
Greg Burns, head of media products, Arqiva looks at the ways streaming media providers (including traditional broadcasters) are looking to improve their approaches to video distribution
This article first appeared in TVBEurope
Streaming has cemented itself as a critical pillar in the modern-day content landscape. However as the status and popularity of streaming services have risen, so too have audience expectations. With the common view now being that eventually the majority of television consumption will be over IP networks, broadcasters and streamers must address these heightened expectations now. Audiences want the same video quality, performance and availability they have come to expect from broadcast channels. In fact, research has shown that just one buffering event decreases the amount of video watched by 39 per cent. Clearly, viewers are seeking a broadcast-grade experience from their streaming services. However, existing content delivery networks (CDNs) are often not well geared to deliver the expected quality of experience or service.
With streaming media more strategically important than it's ever been, streaming media providers (including traditional broadcasters) are looking to improve their approaches to video distribution. As things stand, there's no consensus on how best to meet the performance expectations of audiences while reducing commercial and technical risk, but there are nuanced and bespoke approaches that SVoD players, public service broadcasters and smaller media companies should consider.
The shift away from purely public CDNs
Public CDNs share their resources across a wide variety of business and content types. These public resources are supporting software updates and games downloads as well as media businesses for whom a drop in quality or rebuffering has a far more serious commercial impact. Reliance on public CDNs can temper with quality of service, guaranteed performance and reliability.
Netflix has switched away from public CDNs, opting to deliver much of its content using a private CDN model i.e. using its own infrastructure to deliver a high-quality service. This approach works for companies like Netflix that operate on a massive global scale, but is not viable for smaller media companies. What's more, even for public service broadcasters, building their own private CDNs would be inefficient and creates complexity for the ISPs who have to host the servers.
Scaling streaming services through a hybrid approach
However, both smaller streaming companies and public broadcasters must also innovate and scale their streaming services in order to keep up with demand. There is work to do here. In fact, according to Ofcom, in 2022 only 8 per cent of broadcasters' viewing was online, the BBC (a leader in streaming) quotes that [its figures] are at 12 per cent.
To ensure that this scaling happens and supports the quality of experience expected by viewers, broadcasters need to invest directly in this scaling. The effective way of doing this is through private CDNs and a managed relationship with the ISPs. A common private CDN where broadcasters can invest in the capacity they need from common infrastructure, backed-up with the required service levels is key here. A common infrastructure creates efficiencies, but also enables capacity to be traded between broadcasters to cater for major events such as live sports.
Another option is to take a hybrid model approach that combines public and private CDNs. This helps to manage costs but also to ensure their video distribution platform continues to scale to meet their ever-growing demands. Offloading throughput from the public CDNs to private CDNs ensures there is capacity in the public CDNs when they need it. The private CDN part of this approach gives the streaming media company dedicated capacity, control and broadcast-grade video quality. The public CDN element of this approach offers cost-effective resilience and flexible scalability.
Minimising complexity, managing capacity and pulling sustainability levers
But there's an element that's crucial to this: minimising complexity. Streaming companies looking to embrace a hybrid approach currently face the added difficulty of managing both public and private CDNs and the cost of building a platform to do this.
That platform also needs to be optimised to spread the load to deliver both cost efficiency and dynamic scaling. An optimised hybrid solution can also help to minimise the video industry's carbon footprint.
Managing capacity is an important part of any hybrid solution. They also need to access multiple public CDNs without excessive volume commitments and without the risk that when they need capacity, it won't be available.
Ultimately, broadcasters and streamers can be better served by a video-focused architecture that responds to their needs, rather than the needs of all internet traffic. We need to treat video differently.
Conclusion
When it comes to reimagining CDN approaches, there is no one-size-fits-all. For big SVoD players, this means developing their own private CDNs. Others might consider developing a common private CDN, where capacity can be traded between broadcasters for major events.
Taking a hybrid approach, combining a cutting-edge private CDN platform and a dynamic multiple public CDN service to support peaks in demand and business continuity, is the right answer for streaming media companies and public service broadcasters seeking to minimise commercial and technical risks while optimising performance.
Published
27/03/2023
Author
Greg Burns, Head of media products
Most recent headlines
20/02/2025
WASHINGTON The 2025 NAB Show, April 5-9, at the Las Vegas Convention Center will mark the debut of the Business of Entertainment track developed with The Ankler...
20/02/2025
TYSONS, Va. Tegna Inc. has announced that news veteran Adrienne Roark has been named chief content officer reporting to CEO Mike Steib, effective March 31....
20/02/2025
BIRMINGHAM, Ala. Roku has further expanded its sports content with a new media rights deal with Bassmaster that will make Roku the streaming hub for Bassmaster ...
20/02/2025
WASHINGTON National Association of Broadcasters (NAB) President and CEO Curtis LeGeyt opened The Media Institute's 2025 Communications Forum series with a s...
20/02/2025
The Belonging Co., a Nashville-based church renowned for its dynamic worship experiences and multimedia-rich conferences, tapped DigitalGlue's creative.spac...
20/02/2025
Mediahuis Radio continues its expansion with the completion of a new production facility in Amsterdam. DHD RX2 and DX2 audio mixers connected to XD3 Cores form ...
20/02/2025
At NAB 2025, Calrec is introducing a suite of new interconnected products and updates aiming to help broadcasters meet a variety of challenges. With increased c...
20/02/2025
Keepit, the world's only independent vendor of cloud backup and recovery solutions designed to protect SaaS data, today announced a remarkable year of growt...
20/02/2025
Expanded SMPTE ST 2110 support strengthens lip-sync and latency measurement solutions
Hitomi Broadcast, the market leader in audio/video alignment and latency ...
20/02/2025
LiveU, a leader in live IP-video and remote production solutions, today announced the successful implementation of its comprehensive IP remote production soluti...
20/02/2025
MainConcept, a leading provider of video and audio codecs, has announced a partnership with cloud playout solutions provider, Veset, to integrate its JPEG XS SD...
20/02/2025
OOONA, a leading provider of professional management and production tools for the media localization industry, announces the launch of On Stage, a free-to-acces...
20/02/2025
18 02 2025 - Media release Feisty Feminist Murder Mystery He Had It Coming Announced
Stars of He Had It Coming, Lydia West, Natasha Liu Bordizzo and Liv Hewso...
20/02/2025
18 02 2025 - Media release Screen Australia and Stan Announce New Comedy-Horror Series Gnomes
Gnomes writers Tegan Higginbotham and Paul Verhoeven, and creato...
20/02/2025
Do I Know You From Somewhere? Shot with URSA Mini Pro 12K
Brie Clayton February 19, 2025
0 Comments
Canadian indie film uses Blackmagic camera to crea...
20/02/2025
Berklee Ensemble for Musicians with Disabilities Is Stronger for Our Differences Associate Professor Adrian Anantawan, who founded Berklee's Music Inclusi...
19/02/2025
For more than a decade, Tyler, The Creator has blazed his own trail, exploring unique aesthetics across music, fashion, and art. Now he's bringing his signa...
19/02/2025
Spotify Singles, our longest-running original recorded music franchise, has officially surpassed 10 billion collective streams worldwide. That's a whole lot...
19/02/2025
Via Satellite recognizes Don Claussen's leadership in driving innovation to ...
19/02/2025
At the 2025 NAB Show, April 6-9 in Las Vegas, Calrec will introduce a suite of new interconnected products and updates aiming to help broadcasters attract more ...
19/02/2025
LONDON and LOS ANGELES ThinkAnalytics will feature its newly launched ThinkMediaAI, a unified artificial intelligence (AI)-powered platform that encompass conte...
19/02/2025
NEW YORK FuboTV Inc.has announced plans to launch of multicultural content bundles that will provide U.S. consumers with international programming available in ...
19/02/2025
STAMFORD, Conn. Charter's Spectrum Business has announced new packages, pricing, improved internet speeds for new business customers and free internet speed...
19/02/2025
A new survey among media HR professionals identifies broadcast operations professionals as among the most sought after jobs in the content development sector....
19/02/2025
Behind the Scenes of The Brutalist: An Oscar-Buzzed Workflow with Signiant Media...
19/02/2025
Berklee Ensemble for Disabled Musicians Is Stronger for Our Differences Associate Professor Adrian Anantawan, who founded Berklee's Music Inclusion Ensemb...
19/02/2025
Metaphysics AI neural performance toolset, which was used on the Tom Hanks and Robin Wright film Here, was recently honoured at the Visual Effects Society Award...
19/02/2025
Responding to the ratings realignment, SES provided a market update ahead of its Full Year 2024 Results which will be published on 26th February
By Matthew Co...
19/02/2025
Ikegami Electronics announces a new addition to its range of broadcast quality television production, control and monitoring equipment. The IPX-100 is an IP gat...
19/02/2025
BCNEXXT, a leading provider of virtualized, cloud-native systems for Linear, VoD, and OTT publishing, today announced
its successful collaboration with Amazon...
19/02/2025
Experience Commerce, a leading full-service digital marketing agency within the Cheil Network, has won the social media mandate for Invecto Technologies Pvt. Lt...
19/02/2025
ThinkAnalytics, the global leader in video content discovery and personalization, today launched ThinkMediaAI, the video industry's first unified AI powered...
19/02/2025
Luxembourg, 18 February 2025 -- SES S.A. has taken note of Moody's Ratings Press Release today with regards to SES and is providing a market update ahead of...
19/02/2025
MAHWAH, N.J. Ikegami Electronics has announced a new addition to its range of broadcast quality television production, control and monitoring equipment for the ...
19/02/2025
NEW YORK Veteran local media executive Joel Davis has been named president and general manager of NBCU Local Philadelphia's NBC10 / WCAU, Telemundo62 / WWSI...
19/02/2025
RALEIGH, N.C. Capitol Broadcasting Company, Inc. (CBC) has announced that longtime local media leader Heather Gray has been named interim general manager of WRA...
19/02/2025
NILES, Ill. Shure Incorporated has announced that it is forming the Wireless Microphone Spectrum Alliance (WMSA), a coalition that will work to ensure access to...
19/02/2025
Lipstick on the Legacy: The Pitfalls of Superficial Media Transformation
The media and entertainment (M&E) industry has been undergoing digital transformation ...
19/02/2025
In 2024, TAG Video Systems dedicated itself to empowering customers to achieve their goals and deliver truly extraordinary media experiences. For 2025, TAG has ...
19/02/2025
Alfalite, the only European manufacturer of LED screens, is proud to announce that its Modularpix Pro VP XR solution is the core technology behind the new Coru ...
19/02/2025
The Ninth Order Completed With URSA Mini Pro 4.6K G2 and Fairlight
Brie Clayton February 18, 2025
0 Comments
Film shown at 20 global film festivals us...
19/02/2025
People Want Ads as Intelligent as their Content
Andy Marken February 18, 2025
0 Comments
In situations like this, carelessness, mistakes they will ha...
19/02/2025
Leadership change at Capitol Broadcasting Company's WRAL-TV/FOX 50
Capitol Broadcasting Company, Inc. (CBC) today announced that longtime local media lea...
19/02/2025
In financial services, AI has traditionally been used primarily for fraud detect...
19/02/2025
Collaboration enables long-term testing and evaluation support for HAPS platform...
19/02/2025
Mercedes-Benz Stadium Overhauls Production Ecosystem With Upgraded Control Rooms...
19/02/2025
Season two of the Sky Exclusive drama series The Last of Us debuts 14 AprilOfficial Teaser Posters ReleasedWednesday 19 February 2025
The seven-episode second ...
19/02/2025
Elevate your networks IQ: ipoques AI-driven DPI technology unveiled ipoque, a Rohde & Schwarz company, showcases its groundbreaking Encrypted Traffic Intellig...
19/02/2025
Kyocera and Rohde & Schwarz join forces to demonstrate OTA characterization of m...
19/02/2025
Back to All News
Taiwanese Rom-Com Series I am Married But!' Wins Hearts w...