World premiere for New Oratorio on RT RnaG on Christmas Day
20/12/2012
The first Christmas Oratorio written in the Irish language, Orat ir na Nollag fuses traditional music idioms and singing styles with more conventional orchestration, reflecting Ireland's diverse musical heritage.
Composer Colm Foghl cites Eoghan Tuairisc's poem O che Nollag as being a major influence on the work. In it, the poet states if I had a melodeon, Christ would not be without music this night'...and continues that the likes of the music would never have been heard even from the piper of the sidhe ... music that would make the stars dance in the heavens'.
The oratorio features renowned musicians and singers Lynn Hilary (Soprano), Niamh N Charra (concertina), Noreen O'Donoghue (Irish harp), Aoife N Bhriain (fiddle), New Dublin Voices (choir) accompanied by The Orchestra of Ireland (Ceolfhoireann na h ireann) led by Fionnuala Hunt. The work is orchestrated and conducted by Liam Bates and recorded and mixed by Brian Masterson.
Foghl says of the work:
The unique musicality and sensitivity of Niamh N Charra's concertina playing lend a uniquely Irish, and a haunting universality, to the score. In the Irish tradition, the harp would have accompanied the file or poet, and in Orat ir na Nollag it's used in much the same way here to underscore the sung-speech of the recitatives. Harpist Noreen O'Donoghue uses both ancient and modern techniques, combined to magical effect. Lynn Hilary, the solo soprano, succeeds in moving effortlessly from the colours of Gregorian chant to the nuances of traditional Irish song, without being restricted by either genre but rather harnessing their best features and creating a new musical idiom. Tuairisc also references two of the three principal forms of music in Irish mythology: geantra (joyous music) and suantra (lullabies/soothing music for sleep) both of which are exemplified by Aoife N Bhriain's virtuosity on the fiddle.'
Then, on 26 Dec at 5.04pm listeners can tune in to hear a documentary about the making of Orat ir na Nollag. In it, listeners will learn about the creation of, and inspiration for, this new oratorio from the perspective of the performers and the composer. The programme will give them an opportunity to get to know the key participants and their craft, in their creative environment. It will also give a broader social context to the work, the lives and the people who shaped and inspired the musicians, composers and singers involved.
Composer Colm Foghl is originally from Dublin, and studied composition under renowned musician M che l S illeabh in in UCC. He is best known for composing and directing shows such as dance-theatre show Gaelforce Dance that toured throughout Australia, Europe, Asia and North America reaching a total audience of 4 million people in venues such as The Royal Albert Hall and Carnegie Hall. Other scores include Celtic Dawn: a Fiddle Concerto for Mair ad Nesbitt & The Berne Symphony Orchestra, Irish Thunder & Celtic Fire (Busch Gardens), and the soundtrack for The Land of Sex and Sinners (Australian Film Board/Tg4). In 2011, Colm was mentor, vocal arranger and music producer on Pitch Perfect on TG4.
Orat ir na Nollag Ceol ar sn mh n sp ir anuas will be broadcast on RT Raidi na Gaeltachta Tues 25 Dec 7.00 pm. The making of' documentary Orat ir na Nollag L argas ar an gcl r will be broadcast on 26 December 5.04 pm.
These programmes were funded by the BAI Sound and Vision scheme, and Foras na Gaeilge
LINK: | http://www.rte.ie/about/en/press-office/press-releases/2012/1220/35983... |
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