created many new revenue opportunities and gives the new generation of IP-based broadcasters a chance to build audiences at scale.
Post-pandemic these remain turbulent times in the broadcast industry, defined as much by rapid change and consolidation as they are by technical progress. For media organisations to succeed they need to move forward from the rigidity of expensive satellite contracts and embrace a new agility that enables them to swiftly monetise opportunities in the expanding digital first applications
FAST has been one of the major industry success stories of the past year, and along with the growth of connected TVs and the increasing prevalence of live events on OTT platforms, illustrates well how broadcasters have had to adapt to the new normal, and, no doubt, will have to adapt to the next new normal that will appear in six months.
To stay ahead of the game, they need to be on top of compliance validation, content, formatting, stream, localisation, ad load, delivery, strategies, security requirements, and more. All of these represent significant challenges and hurdles for newcomers to the IP-based infrastructure. However, these are not insurmountable, and with foresight and a strategy that embraces openness and interoperability, as well as being flexible enough to accommodate future requirements, they will be well-positioned to take advantage of the new monetisati
Most recent headlines
04/09/2025
Monumental Sports & Entertainment (MSE), in collaboration with Dalet, has been a...
19/04/2025
SDVI, the leading platform provider for cloud-native media supply chains, today announced that the company earned multiple awards at the 2025 NAB Show, with two...
19/04/2025
Ateliere Creative Technologies, a leading GenAI media software solutions company, today announced that Dan Goman has stepped down as CEO and David Bortis, Ateli...
19/04/2025
As Director of Media and Aerial Production at Terrible Herbst Motorsports, Bryan Moore is setting new standards in off-road racing media coverage thanks to his ...
19/04/2025
A next-generation collaboration device that redefines connectivity for meeting environments
Lightware, an industry-leading manufacturer of signal management so...
19/04/2025
Calrec is today announcing that its True Control 2.0 is a Remote Production winner in the 2025 NAB Show Product of the Year Awards. This official awards program...
19/04/2025
Appear, a global leader in live production technology, proudly announces it has been recognised alongside NBCUniversal with the prestigious NAB Show Delivery Pr...
19/04/2025
Deity Microphones, a leader in innovative audio equipment, is proud to announce the expected release of our Ultra-Wide Band IFB to the market. The THEOS DIFB wi...
19/04/2025
A world renowned broadcaster and long-standing LiveU customer has successfully completed a series of live connectivity tests using LiveU's revolutionary, aw...
19/04/2025
BitFire (bitfire.tv), a longtime leader in live video transport, today announced dual NAB Show award wins at the 2025 NAB Show in Las Vegas. The company's M...
19/04/2025
BitFire (bitfire.tv), a longtime leader in live video transport, today announced three major award wins at the 2025 NAB Show, April 5-9, in Las Vegas. The compa...
19/04/2025
AI video discovery company Moments Lab and Satisfaction Group, a leading independent unscripted television production company, are proud to announce a unique st...
19/04/2025
As the media industry navigates the triple challenge of AI-driven production, distributed teams, and skyrocketing content demand, DigitalGlue s creative.space h...
19/04/2025
Network technology startup Miri Technologies Inc. capped off its tremendously successful NAB Show debut by winning two prestigious industry awards for its cutti...
19/04/2025
CINCINNATI Scripp's Nuvyyo USA has concluded a deal with Warner Bros. Discovery to bring 45 FAST channels to Nuvyyo's Tablo TV device....
19/04/2025
In a ruling that could have broader implications on the legality of regulatory agencies levying fines through administrative proceedings, the 5th U.S. Circuit C...
19/04/2025
WASHINGTON Federal Communications Commission chair Brendan Carr has blasted Comcast over MSNBC's coverage of the deportation of Kilmar Abrego Garcia in a so...
19/04/2025
Berklee NYC and NYC Media Launch Season 3 of Inside Power Station @BerkleeNYC This season features faculty member Arun Pandian as the new host and interviews ...
18/04/2025
Director Andrew Ahn, alongside actors Youn Yuh-jung and Joan Chen, takes a photo of the audience after the premiere of his film The Wedding Banquet at Eccles ...
18/04/2025
In a ruling that could have a major impact on the digital advertising market, a federal judge has ruled that Google has monopolized some types of advertising te...
18/04/2025
Broadcast and cable TV news outlets saw strong social media growth in March, according to new data from the social video analytics company Tubular Labs ....
18/04/2025
Berklee Student Yukai Yang Named 2025 Yamaha Young Performing Artist The drummer secured a spot among the elite winners in this years competition.
By
Maddie...
18/04/2025
Boston Conservatory Alums Bring Real Women Have Curves to Broadway The Latin American immigrant community takes center stage in a new musical featuring Tatian...
18/04/2025
WASHINGTON The FCC's call for public comments and suggestions on outdated regulations that it should be eliminated, has prompted a slew of fillings from bro...
18/04/2025
In a ruling that could have a major impact on the digital advertising market, a federal judge has ruled that Google has monopolized some types of advertising te...
18/04/2025
PEARL RIVER, N.Y. Global media solutions company Active Media Services (AMS) has formed a new relationship with VideoAmp, a measurement company for linear TV, c...
18/04/2025
Netflix reported generally positive results for first-quarter 2025, with revenue up 13% year-over-year to $10.543 billion and operating income growing by 27% to...
18/04/2025
NHL Playoffs 2025: TNT Sports Hits the Road for Onsite Productions With Mobile U...
18/04/2025
EVSs S bastien Verlaine on U.S. Expansion, Next-Generation Products Beyond replay, offerings also target asset management and media infrastructure By Ken Kersc...
18/04/2025
ESPN Unleashes 4DREPLAY as NCAA Women's Gymnastics Championships Hit ABC Men's championships to follow Saturday night on ESPN2 By Brandon Costa, Direct...
18/04/2025
Visualizing Victory: The Latest in AR, XR, and Virtual Production in Live Sports This panel discussion featured leaders from ESPN, CBS Sports, Warner Bros. Disc...
18/04/2025
NHL Playoffs 2025: With 16 Games in First Six Days, ESPN Deploys Variety of Remo...
17/04/2025
Emilie Blichfeldt attends the 2025 Sundance Film Festival premiere of The Ugly ...
17/04/2025
R-GPS gives warfighters a decisive battlefield advantage by punching through adv...
17/04/2025
This year's NAB Show in Las Vegas marked a noticeable shift in the priorities of media and broadcast organisations. Gone are the days of chasing flashy, or ...
17/04/2025
class=attachment-thumbnail size-thumbnail f-align-center alt= decoding=async data-lazy-srcset=https://www.antonbauer.com/wp-content/uploads/2024/12/Amy-Daniel-1...
17/04/2025
SAN JOSE, Calif. Roku and Adobe have announced that they are collaborating on a real time data platform made possible by a a new integration of the Roku Data C...
17/04/2025
NEW YORK Internet advertising revenues demonstrated strong growth in 2024, increasing 14.9% year-over-year to $258.6 billion, according to the IAB Internet Adv...
17/04/2025
SDVI Earns Both Product and Project of the Year Awards at 2025 NAB Show
Brie Clayton April 17, 2025
0 Comments
Left to right, Geoff Stedman, CMO, SDVI...
17/04/2025
Singapore Polytechnic Readies Aspiring AV Professionals for Live IP Productions ...
17/04/2025
Calrec Wins 2025 NAB Show Product of the Year Award for True Control 2.0
Brie Clayton April 17, 2025
0 Comments
Image: The Calrec True Control 2.o on ...
17/04/2025
In Return to Berklee, Lucius Looks Back and Moves Forward From mood boards to live demos, the alumni band gave students an exclusive look at the process behin...
17/04/2025
DirecTV's free streaming service MyFree DirecTV has just added another eight channels from NBCUniversal....
17/04/2025
LOS ANGELES The virtual production company GameChanger has announced that it is expanding its global footprint by bringing its virtual production technology to ...
17/04/2025
DENVER The International Broadcaster Coalition Against Piracy (IBCAP) has announced that it has developed a proprietary, automated software-based system to iden...
17/04/2025
Pixalate's new CTV Device Market Share report for Q1 2025 shows that Roku has the highest open programmatic CTV device market share in the United States, wi...
17/04/2025
Edward J. Lewis III Named Senior Vice President of Institutional Advancement Lewis has more than 20 years of industry experience, leading fundraising initiati...
17/04/2025
The Curling Group Puts On Inaugural Curling All-Star Game in Nashville The location in Music City is intended to broaden the sport's appeal By Dan Daley, ...
17/04/2025
April 17th, 2025 Press Materials Available Here
Tribeca Festival 2025 Announces TV & NOW Lineup
World Premieres and Exclusive Cast Panels with Apple TV '...
17/04/2025
SVG Sit-Down: Cisco's Bryan Bedford on Providing End-to-End Support for Clie...