
Caustic Series 2 R2500, R2100 raytracing cards
$1,495 and $795, respectively
www.caustic.com
Caustic R2100 Pictured above
Installing the Caustic card was very straightforward and similar to installing a new GPU. After plugging the R2500 into a free PCIe x16 slot and installing the supplied drivers, Windows reported two RTUs in the device manager and Visualizer in Maya added a small note in the bottom corner of the viewport to let me know that it was now hardware accelerated. Just as a reminder, the Caustic Series 2 RTUs are purely for accelerating raytracing and do not have a built-in GPU, so you will still need a GPU to see your desktop. However, since the GPU is not used for rendering, you will only need a GPU fast enough to handle wireframes and your operating system (or perhaps fast enough to handle Team Fortress while waiting for the render farm to finish).
Performance in Visualizer increased noticeably without much sacrifice in responsiveness. While GPU renderers generally render faster than their CPU counterparts, they often are slightly laggier in updating. Similarly, Visualizer is slightly laggier with an RTU; however, its almost unnoticeable and nowhere near the latency Ive found in similar offerings.
What really sets the Caustic RTUs apart from a traditional GPU renderer is how it manages memory. While a GPU renderer requires the entire scene along with all the texture maps and shaders to be held in the GPUs memory, the Caustic Series 2 RTUs only need the geometry to be held in memory. With 4GB and 16GB of memory in the R2100 and R2500, respectively, that works out to 60 million and 120 million unique polygons (the R2500s memory is split between two RTUs, hence 8GB per RTU dedicated to geometry). Shaders and texture maps are processed on the CPU and, therefore, make use of your system memory, allowing the free use of 4K and larger texture maps where needed. Since the shading is processed on the CPU, this also allows for far more complex shader trees than with competing GPU renderers, which often only support a subset of the CPU versions nodes. Both the CPU- and RTU-accelerated modes of Visualizer and other OpenRL/Brazil SDK renderers have identical feature sets - the only way to tell the difference between the two is the additional frame rate when an OpenRL RTU is added to the system.
Another nice side effect of using the CPU is system responsiveness. As anyone who has used a GPU renderer can attest, if you dont have a dual GPU setup with one GPU dedicated to the operating system, your windows responsiveness will grind to a halt. Nvidia has begun marketing its Maximus platform to artists for precisely this reason, which is a Quadro card for the viewports and operating system, and a second tesla to handle rendering and CUDA. Since the Caustic RTU uses the CPU, your GPU is free to handle your operating system and responsiveness is untouched while rendering.
The one downside to this unique approach is that your performance is dependent on the speed of your CPU, even with a Caustic RTU. While youll benefit in increased geometry space with the dual RTU R2500, you wont necessarily see much additional performance over the single RTU 2100 on a single CPU system. On my single i7 system, a Caustic RTU offered about a 2x to 3x increase in rendering speed compared to the CPU alone. On a dual Xeon, performance was again about 2x to 3x over the CPU, but about 2x as fast as a single CPU workstation. Compared to a GTX 580, I found my i7 paired with a single Caustic RTU to be about 25 percent faster than the GPU rendering a similar scene. However, if there is a compromise to the Caustic RTUs, this is it.
While adding a third GPU for SLI rendering can be relatively easy and affordable depending on your motherboard, adding a second CPU for increased performance can present a more difficult and expensive path to increasing performance. If pure ray count is your goal, packing a few GPUs into a system might prove slightly cheaper, assuming your scenes and textures always fit into GPU memory. For my work, thats a somewhat academic comparison since virtually none of my production scenes fit into GPU memory without spending thousands of dollars per GPU on a Quadro 6000, and even then still only having 6GB of memory available.
Perhaps the largest impediment I see though to widespread success with the R2100 and R2500 is the current software support. With Visualizer and Rhino 5.0 being your only two choices, and given Visualizers current feature set, OpenRL is much where CUDA was a couple years ago or perhaps arguably where OpenCL is today. Its the classic chicken vs. the egg scenario. Caustic needs solid hardware to galvanize support for its fledgling OpenRL standard - the r2500 is a mighty fine chicken and Visualizer is a great first release and a pretty complete egg, but they still are not a perfect solution for everybody.
For look development, the Caustic RTUs are a great choice, assuming you use Mental Ray and Maya (until Caustic releases a Visualizer for Max). For batch rendering, the software needs to quickly add a few more production-necessary features, like 3D motion blur, before it can see widespread adoption as a final frame production renderer. Alternatively, Caustic needs to persuade other rendering packages from the likes of The Chaos Group and Pixar to implement OpenRL support in their existing packages.
The race is on to see whether Caustic can expand its softwares breadth and feature set faster than Nvidia can add memory and expand CUDA to match OpenRLs shader capabilities. Nvidia has a head start, but I wouldnt discount the resources and focus that Imagination Technologies is bringing to the fight. If Caustic can quickly close the feature gap and keep up with Nvidias hardware offerings, I think its got a very bright future, but only time will tell whose
Most recent headlines
04/09/2025
Monumental Sports & Entertainment (MSE), in collaboration with Dalet, has been a...
19/04/2025
SDVI, the leading platform provider for cloud-native media supply chains, today announced that the company earned multiple awards at the 2025 NAB Show, with two...
19/04/2025
Ateliere Creative Technologies, a leading GenAI media software solutions company, today announced that Dan Goman has stepped down as CEO and David Bortis, Ateli...
19/04/2025
As Director of Media and Aerial Production at Terrible Herbst Motorsports, Bryan Moore is setting new standards in off-road racing media coverage thanks to his ...
19/04/2025
A next-generation collaboration device that redefines connectivity for meeting environments
Lightware, an industry-leading manufacturer of signal management so...
19/04/2025
Calrec is today announcing that its True Control 2.0 is a Remote Production winner in the 2025 NAB Show Product of the Year Awards. This official awards program...
19/04/2025
Appear, a global leader in live production technology, proudly announces it has been recognised alongside NBCUniversal with the prestigious NAB Show Delivery Pr...
19/04/2025
Deity Microphones, a leader in innovative audio equipment, is proud to announce the expected release of our Ultra-Wide Band IFB to the market. The THEOS DIFB wi...
19/04/2025
A world renowned broadcaster and long-standing LiveU customer has successfully completed a series of live connectivity tests using LiveU's revolutionary, aw...
19/04/2025
BitFire (bitfire.tv), a longtime leader in live video transport, today announced dual NAB Show award wins at the 2025 NAB Show in Las Vegas. The company's M...
19/04/2025
BitFire (bitfire.tv), a longtime leader in live video transport, today announced three major award wins at the 2025 NAB Show, April 5-9, in Las Vegas. The compa...
19/04/2025
AI video discovery company Moments Lab and Satisfaction Group, a leading independent unscripted television production company, are proud to announce a unique st...
19/04/2025
As the media industry navigates the triple challenge of AI-driven production, distributed teams, and skyrocketing content demand, DigitalGlue s creative.space h...
19/04/2025
Network technology startup Miri Technologies Inc. capped off its tremendously successful NAB Show debut by winning two prestigious industry awards for its cutti...
19/04/2025
CINCINNATI Scripp's Nuvyyo USA has concluded a deal with Warner Bros. Discovery to bring 45 FAST channels to Nuvyyo's Tablo TV device....
19/04/2025
In a ruling that could have broader implications on the legality of regulatory agencies levying fines through administrative proceedings, the 5th U.S. Circuit C...
19/04/2025
WASHINGTON Federal Communications Commission chair Brendan Carr has blasted Comcast over MSNBC's coverage of the deportation of Kilmar Abrego Garcia in a so...
19/04/2025
Berklee NYC and NYC Media Launch Season 3 of Inside Power Station @BerkleeNYC This season features faculty member Arun Pandian as the new host and interviews ...
18/04/2025
Director Andrew Ahn, alongside actors Youn Yuh-jung and Joan Chen, takes a photo of the audience after the premiere of his film The Wedding Banquet at Eccles ...
18/04/2025
In a ruling that could have a major impact on the digital advertising market, a federal judge has ruled that Google has monopolized some types of advertising te...
18/04/2025
Broadcast and cable TV news outlets saw strong social media growth in March, according to new data from the social video analytics company Tubular Labs ....
18/04/2025
Berklee Student Yukai Yang Named 2025 Yamaha Young Performing Artist The drummer secured a spot among the elite winners in this years competition.
By
Maddie...
18/04/2025
Boston Conservatory Alums Bring Real Women Have Curves to Broadway The Latin American immigrant community takes center stage in a new musical featuring Tatian...
18/04/2025
WASHINGTON The FCC's call for public comments and suggestions on outdated regulations that it should be eliminated, has prompted a slew of fillings from bro...
18/04/2025
In a ruling that could have a major impact on the digital advertising market, a federal judge has ruled that Google has monopolized some types of advertising te...
18/04/2025
PEARL RIVER, N.Y. Global media solutions company Active Media Services (AMS) has formed a new relationship with VideoAmp, a measurement company for linear TV, c...
18/04/2025
Netflix reported generally positive results for first-quarter 2025, with revenue up 13% year-over-year to $10.543 billion and operating income growing by 27% to...
18/04/2025
NHL Playoffs 2025: TNT Sports Hits the Road for Onsite Productions With Mobile U...
18/04/2025
EVSs S bastien Verlaine on U.S. Expansion, Next-Generation Products Beyond replay, offerings also target asset management and media infrastructure By Ken Kersc...
18/04/2025
ESPN Unleashes 4DREPLAY as NCAA Women's Gymnastics Championships Hit ABC Men's championships to follow Saturday night on ESPN2 By Brandon Costa, Direct...
18/04/2025
Visualizing Victory: The Latest in AR, XR, and Virtual Production in Live Sports This panel discussion featured leaders from ESPN, CBS Sports, Warner Bros. Disc...
18/04/2025
NHL Playoffs 2025: With 16 Games in First Six Days, ESPN Deploys Variety of Remo...
17/04/2025
Emilie Blichfeldt attends the 2025 Sundance Film Festival premiere of The Ugly ...
17/04/2025
R-GPS gives warfighters a decisive battlefield advantage by punching through adv...
17/04/2025
This year's NAB Show in Las Vegas marked a noticeable shift in the priorities of media and broadcast organisations. Gone are the days of chasing flashy, or ...
17/04/2025
class=attachment-thumbnail size-thumbnail f-align-center alt= decoding=async data-lazy-srcset=https://www.antonbauer.com/wp-content/uploads/2024/12/Amy-Daniel-1...
17/04/2025
SAN JOSE, Calif. Roku and Adobe have announced that they are collaborating on a real time data platform made possible by a a new integration of the Roku Data C...
17/04/2025
NEW YORK Internet advertising revenues demonstrated strong growth in 2024, increasing 14.9% year-over-year to $258.6 billion, according to the IAB Internet Adv...
17/04/2025
SDVI Earns Both Product and Project of the Year Awards at 2025 NAB Show
Brie Clayton April 17, 2025
0 Comments
Left to right, Geoff Stedman, CMO, SDVI...
17/04/2025
Singapore Polytechnic Readies Aspiring AV Professionals for Live IP Productions ...
17/04/2025
Calrec Wins 2025 NAB Show Product of the Year Award for True Control 2.0
Brie Clayton April 17, 2025
0 Comments
Image: The Calrec True Control 2.o on ...
17/04/2025
In Return to Berklee, Lucius Looks Back and Moves Forward From mood boards to live demos, the alumni band gave students an exclusive look at the process behin...
17/04/2025
DirecTV's free streaming service MyFree DirecTV has just added another eight channels from NBCUniversal....
17/04/2025
LOS ANGELES The virtual production company GameChanger has announced that it is expanding its global footprint by bringing its virtual production technology to ...
17/04/2025
DENVER The International Broadcaster Coalition Against Piracy (IBCAP) has announced that it has developed a proprietary, automated software-based system to iden...
17/04/2025
Pixalate's new CTV Device Market Share report for Q1 2025 shows that Roku has the highest open programmatic CTV device market share in the United States, wi...
17/04/2025
Edward J. Lewis III Named Senior Vice President of Institutional Advancement Lewis has more than 20 years of industry experience, leading fundraising initiati...
17/04/2025
The Curling Group Puts On Inaugural Curling All-Star Game in Nashville The location in Music City is intended to broaden the sport's appeal By Dan Daley, ...
17/04/2025
April 17th, 2025 Press Materials Available Here
Tribeca Festival 2025 Announces TV & NOW Lineup
World Premieres and Exclusive Cast Panels with Apple TV '...
17/04/2025
SVG Sit-Down: Cisco's Bryan Bedford on Providing End-to-End Support for Clie...